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This month's jazz in the Twin Cities:
  • For a Complete Jazz Calendar for the Twin Cities, we rely on and recommend the Twin Cities Jazz Society at www.tcjs.org. See also the Jazz88 Live Music Calendar at www.jazz88fm.com .
  • At the Artists' Quarter in St. Paul
  • At the Dakota in Minneapolis
  • Jazz Vocalist of Minnesota Gig Calendar
  • Click for Twin Cities - Minneapolis and St Paul, MN Forecast


    Faster Than a Flying Keyboard—It’s Nachito Herrera! Print E-mail
    Written by Andrea Canter, Contributing Editor   
    Thursday, 26 August 2004
    Nachito H photo by Andrea CanterPhotos by Andrea Canter

    “Hotter than the burning tip of a contraband Cuban cigar. Stronger than a straight shot of Havana rum. As exciting as a World Series game, with "El Duque" on the mound. And tastier than a big platter of black beans, rice, sweet plantains and ropa vieja...” (Tom Surowicz, liner notes, Nachito Herrera and Puro Cubano, “Live at the Dakota”)

    No one but transplanted Cuban piano virtuoso Nachito Herrera would deserve such grand praise from the Twin Cities’ “Jazz Critic Laureate” Tom Surowicz. Since his arrival in Minnesota three years ago, Herrera has been wowing audiences, students, and fellow musicians with monster technique, bottomless energy, and infectious enthusiasm for his homeland and its eclectic rhythms. His live recording with his band, Puro Cubano, generated a lot of hot ink, prompting City Pages critic Britt Robson to note that “the fact that a magnificent, south-of-the-border pianist like Herrera purposefully transplanted himself to our frozen tundra was the best local music news of 2002. And Live at the Dakota is proof of that fact.” So how did this phenomenon of rhumba, son, and bolero end up in the American northland?

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    Gary Raynor Print E-mail
    Written by Don Berryman   
    Monday, 23 August 2004
    GARY RAYNOR, BASSIST

    Gary Raynor has been prominent on both the jazz and theatrical scenes in the Twin Cities since 1977, the year his Minnesota bride lured him from New York.

    The original bassist for the Carlton Celebrity Room, he left for several years to tour with Sammy Davis Jr., returning to join a new concept outfit called "The Ruperts Band." He has gigged with the Count Basie band, accompanied countless traveling jazz artists at the Dakota Bar and Grill, Suzettes, and The Artist Quarter, performed several Minnesota Orchestra Pops concerts, has worked locally at the Guthrie Theatre, the Ordway McNight theater and Chanhassen Theater, and as a first call show player performed dozens of Broadway touring shows, including the world premier of "The Lion King". Gary's arco work is featured on Janet Jackson's single ,"Again", which was nominated both for a Grammy and an Academy Award.

    Locally, he has recorded with Debbie Duncan, Prudence Johnson, Rio Nido, Connie Evin! son, Cookie Coleman, Adi and Beth Yeshaya , Lucia Newell, Phil Aaron, Don Stille, Signe Hensel, Moore by Four, Peter Oustruschko, and Garrison Keillor. He has recorded two cds with the New York/Israeli "Soul on Fire", and four cds with the Minnesota-based klezmer band, "Klezmerica", performing its popular show, "Gershwin the Klezmer", with them in Israel , L.A., San Diego and New York.

    Gary taught at the University of Minnesota for 10 years and now teaches at Music Tech College . He is currently the bassist for the "Shoe Band", the house ensemble for the popular public radio show, "A Prairie Home Companion."

     
    Festival Diary: Boppin’ by the Falls at the 2004 Freedom Jazz Festival Print E-mail
    Written by Andrea Canter, Contributing Editor   
    Thursday, 19 August 2004
    Photos by Andrea Canter
    Yolanda Bruce, photo by Andrea Canter“Jazz is the art of expression and freedom set to music!” So proclaims the information page of the Freedom Jazz Festival website, and this theme permeated the sixth annual festival at Minnehaha Park in south Minneapolis on August 14th. Celebrating "human survival, revolution, and the expression of life,” 2004 FJF took an enthusiastic crowd through a whirlwind tour of the history of jazz, from African tribal drumming and down-home blues through post bop angst, from solo instrumental through septet ensemble, from gospel tinged vocals to impromptu jamming by both young children and high profile veterans. In other words, there was something for everybody!

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    Full Steam Straight Ahead With Lou Donaldson and Lonnie Smith Print E-mail
    Written by Andrea Canter, Contributing Editor   
    Wednesday, 18 August 2004
    Photos by Don Berryman
    Lou Donaldson photo by Don Berryman “This is straight ahead jazz. No fusion, no confusion,” alto sax legend Lou Donaldson explained to the eager audience at the Dakota in Minneapolis last night. At 77, Donaldson has played through more than fifty years of jazz history, from the pure bop of the 50s to R&B and soul/funk in the 60s and 70s, returning more and more to his trademark bop and blues in the last decade. A veteran of the golden age of Blue Note recordings whose early influences included Charlie Parker, Johnny Hodges, and Benny Carter, Donaldson’s current quartet features another legend, Dr. Lonnie Smith, on Hammond B-3. Rounding out the ensemble are eclectic guitarist Randy Johnston and drum master Fukushi Tainaka. Straight ahead never sounded better.

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    Minnesota Jazz Pioneers Print E-mail
    Written by Don Berryman   
    Monday, 16 August 2004
    Image

    The weather was a little cool, but the musicians were in their 80's as Irv Williams, Cliff Brunzell and Jeanne Arland Peterson, performed before sell-out crowds at The Artists' Quarter in St. Paul on August 13 and 14 to celebrate a collective 251 years of musical life. Saxophonist Irv Williams turned 85, while violinist Cliff Brunzell and pianist/vocalist Jeanne Arland Peterson each turned 83 within a week of the Artists' Quarter shows.

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    Prodigious Beginnings Affirmed: Alicia Renee, Jon Weber, and Friends Print E-mail
    Written by Andrea Canter, Contributing Editor   
    Sunday, 15 August 2004
    ImageWhat happens when two “matured” child prodigies, a generation apart, join their jazz forces at one of the nation’s top venues? And what happens when you add to that mix another prodigy barely in his teens? With the collaboration of rising supernova Alicia Renee, the always-inventive, encyclopedic sage of the keyboards, Jon Weber, and special guest, wunderkind guitarist Jack Callahan, the Dakota in downtown Minneapolis was host to a swinging August night of infectious vocal/instrumental jazz.

    The pairing of Weber and Renee is a natural extension of their first meeting about five years ago at the Twin Cities Hot Summer Jazz Festival, now a standing gig for Chicago-based Weber. After hearing her perform, Weber suggested Renee record, and asked to be included. Ultimately this led to the release of her first CD, “Wait for Me” (Summit, 2002).

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