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“Jazz is not background music. You must concentrate upon it in order to get the most of it. You must absorb most of it. The harmonies within the music can relax, soothe, relax, and uplift the mind when you concentrate upon and absorb it. Jazz music stimulates the minds and uplifts the souls of those who play it was well as of those who listen to immerse themselves in it. As the mind is stimulated and the soul uplifted, this is eventually reflected in the body.” - Horace Silver
 
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David Fathead Newman at Jazz at Pearl's February 2-4 Print E-mail
Written by Ronaldo Oregano   
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Dave Fathead Newman © Andrea Canter
David "Fathead" Newman will perform six shows at Jazz at Pearl's in San Francisco, performing two shows each night from Friday-Sunday, February 2-4. Showtimes are at 8:00 PM and 10:00 PM each night and tickets are $25. Akira Tana will play drums and Mike Zisman will play bass all three nights. Guitarist Bruce Forman, called "one of the great lights of our age" by Barney Kessel", is going to be joining David on Saturday night (only). On Friday and Sunday, Newman will be joined by the Sacramento pianist Joe Gilman.Visit www.jazzatpearls.com or call 415-291-8255 for more details.

David "Fathead" Newman, who plays both tenor and flute, is a solid mainstream jazz player who is best known for his long association with Ray Charles. Newman was born in Corsicana, Texas on February 24, 1933. After high school, David found gigs in local bands. He received a scholarship to Jarvis Christian College where he studied theology and music. After two years of college, David decided to go on the road full time with Buster Smith (Charlie Parker's mentor). On one of those tours, David met Ray Charles. They immediately bonded, both musically and as friends. When Ray started his own band, he called on David to be part of his group. In 1954, David began a twelve year association with the Ray Charles Band. David began as the baritone player and soon became the star tenor soloist.
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Mose Allison at the Kuumbwa Jazz Center, January 29th Print E-mail
Written by Don Berryman   
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Mose Allison © Andrea Canter
In 1974 a friend of mine gave me a record saying "this sounds like the kind of stuff you would like." That album was "Mose Allison: a Retrospective" and she was dead right. That record is still one of my favorites. I fell in love with that sound right away. He had a voice drenched in the blues combined with impeccable jazz chops on the piano. That was over 30 years ago and he has continued to write and perform his own songs and put his stylistic stamp on classics like "Seventh Son" by Willie Dixon. He is simultaneously a down home Mississippi Bluesman and a urbane jazz hipster. Mose Allison was born on November 11th in 1927. In over half a century in the profession he has recorded albums for Prestige, Columbia, Atlantic, and Bluenote records. A tireless perform who still still tours throughout the year, he will grace Santa Cruz with a concert at the Kuumbwa Jazz Canter on January the 29th.

 

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Over the Wall and Beyond--Kenny Garrett Quartet with Bobby Hutcherson at Yoshi's, January 25-28 Print E-mail
Written by Andrea Canter, Contributing Editor   
It has become eminently apparent that Kenny Garrett is the most consistently scintillating and inspiring alto/soprano saxophone force in the genre.” –Ted Kurland

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Kenny Garrett © Andrea Canter
One of the most influential jazz artists of his generation, alto/soprano sax monster Kenny Garrett has been a major force in jazz since his first appearances with the Jazz Messengers and Miles Davis twenty years ago. Sizzling with the release of his acclaimed Beyond the Wall, Garrett’s winter tour brings his stellar quartet to Yoshi's in Oakland January 25-28. Making it all the more special, Garrett and company will feature vibes master Bobby Hutcherson.

Kenny Garrett grew up surrounded by jazz, gospel, R & B, and classical music in his native Detroit. His father, who played tenor sax, introduced young Kenny to jazz and the saxophone. Like many young Detroit jazzhounds in the 70s, Garrett was mentored by Marcus Belgrave. In 1978, his plan to attend the Berklee College of Music in Boston took a back seat when Garrett had the opportunity to tour with the Duke Ellington Orchestra (under Mercer Ellington’s direction). Moving to New York 3 years later, Garrett played in the Ellington band’s Sophisticated Ladies; he was exposed to the music of Thad Jones as a member of the Mel Lewis Orchestra and to the music of Mingus as a member of the Dannie Richmond Quintet. His first recording (Introducing Kenny Garrett, Criss Cross) was released in 1984, and soon he was performing with Art Blakey, Freddie Hubbard, and Woody Shaw. In 1986, still with the Jazz Messengers, he also joined Miles Davis’ last touring band, playing and recording for five years. Notes Garrett of this association, “Miles’ genius was getting the best out musicians without controlling them—letting them be free, but also getting what he wanted from them.” As one of the last great musicians to work his way up the ranks in the bands of other great musicians, Garrett attributes much of his success to his early work in those great bands, but cites John Coltrane as having the most influence on his artistry.

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Joey DeFranceso Trio plus Bobby Hutcherson at the Kuumbwa Jazz Canter 1/22 Print E-mail
Written by Don Berryman   
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Joey DeFrancesco © Andrea Canter
Joey Defrancesco brings his Organic Vibes quartet featuring vibraphone master Bobby Hutcherson, Jake Langley on guitar and drummer Byron Landham to the Kuumbwa Jazz Center in Santa Cruz January 22nd. If you're into jazz organ I don't have to tell you, You already know. Joey DeFrancesco is the undisputed king of the Hammond B3. If you dig Joey, you're not alone and you're in pretty good company. He wowed Jack McDuff as a child and Miles Davis dug him and took him on the road when he was only 17 years old. Anytime you have the opportunity to hear a virtuoso like this, you should take it. Joey has the ears and the chops to make wonderful music and he does it. From bebop to fusion to soul jazz, he does it all and better than anyone else.

One his latest recording Organic Vibes with jazz masters vibraphonist Bobby Hutcherson and tenor sax great George Coleman, Joey transcends the traditional organ jazz trio concept with more challenging arrangements and advanced harmonies. Also contributing throughout are DeFrancesco's drummer Byron "Wookie" Landham along with Jake Langley on guitar and tenor saxophonist Ron Blake.
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Plas Johnson at Jazz at Pearl's 1/12-14 Print E-mail
Written by Ronaldo Oregano   
"From a teenage start in New Orleans backing some of rhythm & blues’ most formidable players, Plas Johnson’s career has been an extraordinary one; by the late ’50s, his ability to stroll into a studio and deliver a performance of supreme technical facility and context-ideal feel had made him one of the most prized tenor-sax soloists in Los Angeles. He has appeared on recordings by everyone from Frank Sinatra to Frank Zappa, Joni Mitchell to Screamin’ Jay Hawkins, lending each date his priceless instinct and unmistakable velvety tone." - Jonny Whiteside, LA Weekly:
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Plas Johnson
They may not know name, but almost anyone exposed to music is familiar with his playing. His is the purring sax solo on Henry Mancini's famous "Pink Panther" movie theme song. His is the saxophone counterpart to Harry "Sweets" Edison's trumpet on Neal Hefti's signature music for "The Odd Couple" TV series. Plas Johnson is the featured soloist heard on countless albums, including those of such artists as Frank Sinatra, Peggy Lee, Nat King Cole, Barbra Streisand, Quincy Jones, Ray Charles, Ella Fitzgerald, Linda Ronstadt and Sarah Vaughan.

Plas Johnson comes to Jazz at Pearl's in San Francisco for a very special three-night set, January 12th through the 15th. The jazz and soul spendor of the occasion will be heightened by the presence of Dave Mathews on the Hammond B-3, Carl Lockett on guitar, and Kent Bryson on drums.
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