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SF Bay Area
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Written by Ronaldo Oregano
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 Dave Fathead Newman © Andrea Canter David "Fathead" Newman will perform six shows at Jazz at Pearl's in San Francisco, performing two shows each night from Friday-Sunday, February 2-4. Showtimes are at 8:00 PM and 10:00 PM each night and tickets are $25. Akira Tana will play drums and Mike Zisman will play bass all three nights. Guitarist Bruce Forman, called "one of the great lights of our age" by Barney Kessel", is going to be joining David on Saturday night (only). On Friday and Sunday, Newman will be joined by the Sacramento pianist Joe Gilman.Visit www.jazzatpearls.com or call 415-291-8255 for more details. David "Fathead" Newman, who plays both tenor and flute, is a solid mainstream jazz player who is best known for his long association with Ray Charles. Newman was born in Corsicana, Texas on February 24, 1933. After high school, David found gigs in local bands. He received a scholarship to Jarvis Christian College where he studied theology and music. After two years of college, David decided to go on the road full time with Buster Smith (Charlie Parker's mentor). On one of those tours, David met Ray Charles. They immediately bonded, both musically and as friends. When Ray started his own band, he called on David to be part of his group. In 1954, David began a twelve year association with the Ray Charles Band. David began as the baritone player and soon became the star tenor soloist. |
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Written by Don Berryman
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 Mose Allison © Andrea Canter In 1974 a friend of mine gave me a record saying "this sounds like the kind of stuff you would like." That album was "Mose Allison: a Retrospective" and she was dead right. That record is still one of my favorites. I fell in love with that sound right away. He had a voice drenched in the blues combined with impeccable jazz chops on the piano. That was over 30 years ago and he has continued to write and perform his own songs and put his stylistic stamp on classics like "Seventh Son" by Willie Dixon. He is simultaneously a down home Mississippi Bluesman and a urbane jazz hipster. Mose Allison was born on November 11th in 1927. In over half a century in the profession he has recorded albums for Prestige, Columbia, Atlantic, and Bluenote records. A tireless perform who still still tours throughout the year, he will grace Santa Cruz with a concert at the Kuumbwa Jazz Canter on January the 29th. |
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Written by Andrea Canter, Contributing Editor
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“It has become eminently apparent that
Kenny Garrett is the most consistently scintillating and inspiring
alto/soprano saxophone force in the genre.” –Ted Kurland
 Kenny Garrett © Andrea Canter One of the most influential jazz
artists of his generation, alto/soprano sax monster Kenny Garrett has
been a major force in jazz since his first appearances with the Jazz
Messengers and Miles Davis twenty years ago. Sizzling with the
release of his acclaimed Beyond the Wall, Garrett’s winter
tour brings his stellar quartet to Yoshi's in Oakland
January 25-28. Making it all the more special, Garrett and company will feature vibes master Bobby Hutcherson.
Kenny Garrett grew up surrounded by
jazz, gospel, R & B, and classical music in his native Detroit.
His father, who played tenor sax, introduced young Kenny to jazz and
the saxophone. Like many young Detroit jazzhounds in the 70s, Garrett
was mentored by Marcus Belgrave. In 1978, his plan to attend the
Berklee College of Music in Boston took a back seat when Garrett had
the opportunity to tour with the Duke Ellington Orchestra (under
Mercer Ellington’s direction). Moving to New York 3 years later,
Garrett played in the Ellington band’s Sophisticated Ladies;
he was exposed to the music of Thad Jones as a member of the Mel
Lewis Orchestra and to the music of Mingus as a member of the Dannie
Richmond Quintet. His first recording (Introducing Kenny Garrett,
Criss Cross) was released in 1984, and soon he was performing
with Art Blakey, Freddie Hubbard, and Woody Shaw. In 1986, still with
the Jazz Messengers, he also joined Miles Davis’ last touring band,
playing and recording for five years. Notes Garrett of this
association, “Miles’ genius was getting the best out musicians
without controlling them—letting them be free, but also getting
what he wanted from them.” As one of the last great musicians to
work his way up the ranks in the bands of other great musicians,
Garrett attributes much of his success to his early work in those
great bands, but cites John Coltrane as having the most influence on
his artistry. |
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Written by Don Berryman
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 Joey DeFrancesco © Andrea Canter Joey Defrancesco brings his Organic
Vibes quartet featuring vibraphone master Bobby Hutcherson,
Jake Langley on guitar and drummer Byron Landham to the Kuumbwa Jazz Center
in Santa Cruz January 22nd. If you're into jazz organ I don't have to tell you, You already
know. Joey DeFrancesco is the undisputed king of the Hammond B3. If you
dig Joey, you're not alone and you're in pretty good company. He wowed
Jack McDuff as a child and Miles Davis dug him and took him on the road
when he was only 17 years old. Anytime you have the opportunity to hear
a virtuoso like this, you should take it. Joey has the ears and the
chops to make wonderful music and he does it. From bebop to fusion to
soul jazz, he does it all and better than anyone else.
One his latest recording
Organic Vibes with jazz masters
vibraphonist Bobby Hutcherson and tenor sax great George Coleman, Joey
transcends the traditional organ jazz trio concept with more
challenging arrangements and advanced harmonies. Also contributing
throughout are DeFrancesco's drummer Byron "Wookie" Landham along with
Jake Langley on guitar and tenor saxophonist Ron Blake. |
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Written by Ronaldo Oregano
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"From a teenage start in New Orleans
backing some of rhythm & blues’ most formidable players, Plas
Johnson’s career has been an extraordinary one; by the late ’50s, his
ability to stroll into a studio and deliver a performance of supreme
technical facility and context-ideal feel had made him one of the most
prized tenor-sax soloists in Los Angeles. He has appeared on recordings
by everyone from Frank Sinatra to Frank Zappa, Joni Mitchell to
Screamin’ Jay Hawkins, lending each date his priceless instinct and
unmistakable velvety tone." - Jonny Whiteside, LA Weekly:
 Plas Johnson
They may not know name, but almost anyone exposed to music is familiar
with his playing. His is the purring sax solo on Henry Mancini's famous
"Pink Panther" movie theme song. His is the saxophone counterpart to
Harry "Sweets" Edison's trumpet on Neal Hefti's signature music for
"The Odd Couple" TV series. Plas Johnson is the featured soloist heard
on countless albums, including those of such artists as Frank Sinatra,
Peggy Lee, Nat King Cole, Barbra Streisand, Quincy Jones, Ray Charles,
Ella Fitzgerald, Linda Ronstadt and Sarah Vaughan.
Plas Johnson comes to Jazz at Pearl's in San Francisco for a very
special three-night set, January 12th through the 15th. The
jazz and soul spendor of the occasion will be heightened by the
presence of Dave Mathews on the Hammond B-3, Carl Lockett on guitar,
and Kent Bryson on drums. |
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Sunday, 07 September 2008
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