Illicit Sextet Returns to Saturday Night Jazz at the Black Dog, April 9th

Twin Cities
Illicit Sextet, © Andrea Canter
Illicit Sextet, © Andrea Canter

One of the most area popular ensembles of the late 1980s and early 90s, the Illicit Sextet was dubbed “the Cadillac of local jazz” by critic Jim Meyer. In 1993 they released their acclaimed debut recording, Chapter One. Back on the jazz scene since 2009 after a long hiatus, the Illicit Sextet finally released Chapter Eleven in spring 2013. Preparing now to record Chapter Thirteen, the sextet returns to the Saturday Night Jazz at the Black Dog series in Saint Paul’s Lowertown on April 9th at 8:30 pm. The 7 pm opening set features the youthful energy of the Will Schmid-Adam Astrup Quartet. This series of weekly jazz is curated by Steve Kenny, one of the founding members of the Illicit Sextet.

 

The Illicit Sextet (8:30 pm)

Illicit Sextet, 1993
Illicit Sextet, 1993

History. Co-founders Steve Kenny, Kelly Bucheger and David Roos formed the IS in 1987 with cohorts from the University of Wisconsin River Falls. Their focus was on “bebop, hard bop and ‘straight ahead’ music, an expressive language whose grammatical rules were codified by our mentors and heroes: Miles, Trane, Newk, and others… we tapped into this meaty part of the jazz legacy because it communicated very directly to us, because we wanted to understand more about the music and its practitioners, and because we wanted to see what we could do in that form” (Kelly Bucheger, liner note for Chapter One). A short while later, the band decided to focus on original compositions, bringing more responsibility and challenge, as Buchager explained: “We not only had to be performers within a complex and demanding musical genre, but we also had to compose meaningful music worthy of that genre… the Sextet became an outstanding vehicle for personal and group expression.” The focus on original material was one of the unique features of the band, and a long-standing weekly gig at O’Gara’s in St. Paul afforded them the opportunity to try out their new music. But in the mi-90s, the band, for various reasons, went on hiatus. A long one.

Illicit Sextet Chapter OneFifteen years is a long time to reconvene but the band reunited in 2009 at the Artists Quarter with the same personnel who were playing in the mid 90s:  Paul Harper (tenor sax), who had taken over when Buchegar moved, along with the musicians who appear on Chapter One―Steve Kenny (trumpet), David Roos (guitar), Chris Lomheim (piano), Tom Pieper (bass) and Nathan Norman (drums). Lomheim, Pieper and Norman were not in the very first edition of the band, but came on board around 1990. At the time, Bucheger noted that “We’re lucky to have found three extraordinary artists who share our musical interests, and whose playing and composing have taken the group to a new level.”

“We had talked about a reunion for many years but it was hard to get everyone one the same page,” said Lomheim. “We were all busy with different projects and life phases… Stylistically, we have all grown and progressed musically and personally, and hopefully that will be reflected in the depth and quality of the music we play.” In 2013, the sextet finally released the sequel to Chapter OneChapter Eleven. And for fans of the original band, note that Chapter One has been reissued on iTunes and CD Baby.

Steve Kenny, © Andrea Canter
Steve Kenny, © Andrea Canter

The Band. Steve Kenny, FLUMPET™, co-founded the Illicit Sextet after graduating from UW-River Falls. Among other projects, he led The Bastids and then Group 47 weekly at the Artists Quarter, and more recently at Jazz Central, the Icehouse, the Black Dog and more. Group 47 recorded an LP, Straight to Vinyl, released in summer 2014. Kenny also received a Metropolitan Regional Arts Council grant to produce a 10-week series of jazz at Studio Z in summer 2014, renewed in 2015, featuring “All Originals” from ten local ensembles, including the Illicit Sextet. In fall 2014, Steve launched the Saturday Night Jazz at the Black Dog series, and with Illicit Productions, assembled and released the Twin Cities Jazz Sampler, a collection of tracks from 13 area jazz ensembles. About one year ago, he inaugurated another weekly series, Friday Night Jazz at The Nicollet (now Reverie) in Minneapolis.

Paul Harper, tenor sax, joined the Illicit Sextet in the mid 90s. A busy Twin Cities performer, Paul has appeared on numerous recordings (including Charmin Michelle’s Pure Imagination) and performs on sax and flute with guitarist Joel Shapira, Charmin & Shapira & Friends, and other ensembles through Sunset Park Music. Paul leads several ensembles, including Show and Tell, Chordless Quartet, and the Bardo Quartet.

David Roos, guitar, also a founding member of the Illicit Sextet, leads the trio Exquisite Corps,  sells guitars at The Podium in Dinkytown, and devotes time to teaching and writing about jazz guitar and theory.

Chris Lomheim, © Andrea Canter
Chris Lomheim, © Andrea Canter

Chris Lomheim, piano, was a protégé of the late Bobby Peterson. Today he is one of the most in-demand pianists in the metro area, backing area vocalists and heading his own trio, as well as playing and recording with the Reid Kennedy Trio and more. Chris returned to the studio last spring to record a trio project of all original compositions (Timelines), released in October to rave reviews.

Tom Pieper, bass, is on the faculty of the MacPhail Center for Music. With wife Karen, he performs as SpiritJazz, and is also the middle school orchestra director for the Wayzata Schools.

Nathan Norman, drums, has an extensive resumé performing with area artists, including vocalists Debbie Duncan, Connie Evingson, JoAnn Funk, and Charmin Michelle. He’s also played and/or recorded with Bill Banfield, Nancy Bierma, Robert Huntley, French 75 and more, and performs regularly with the Travis Anderson Trio.

 

Adam Astrup and Will Schmid, © Andrea Canter
Adam Astrup and Will Schmid, © Andrea Canter

Opening: Will Schmid/Adam Astrup Quartet,  7pm

Four high school jazz musicians form this double guitar quartet, led by guitarists Will Schmid and Adam Astrup. Will is a senior at Minnetonka High School; Adam is a junior at Ricori High School in Cold Spring, MN. As a duo, Will and Adam wowed the audience at the Twin Cities Winter Jazz Festival in January, earning them a return gig at the upcoming Twin Cities Jazz Festival in June. Will has led several other ensembles, appearing at the 318 Cafe, Black Dog, and Nicollet, and is a member of the Minnesota Youth Jazz Band as well as school ensembles. A student of Zacc Harris, Adam was selected for the Dakota Combo for a second year and has appeared in other youth ensembles in the metro area. Joining the guitars will be bassist Alma Engebretson and drummer Simon Petrick. Alma is a senior at Washburn High School (Minneapolis), and performs with the Dakota Combo, MYJB, and, on cello, with the Greater Twin Cities Youth Symphonies. Simon is a junior at Mainstreet Performing Arts High School in Hopkins and has appeared in several youth bands at the Black Dog and Nicollet.

 

Saturday Night Jazz at the Black Dog begins at 7 pm with the Will Schmid/Adam Astrup Quartet,, followed by the Illicit Sextet at 8:30 pm. The Black Dog is located in the Northern Warehouse at 308 Prince Street in St Paul’s Lowertown arts district; www.blackdogstpaul.com. No cover– tips ($5-$10) appreciated to pay the musicians and support the series. Full schedule at www.saturdaynightjazzattheblackdog.info