Kurt Elling Brings Broadway to the Dakota, October 23rd
Written by Andrea Canter, Contributing Editor   
Sunday, 21 October 2012

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Kurt EllingİAndrea Canter
 

“There are versions of Sam Cooke's ‘You Send Me’, Carole King's ‘So Far Away’ and Paul Simon's ‘An American Tune’ that will go down as some of the finest ballad interpretations this awesomely equipped vocalist has ever recorded.” – John Fordham, The Guardian

 

Kurt Elling, arguably the greatest jazz singer of his generation, has appeared in the Twin Cities on a number of occasions in the past six-plus years, and his return visits are always eagerly anticipated. His use of scat and vocalese, his original lyrics for such masterpieces as Coltrane’s “Revelation,” and his interpretations of such great instrumental works as Dexter Gordon’s sax solo on “Body and Soul” have put him at the creative apogee of modern jazz artists. Through 2012, his full output of nine albums have earned an unprecedented nine Grammy nominations, including 2009’s Grammy-winning Dedicated to You. He’s topped the Downbeat Poll for Best Male Vocalist for each of the past 13 years, and he’s won a long list of others and awards. Now touring in support of his latest Concord release, 1619 Broadway: The Brill Building Project, our eager anticipation will be rewarded when Kurt Elling and his quartet visit the Dakota Jazz Club, October 23rd.

 

Kurt Elling

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Kurt EllingİAndrea Canter
Kurt Elling’s father was a church musician, and playing instruments and singing was just a natural part of growing up. But it wasn’t until college at Gustavous Adolphous in St. Peter, Minnesota that he was initially turned on to jazz, hearing records of Herbie Hancock, Dexter Gordon, Dave Brubeck and more in his dorm. He performed during his college days, attracting audiences with his scatting which at that time was not very familiar to midwest, small town audiences. Initially headed to graduate studies in divinity, ultimately Elling made the final turn to a career in jazz.

 

Citing key influence as Mark Murphy, John Hendricks and Frank Sinatra, Elling is best known for his scat, vocalese, and a variant informally known as “rant.”  Says Elling, “Ranting is an informal term a friend of mine came up with for improvised melodies coupled with improvised lyrics. Sometimes there is no melody - just an improvised story or ‘open thought process.’” Many qualities make Kurt Elling the musical equivalent of a gold medal Olympian gymnast, leaping across intervals with his four-octave range, shifting meters as well as dynamics and pitch as if it is all a ball of vocal silly putty. He has ultimate control of his own instrument (his voice), sliding up and down like a melodic slinky toy, splattering rounds of notes like machine gun fire, filling space like a horn soloist. 

 

In the past few years, Elling and his trio have toured with the great tenor saxophonist Ernie Watts and the string quartet, ETHEL. With Watts, Elling has celebrated the collaboration of John Coltrane and Johnny Hartman, leading to the Grammy-winning recording, Dedicated to You. Elling went back to the studio with a titanic cast to record The Gate, released early in 2011. Produced by Don Was whose credentials are more rock/pop oriented, Elling puts his unique interpretative spin on the music of King Crimson, Joe Jackson, Stevie Wonder and the Beatles, as well as giving new meaning to Miles Davis, Bill Evans and Herbie Hancock. In the words of Emily Cary (Washington Examiner), Elling “soars to heretofore improbable levels of jazz vocalese.”

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John McLeanİAndrea Canter
And now Elling has gone in yet another direction with 1619 Broadway: The Brill Building Project. Dubbed “the most important generator of popular songs in the Western world" (London Telegraph), Manhattan’s Brill Building at 1619 Broadway has served as a cauldron of pop music creativity since the 1930s. The “Brill Sound” reflects some of the most iconic teams in the history of American popular music, including Lieber and Stoller ("Stand By Me"), Goffen and King ("Will You Still Love Me Tomorrow?"), Mann and Weil ("You've Lost That Lovin' Feeling"), and Bacharach and David ("Walk On By").  In looking at a new concept for his next recording, Elling noted, "I didn't want to cover any of the New York songwriters jazz people usually go to: the Gershwins, Rodgers and Hart, Cole Porter, all of whom I love; I wanted to reach out for something different for jazz. The vast collection of songs coming out of The Brill Building seemed like a gold mine." That gold mine included tunes more associated with doo-wop than bebop—but Elling has never been one to avoid a challenge, either to his artistic range or image. The results are both stunning and entertaining, two words long associated with Elling’s work. On 1619 Broadway, songs run the musical gamut from Cahn and VanHeusen to Ellington to Carole King and Sam Cooke, from ballads to blues to rock and pop. And the core band—Laurence Hobgood, John McLean, Clarke Sommers and Kendrick Scott—is featured on Elling’s current tour. (See Jazz Police review!)

But it’s not all touring in support of recordings for Kurt Elling. Among his diverse projects include a recent tour with seven-string guitarist Charlie Hunter, joined only by drummer Derrick Phillips, in a pared-down setting that provided a “little bit more room for me to make my own notes happen," Elling says. He’s also performed with big bands, with pianist Fred Hersch, and with John Hollenbeck’s Claudia Quintet in recent years. In December, he will be recording with the WDR Symphony Orchestra in Cologne, Germany; in 2013, he will be touring with Tommie Smith and the Scottish Jazz Orchestra.

The Band

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LawrenceHobgoodİAndrea Canter
Pianist Laurence Hobgood has been a long-time collaborator with Elling. Described as “one of the most incredible pianists I ever heard” by legend Dave Brubeck, he began his association with Kurt Elling in 1993 and has served arranger as well as pianist. A Grammy nominee, Hobgood performs and records with his trio and has worked with a long list of top artists, including Mark Murphy, Kevin Mahogany, Lee Konitz, Jon Hendricks, Clark Terry, Jay Clayton and more. His highly regarded 2009 release, When the Heart Dances, featured Charlie Haden as well as Kurt Elling.

Based in Chicago, guitarist John McLean has built his career over 25 years as a performer, composer, arranger, producer, bandleader and educator. As a highly regarded guitarist, he has toured and/or recorded with a star-studded list of artists, including  Kurt Elling, Mose Allison, Dave Douglas, Dr. Lonnie Smith, Patricia Barber, Randy Brecker, Arthur Blythe, and many more. Noted the Chicago Reader, “No jazz musician in Chicago can more quickly electrify a tune or galvanize an audience...”

Clark Sommers is a Grammy-winning bassist steeped in the jazz tradition. The Chicago-area native studied with Ahmad Jamal’s longtime bassist, James Cammack. Sommers has performed all over the world and is featured on more than 40 albums with renowned artists such as Kurt Elling, Cedar Walton, Ernie Watts, The Mighty Blue Kings, Marilyn McCoo, Marvin Hamlisch, Kevin Mahogany, Peter Bernstein, Michael Weiss, Ira Sullivan, Frank Wess and Charles McPherson, among others. "Clark Sommers rings true and honest in tone. The golden color pours a solid foundation to the timber of the group.

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Kendrick ScottİAndrea Canter
Drummer Kendrick Scott is fast becoming one of the top guns among a new generation of drummers. Raised in Houston, Scott has been featured in Terence Blanchard's band for the last six years and has appeared on the Grammy Award-winning and nominated recordings, A Tale of God's Will and Flow, to which he contributed original compositions and orchestrations. Just in his early 30s, Scott has already enjoyed appearances with Herbie Hancock, John Scofield, Dianne Reeves, Maria Schneider, Wayne Shorter, Angelique Kidjo, Bilal, Christian McBride, David Sanborn, John Patitucci, The Crusaders, Robert Glasper, Stefon Harris, Kenny Garrett, Pat Metheny, Nicholas Payton, Roy Hargrove, and more.

Like the Brill Building, Kurt Elling is a vast treasure chest of  musical wonders, unfettered by genre if ultimately cushioned in jazz traditions Missing his show would be like missing an opportunity to breathe fresh air. His upcoming two sets at the Dakota give us two chances at musical rejuvenation.

The Dakota Jazz Club is located at 1010 Nicollet Mall in downtown Minneapolis. Sets at 7 and 9 pm; www.dakotacooks.com

 



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