Phil Woods Quintet w/Bill Mays, Brian Lynch, Steve Gilmore, and Bill Goodwin, at Dizzy's 7/26-29
Written by Ronaldo Oregano   
Wednesday, 25 July 2012

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Phil Woods

The NEA calls Phil Woods a Jazz Master and if you called him the greatest living alto sax player on the planet, few could argue. More than just a purveyor of pure bebop, he is a witty oral historian with a razor sharp band. This is indeed jazz at its finest. A stellar quintet featuring Phil Woods on alto saxophone, Bill Mays on piano, Brian Lynch on trumpet, Steve Gilmore on bass, and Bill Goodwin ondrums perform at Dizzy's on Thursday, July 26th through Sunday, July 29th with sets at 7:30 p.m. and 9:30 p.m. nightly.  Cover charge is $30-40 (Students: $15 select sets with valid student ID). Even if you're not in New York, on July 26th you can watch this performance live at jalc.org/live at 9:30pm EST.

Born in Springfield, Massachusetts, Philip Wells Woods has devoted himself to the alto saxophone since the age of 12. As a teenager, he briefly took private lessons in improvisation from Lennie Tristano and also studied for a summer at the Manhattan School of Music. In 1948, he enrolled in the Juilliard School, where he remained through 1952, majoring in clarinet performance. While at Juilliard, he played for a brief period in Charlie Barnet's dance band. Subsequently, he worked with leaders including George Wallington (replacing Jackie McLean), Kenny Dorham, and Friedrich Gulda and then, joining with one of his musical idols, traveled to the Near East and South America with Dizzy Gillespie.

By now established as one of the most brilliant alto saxophonists in jazz, Woods went on to perform in Buddy Rich's quintet and toured Europe with Quincy Jones (1959-60) and the U.S.S.R. with Benny Goodman (1962). From 1964 to 1967, Woods took a summer break from the bandstand, teaching at the Ramblerny performing arts camp in New Hope, Pennsylvania. Meanwhile, still much in demand, he performed in New York in 1967 both as the leader of his own quartet (featuring Hal Galper, Richard Davis, and Dottie Dodgion) and as a member of Clark Terry's big band.

In 1968, Woods moved to France and formed the European Rhythm Machine quartet, with George Gruntz on keyboards, Henri Texier on bass, and Daniel Humair on drums. His talent as a composer blossomed during this period, when he wrote music for Danish and Belgian radio and composed a ballet for French television. After disbanding the quartet in 1972, Woods returned to the United States, settled in Delaware Water Gap, Pennsylvania, and formed a jazz group with Mike Melillo, Steve Gilmore, and Bill Goodwin. With this ensemble, he staked his claim to being the finest alto saxophonist in mainstream jazz, a reputation confirmed by his performances on Images (1975, with Michel Legrand), Live from the Showboat (1976), and Billy Joel's 1977 hit recording, "Just the Way You Are," all of which received Grammy Awards.

In 1975, he received an NEA Music grant that he used to compose the work "The Sun Suite," one of more than 200 songs Woods has composed. He has recorded several albums with new arrangements of famous composers -- such as Antonio Carlos Jobim, Tadd Dameron, Quincy Jones, and Henry Mancini -- and in 2006 released a wellreceived album of standards, American Songbook. He remains active internationally as a bandleader, composer-arranger, and soloist.

Dizzy's is located at Frederick P. Rose Hall, Jazz at Lincoln Center Broadway at 60th Street, on the 5th Floor. For Reservations Call: 212 258-9595 or -9795. Seating is available on a first-come first-served basis either at tables or at the bar. For more information, visit: www.jalc.org/dccc



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