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 Tuesday, 21 May 2013
September Sizzles at the Artists Quarter Print E-mail
Written by Andrea Canter, Contributing Editor   
Saturday, 27 August 2005
Article Index
September Sizzles at the Artists Quarter
Page 2
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Mose Allison
The hot jazz of summer shows no signs of fading as we move into September, at least not in downtown St. Paul where the Artists Quarter offers the best in local jazz at least six nights per week, along with an occasional national act at the level of Mose Allison. And as anyone who has been listening to AQ line-ups over the years knows, “local” talent here is certainly at a national level.


The AQ, in the lower level of the Hamm Building at 7th Place and St. Peter Street, doesn’t pretend to be the place be and be seen; and if you are looking for fine dining or tony ambience to accompany your music, you’re on the wrong side of the river. But, for those seeking serious music in casual comfort, sans restaurant clatter (and often without the idle chatter), the AQ is a jazz haven. Weeknights the cover seldom exceeds $3; on most weekends $10 cover the night, and the early weekend sets are non-smoking. Sometimes I think of the AQ as the jazz version of “Cheers”—where everybody knows your name, and owner/drummer Kenny Horst and official host Davis Wilson are “pleased and flipped” (to use Davis’ greeting) to welcome you aboard.


September Weekends (9 pm unless otherwise noted)


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Photo by Howard A. GItelson
September 2, Carole Martin. Once a nightly fixture on the area club circuit, vocalist Carole Martin’s performances these days are too few and far between, making this Friday night gig a rare treat. Riding high on the release of Pieces of Dreams, Martin will entice, seduce, and perhaps surprise listeners expecting the usual playlist of standards and torch songs, for there is nothing “standard” about the way this chanteuse wraps herself around a lyric and explores a melody from a deep well of passion and experience. Particularly in her lower register, Carole Martin’s alto has warmth and character, like fine brandy to be savored slowly, filled with nuance and romantic spirit. Hopefully for this AQ performance, Martin will be joined by her recording companions, pianist Peter Schimke, bassist Tom Lewis, and drummer/AQ owner (and Carole’s son-in-law) Kenny Horst.


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Photo by Andrea Canter
September 3, Tanner Taylor Trio. It was just a couple years ago that a young piano whiz from Iowa settled in the Twin Cities, and he has been burning up keyboards ever since. Tanner Taylor seems to be on stage with every vocalist in town, including stints as one of the “house pianists” when there is a performance by the Twin Cities Vocal Showcase. But his talents as a sympathetic accompanist may obscure the fact that Taylor is a monster soloist, be it as leader of his own trio or in the company of Dave Karr’s Gerry Mulligan tribute band, Mulligan Stew. And notes Pat Courtemanche, “When you consider that Gerry Mulligan didn’t use piano in his classic quartets, now that speaks volumes.”


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Photo by Don Berryman

September 9-10, The Tuesday Night Band, B-3 Organ Night Weekend Edition. The AQ lost one of its long-time heroes when organist Billy Holloman moved to Las Vegas earlier this summer. The Tuesday Night Band is alive and well, however, now in the good hands of “Downtown” Bill Brown on B-3 and Billy Franze on guitar, along with sax veteran Gary Berg and drummer Kenny Horst. A B-3 repair legend as well as incendiary organ grinder himself, Brown has ably filled Holloman’s chair with his own style and groove. For years Brown has been a popular performer, studio artist, and Hammond instructor. Franze has established his chops with Ben Sidran, Mavis Staples, and Prince, and has been part of Dr. Mambo’s Combo. Multi-instrumentalist Gary Berg swings on tenor, alto, and soprano sax as well as the chromatic harmonica. He has played a supporting role for many area musicians, live and on record. Notes Don Berryman, “He lets the bop riffs ride on the groove in a way that’s true to the music and the feeling.” In addition to his ownership and management of the Artists Quarter, Kenny Horst is one of the most popular drummers in the area. He anchored Bobby Lyle’s Organ Trio for three years at the Blue Note in New York, toured with Jimmy McGriff, briefly with Al Hirt, and locally has played with many of the national artists booked at the AQ. “His musical roots are deep and he swings like nobody’s business” (Don Berryman). You can always hear the Tuesday Night Band on…well, of course on Tuesday nights at the AQ, but this “weekend edition” will be a special celebration its reincarnation.


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Photo by Andrea Canter
Septmeber 16-17, Lucia Newell, “Hats Off to Betty Carter.” From Los Angeles to Mexico City to Rio de Janeiro, as well as locally at Orchestra Hall, the Artist's Quarter, and the Dakota, Lucia Newell has performed Brazilian samba, French ballads and bop melodies; she has sung with the great Billy Eckstein, the Rio Jazz Orchestra, and Oscar Castro Neves. Her recent recording with Departure Point saluted the great Billy Strayhorn (Steeped in Strayhorn), and now she turns her attention to one of the greatest vocalist of all time, the late Betty Carter. Carter had a strong individual style and uncompromising personality that eschewed commercial success despite her incomparable talent as a scat singer and creative interpreter. After touring with Lionel Hampton, she gained popularity with a duet recording with Ray Charles. In the last decade of her life, she was honored with a Grammy and awards from the NEA and President Clinton. Her most enduring legacy, however, is her efforts to nurture the careers of young jazz artists, much in the manner of Art Blakey. Many of today’s stars launched their careers in Carter’s stable. Joining Lucia Newell in this Betty Carter tribute will be long-time collaborators Laura Caviani on piano, Terry Burns on bass, and Phil Hey on drums.


ImageSeptember 23-25, Mose Allison (sets at 8:30/10:30 pm Friday and Saturday; 7:30 and 9:30 pm on Sunday; cover $18). It’s become an annual event, it seems, to have the great blues and bop singer/pianist/composer Mose Allison on the AQ bandstand. Notes the Village Voice, "For over thirty years, this premier songwriter, singer and pianist has stared down the oncoming doom, peppering his idiosyncratic blend of jazz and blues with mordant wit and unflinching honesty." Born 78 years ago in Tippo, Mississippi, Allison played piano in the back of a local gasoline station. Moving to New York after a stint in the Army, he met Bob Dorough and played with such stars as Stan Getz and Zoot Sims before his reputation as a songwriter earned him the nickname, “The William Faulkner of Jazz.” Recording companies were never sure how to market him, as a jazz artist, pop icon, or blues master, and artists from all genres have been drawn to his songs. As noted on National Public Radio, “musicians everywhere swap Mose's lyrics like punch lines to an inside joke.” A night with Mose Allison is a night of pure entertainment and fun, so don’t miss this great weekend—you have three nights of opportunity.



 
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