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Page 1 of 2  Mose Allison The hot jazz of summer shows no signs
of fading as we move into September, at least not in downtown St.
Paul where the Artists Quarter offers the best in local jazz at least
six nights per week, along with an occasional national act at the
level of Mose Allison. And as anyone who has been listening to AQ
line-ups over the years knows, “local” talent here is certainly
at a national level.
The AQ, in the lower level of the Hamm
Building at 7th Place and St. Peter Street, doesn’t
pretend to be the place be and be seen; and if you are looking for
fine dining or tony ambience to accompany your music, you’re on the
wrong side of the river. But, for those seeking serious music in
casual comfort, sans restaurant clatter (and often without the idle
chatter), the AQ is a jazz haven. Weeknights the cover seldom exceeds
$3; on most weekends $10 cover the night, and the early weekend sets
are non-smoking. Sometimes I think of the AQ as the jazz version of
“Cheers”—where everybody knows your name, and owner/drummer
Kenny Horst and official host Davis Wilson are “pleased and
flipped” (to use Davis’ greeting) to welcome you aboard.
September Weekends (9 pm
unless otherwise noted)
 Photo by Howard A. GItelson September 2, Carole Martin.
Once a nightly fixture on the area club
circuit, vocalist Carole Martin’s performances these days are too
few and far between, making this Friday night gig a rare treat.
Riding high on the release of Pieces of Dreams, Martin will
entice, seduce, and perhaps surprise listeners expecting the usual
playlist of standards and torch songs, for there is nothing
“standard” about the way this chanteuse wraps herself around a
lyric and explores a melody from a deep well of passion and
experience. Particularly in her lower register, Carole Martin’s
alto has warmth and character, like fine brandy to be savored slowly,
filled with nuance and romantic spirit. Hopefully for this AQ
performance, Martin will be joined by her recording companions,
pianist Peter Schimke, bassist Tom Lewis, and drummer/AQ owner (and
Carole’s son-in-law) Kenny Horst.
 Photo by Andrea Canter September
3, Tanner Taylor Trio. It was just a couple years ago that a
young piano whiz from Iowa settled in the Twin Cities, and he has
been burning up keyboards ever since. Tanner Taylor seems to be on
stage with every vocalist in town, including stints as one of the
“house pianists” when there is a performance by the Twin Cities
Vocal Showcase. But his talents as a sympathetic accompanist may
obscure the fact that Taylor is a monster soloist, be it as leader of
his own trio or in the company of Dave Karr’s Gerry Mulligan
tribute band, Mulligan Stew. And notes Pat Courtemanche, “When you
consider that Gerry Mulligan didn’t use piano in his classic
quartets, now that speaks volumes.”
 Photo by Don Berryman
September
9-10, The Tuesday Night Band, B-3 Organ Night Weekend Edition.
The AQ lost one of its long-time heroes when organist Billy Holloman
moved to Las Vegas earlier this summer. The Tuesday Night Band is
alive and well, however, now in the good hands of “Downtown” Bill
Brown on B-3 and Billy Franze on guitar, along with sax veteran Gary
Berg and drummer Kenny Horst. A B-3 repair legend as well as
incendiary organ grinder himself, Brown has ably filled
Holloman’s chair with his own style and groove. For years Brown has
been a popular performer, studio artist, and Hammond instructor.
Franze has established his chops with Ben Sidran, Mavis
Staples, and Prince, and has been part of Dr. Mambo’s Combo.
Multi-instrumentalist Gary Berg swings on tenor,
alto, and soprano sax as well as the chromatic harmonica. He has
played a supporting role for many area musicians, live and on record.
Notes Don Berryman, “He lets the bop riffs ride on the groove in a
way that’s true to the music and the feeling.” In addition to his
ownership and management of the Artists Quarter, Kenny Horst
is one of the most popular drummers in the area. He anchored Bobby
Lyle’s Organ Trio for three years at the Blue Note in New York,
toured with Jimmy McGriff,
briefly with Al Hirt, and locally has played with many of the
national artists booked at the AQ. “His musical roots are deep and
he swings like nobody’s business” (Don Berryman). You can always
hear the Tuesday Night Band on…well, of course on Tuesday nights at
the AQ, but this “weekend edition” will be a special celebration
its reincarnation.
 Photo by Andrea Canter Septmeber 16-17, Lucia Newell,
“Hats Off to Betty Carter.” From Los Angeles to Mexico
City to Rio de Janeiro, as well as locally at Orchestra Hall, the
Artist's Quarter, and the Dakota, Lucia Newell has performed
Brazilian samba, French ballads and bop melodies; she has sung with
the great Billy Eckstein, the Rio Jazz Orchestra, and Oscar Castro
Neves. Her recent recording with Departure Point saluted the great
Billy Strayhorn (Steeped in Strayhorn), and now she turns her
attention to one of the greatest vocalist of all time, the late Betty
Carter. Carter had a strong individual style and
uncompromising personality that eschewed commercial success despite
her incomparable talent as a scat singer and creative interpreter.
After touring with Lionel Hampton, she gained popularity with a duet
recording with Ray Charles. In the last decade of her life, she was
honored with a Grammy and awards from the NEA and President Clinton.
Her most enduring legacy, however, is her efforts to nurture the
careers of young jazz artists, much in the manner of Art Blakey. Many
of today’s stars launched their careers in Carter’s stable.
Joining Lucia Newell in this Betty Carter tribute will be long-time
collaborators Laura Caviani on piano, Terry Burns on bass, and Phil
Hey on drums.
September
23-25, Mose Allison (sets at 8:30/10:30 pm Friday and
Saturday; 7:30 and 9:30 pm on Sunday; cover $18). It’s become
an annual event, it seems, to have the great blues and bop
singer/pianist/composer Mose Allison on the AQ bandstand. Notes the
Village Voice, "For over thirty years, this premier
songwriter, singer and pianist has stared down the oncoming doom,
peppering his idiosyncratic blend of jazz and blues with mordant wit
and unflinching honesty." Born 78 years ago in Tippo,
Mississippi, Allison played piano in the back of a local gasoline
station. Moving to New York after a stint in the Army, he met Bob
Dorough and played with such stars as Stan Getz and Zoot Sims before
his reputation as a songwriter earned him the nickname, “The
William Faulkner of Jazz.” Recording companies were never sure how
to market him, as a jazz artist, pop icon, or blues master, and
artists from all genres have been drawn to his songs. As noted on
National Public Radio, “musicians everywhere swap Mose's lyrics
like punch lines to an inside joke.” A night with Mose Allison is
a night of pure entertainment and fun, so don’t miss this great
weekend—you have three nights of opportunity.
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