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 Wednesday, 19 June 2013
Bryan Nichols Quintet Returns to the AQ, September 28-29 Print E-mail
Written by Andrea Canter, Contributing Editor   
Tuesday, 25 September 2012

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Bryan Nichols Quintet©Andrea Canter
 

“...a swinging, sometimes quirky sense of time and creative expression.” – Jazz Police 

In the decade since he completed a degree in genetics at Iowa State University, pianist Bryan Nichols has been busy performing, composing and teaching music rather than studying DNA. The Twin Cities native has been in high demand since returning “home” in 2005, leading his own ensembles (from duos and trios to quintets and nonets), filling the piano chair for a long list of area musicians, and releasing a highly regarded recording, Bright Places, in 2011. In early 2012, he put together a concert of the music of Keith Jarrett's American Quartet--with a sextet, on the stage of Artists Quarter. But it's been a while since his core quintet has been on heard live, a situation that will be remedied this weekend (September 28-29) at the Artists Quarter.

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Bryan Nichols©Andrea Canter
Bryan Nichols studied classical piano with a “neighborhood piano teacher” but came to jazz on his own, developing his skills without formal jazz studies. He did participate in the Minnesota Institute for Talented Youth (MITY) summer jazz program where he worked with veteran piano teacher Denny Malmberg. After graduating from Burnsville High School, he went on to Iowa State, majoring in genetics “which I’ve done absolutely nothing with, ever.” Next came four years playing straight-ahead and free jazz in Chicago with the likes of Corey Wilkes, Maurice Brown, Jeff Parker, Nicole Mitchell, Von Freeman, Ari Brown, Hamid Drake and Ernest Dawkins. In 2004, Bryan was chosen for Betty Carter’s prestigious Jazz Ahead program. Based at the Kennedy Center in Washington, DC, the program provides a fellowship for young jazz artists based on excellence in performing and composing. Over his career, Bryan has appeared at international festivals including Sons d’Hiver (Paris, France) and Kerava Jazz Festival (Kerava, Finland) as well as at local and regional festivals such as the Chicago Jazz Festival and Minnesota Sur Seine Festival. He appears on recent recordings by James Buckley, Chris Morrisey, Gordon Johnson, Kelly Rossum and Nicole Mitchell. He earned a 2009 grant from the American Composers Forum and a 2010 fellowship from the McKnight Foundation.   

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Mike Lewis©Andrea Canter
In addition to his own ensembles, Bryan has performed with the Kelly Rossum Quartet, Rossum Electric Company, Rossum’s Nicollet Circus Band, James Buckley Trio, Chris Morrisey Quartet, Zacc Harris Quartet, Off the Map, Connie Evingson, Nancy Harms, Gang Font, Todd Clouser, Adam Linz, and the Minneapolis/Chicago collective, City of Fiction. His first recording as leader, Bright Places, was released in spring 2011. Bryan also finds time to teach at the MacPhail Center for Music and University of Wisconsin-Eau Claire. Despite his own “do it yourself” jazz education, he notes that “I think lessons/school type thing is pretty valuable, especially for young jazz musicians these days.” 

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Brandon Wozniak©Andrea Canter
Bryan has been working with the quintet format lately, usually with both Mike Lewis and Brandon Wozniak on saxophone. “I really thought they would sound great together, so I thought it would be great to get them both on some gigs and on my record…” When Bryan heard that the Twin Cities Jazz Society was seeking performers for the 2011-2012 Jazz From J to Z concert season, he decided it would be a good opportunity to explore the music of one of his heroes, Keith Jarrett. Notes Bryan, “Jarrett is a huge influence on me, in how he plays, how he writes and how he puts together bands. I think the American Quartet (Jarrett, Paul Motian, Charlie Haden, Dewey Redman) is absolutely a model for how jazz groups could and should work: Take a bunch of amazing, divergent players and strong musical personalities, write a bunch of diverse material that utilizes the best of everyone's talents, and watch the sparks fly. Keith is always present in the music, but you feel like he's no more likely than any of the others to push the music in new directions. I feel like these ideas have had a huge impact on the way I think of group dynamics and leadership/control in my own groups, and on the way I try to pair melody/beauty with exploration/energy.” For the J to Z concert in January, he assembled his usual cast (Lewis, Wozniak, James Buckley and JT Bates), adding Jay Epstein for some additional percussion. “It made sense to me to use the musicians in my quintet, both because of our familiarity working together and making great music, and because we’re all deeply indebted to/inspired by this material and these musicians.”  

This weekend, with Erik Fratzke handling the bass duties, the quintet reprises works from Bright Places as well as some new composition "plus a few surprises," says Bryan.

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Michael Lewis plays saxophone for the nationally acclaimed bands Happy Apple and Fat Kid Wednesdays, and pulls out the bass for tours with Andrew Bird. He's also played electric bass  (and sometimes clarinet) with Martin Dosh and with rock bands Alpha Consumer, Red Start and Fog. The Minneapolis South High alum gained national attention (outside of his sax work for Happy Apple and Fat Kids) while touring with Bird, appearing on David Letterman and The Tonight Show.

Brandon Wozniak previously lived and worked in New York City, toured with the Tommy Dorsey Orchestra, and earned his BA from Indiana University under the tutelage of David Baker. Since arriving in the Twin Cities in 2006, he has performed with local bands led by Bruce Henry, Katie Gearty, Sam Kuusisto, Zacc Harris, Adam Linz and more; and is a member of the Atlantis Quartet, Monk in Motian, Zacc Harris Quartet, Adam Meckler Quintet, Impulso, Chris Bates' Red 5, and the Dave King Trucking Company.

Multi-instrumentalist/composer Erik Fratzke lends his bass to Happy Apple and his guitar to other projects, including Gang Font and Zebulon Pike. The Winona native started off on drums, switching to upright bass in fourth grade. Among early influences he cites his mother’s record collection (including Bartok), MTV, classical string quartets, and later, the bass playing of Stanley Clarke, Jeff Berlin and Jaco Pastorious. Early in his career, he found himself playing jazz, metal, even “Christian country rock.” Over the years, the three-time Minnesota Music Awards winner as “Bassist of the Year” has played with Reid Anderson and Bill Carrothers in addition to Mike Lewis and Dave King.

J.T. Bates is one of the busiest drummers in the Twin Cities. He was a member of Motion Poets and has worked with a variety of Latin, electronic, and experimental ensembles, including Low Blow, Kelly Rossum Quartet, Zacc Harris Quartet, James Buckley Trio,  Fat Kid Wednesdays, and now with brother Chris Bates' Red 5. Noted Richard Brody in The New Yorker, “In free rhythm, his shimmering cymbals recall Sunny Murray’s work with Ayler; the tom-tom groove is like the one Ed Blackwell got with Coleman; and, when he plays on an ethereally introverted modernistic piece, he sounds like a one-man Art Ensemble of Chicago, ready to use anything for the right sound…” Most recently JT has been curating the Monday night "Jazz Implosion" series of cutting edge jazz at the Icehouse.

The AQ stage is still smoldering from the last visit from the Bryan Nichols Quintet. It will take very little to set the room afire again.  

The Artists Quarter is located at 408 St. Peter Street in downtown St Paul, lower level of the Hamm Building off 7th Place. Sets begin at  9 pm; $12 cover. Visit www.artistsquarter.com 



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