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 Tuesday, 09 February 2010
Jazz Legend Roy Haynes and his Fountain of Youth Band Return to the Artists' Quarter Print E-mail
Written by Andrea Canter, Contributing Editor   
Wednesday, 18 November 2009

 

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Roy Haynes © Andrea Canter

If there is an “Energizer Bunny” of jazz, it has to be drummer extraordinaire Roy Haynes. At an age when even jazz musicians tend to slow down and take it easy (84), Haynes has done the opposite, revving up his engines with his “Fountain of Youth” Band—so aptly named for its leader, issuing volcanic recordings and traveling cross-country to share the beat. This weekend (November 20-21), Haynes returns to a favorite haunt, the Artists Quarter in St. Paul, scene of his recent live release, Where As, featuring Haynes’ Grammy nominated drum solo (“Hippity Hop”). Haynes will be joined by his original FOY quartet, with Marcus Strickland on saxophones, Martin Bejerano on piano, and John Sullivan on bass.

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Roy Haynes © Andrea Canter
One of the most dynamic timekeepers in the business, Haynes’ career mirrors the history of modern jazz as one of the last of the great innovators of the 1940s who is still pushing the genre forward in the 21st century. Few working musicians in 2009 include the bands of Louis Armstrong, John Coltrane, Miles Davis, and Dizzy Gillespie on their resumes; but many of today’s top 20-something rising stars are graduates of the “Academy of Roy Haynes.” Born in 1925 in the Roxbury section of Boston, Haynes taught himself to play drums, fascinated by the talents of Jo Jones, Sid Catlett and Chick Webb. Older brother Doug played trumpet, studied for a time at the New England Conservatory, and introduced Roy to Jo Jones; listening to his brother’s record collection and the big bands on radio were early influences on young Roy. “Doug knew everybody. He was my main connection to jazz.”

Still in high school, Haynes played drums for various bands around town. In 1942—at only 17—Haynes began his professional career with guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown. In 1945 he was asked to join legendary bandleader Luis Russell at New York's legendary Savoy Ballroom, and between gigs absorbed the lessons of bop along 52nd Street and at the legendary Minton’s. Along the way, and after his stint with Russell ended in 1947, Roy Haynes became the favorite drummer of many bop-era titans, including Louis Armstrong, Billie Holiday, Lester Young, Charlie Parker, Bud Powell, Thelonious Monk, Lennie Tristano, Dizzy Gillespie, Miles Davis, Sonny Rollins, and John Coltrane. His chops led Young to dub him “The Royal of Haynes”; Bird and Coltrane regarded him has among the very best they worked with, Coltrane regarding Haynes as his preferred substitute for the late Elvin Jones in the historic Coltrane Quartet (1961-65).

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John Sullivan © Andrea Canter
Over the last 30 years, Haynes has primarily free-lanced when the sideman opportunities appealed to him, as well as spending more and more time leading his own bands. He supported the great Sarah Vaughan for many years (touring 1954-59), and at one time or another, he has managed the trapset for Eric Dolphy, Stan Getz, Gary Burton, Chick Corea, Pat Metheny, and Michel Petrucciani; he led the jazz-rock Hip Ensemble with George Adams and Hannibal Peterson. More recently he has mentored younger artists such as saxmen Ralph Moore, Craig Handy, and Marcus Strickland; his own son, trumpet/cornet player Graham Haynes; and now his grandson, drummer Marcus Gilmore.

Numerous accolades and honors have been awarded to Haynes, including the “Living National Treasures of Jazz” (Museum of American History) in 1988; an honorary Doctor of Music degree from Berklee College of Music in 1991; the 1993 inductee into the International Academy of Jazz Hall of Fame (University of Pittsburgh); the French Chevalier des l'Ordres Artes et des Lettres; numerous Down Beat polls. His Dreyfus release, a tribute to Charlie Parker aptly titled Birds of a Feather, received a Grammy nomination in 2002. In 2004, he released the explosive, live Fountain of Youth (Dreyfus), featuring Marcus Strickland, Martin Bejerano, and John Sullivan. Of Haynes’ then-approaching 80th birthday, Lloyd Sachs (Amazon.com) remarked, “Signs of slowing down? Forget it. The only one trying to catch any breath is the listener.”

Fountain of Youth has flourished since its first release, with Jaleel Shaw often in the saxophone slot and David Wong taking over for John Sullivan for a couple years. But the original foursome will be on hand at the AQ this weekend:

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Martin Bejerano
One of the most heralded of young saxophonists, Miami native Marcus Strickland and twin brother (drummer) E.J. were immersed in music by their father, a former percussionist for the Fort Lauderdale Symphony Orchestra and a jazz enthusiast. When he was 11, Marcus was attracted to the saxophone displayed by his middle school band teacher: “It just looked cool and looked like the most complicated,” he said. Starting on the alto, he received a soprano sax for Christmas at 13, and took up the tenor in high school. In 1997, the Strickland brothers moved to New York as students at the New School Jazz and Contemporary Music program. In addition to early experience with Roy Haynes and Lonnie Plaxico, Strickland has worked with The Carnegie Hall Big Band, The Mingus Band, the Village Vanguard Orchestra, Tom Harrell Big Band, Milt Jackson Big Band, The Lincoln Center Jazz Orchestra, Reggie Workman's African American Legacy Band, Eric Reed, Ravi Coltrane, Russell Malone, Freddie Hubbard, Nnenna Freelon, Robert Hurst, Dave Douglas and Jeff “Tain” Watts, and of course with brother E.J. With his acclaimed quartet, Marcus has released six recordings, including his latest, Idiocyncracies.

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Marcus Strickland © Jos Knaepen
Pianist Martin Bejerano is building a solid career backing some of modern jazz’s elders and young masters. The Miami native studied classical and jazz piano at Florida State University and went on to graduate studies at the University of Miami; he placed third in the 1999 Great American Piano Competition and moved to New York the following year. Soon invited to join Roy Haynes’ quartet, he also found work with Russell Malone, James Moody, Ira Sullivan, Marcus Printup, and Marcus Strickland. He released is first recording as leader in 2007. When not in New York, Bejerano is teaching at Broward College and Barry University in Miami.

Bassist John Sullivan is a veteran performer. The Wisconsin native started out on violin, moving to the bass at age 9. Although he enjoyed rock and jazz, his studies emphasized classical music through high school. Jazz became central through studies at the New England Conservatory of Music and The Thelonious Monk Institute in California; his teachers have included Danilo Perez, George Garzone, Cecil McBee, and John Abercrombie. Among a long list of awards and honors, Sullivan has received NEA Awards in composition and performance (1995) and won the ISB International Bass Competition (2001). His resume includes work with Roy Hargrove, David Sanchez, Bill Stewart, Joanne Brackeen, Gregg Tardy, Mike Manieri, Louis Hayes, Greg Hutchinson, Joe Lovano, and Dave Kikoski.

Time, for Roy Haynes, never stands still--he always has something new to say. Hear what 80+years behind the drum kit has to offer every jazz fan, of any age, why Roy Haynes is both the elder statesman and youthful core of the Fountain of Youth.

Roy Haynes and the Fountain of Youth perform two sets each night, November 20 and 21, 8 and 10:30 pm at the Artists Quarter, 408 St. Peter Street in the lower level of the Hamm Building in downtown St. Paul. Reservations online at www.artistsquarter.com or call 651-292-1359.



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