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 Sunday, 19 May 2013
Alto Star Rising: Miguel Zenón in Chicago and Minneapolis Print E-mail
Written by Andrea Canter, Contributing Editor   
Tuesday, 06 October 2009

“This young musician and composer is at once reestablishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.”  --MacArthur Foundation, 2008.  

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Miguel Zenon

Dubbed “one of the strongest saxophonists in New York” by the New York Times, Puerto Rico native Miguel Zenón has toured the nation with the SF Jazz Collective, David Sanchez, Charlie Haden, and his own quartet. Awarded a MacArthur “genius” grant in 2008, Zenon will appear October 8-11 at the Jazz Showcase in Chicago, and then for one night only at the Dakota Jazz Club in downtown Minneapolis on October 14th. Accompanying Zenón on recordings and tours are his long-time quartet cohorts, pianist Luis Perdomo, bassist Hans Glawaischnig, and drummer Henry Cole, and vocalist/percussionist Hector Tito Matos. 

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Miguel Zenon Quartet
In his native San Juan, Zenón studied saxophone at the famed Escuela Libre de Musica. Exposed to Charlie Parker and other jazz legends while in high school, he didn’t begin formal jazz studies until he received a scholarship from the Puerto Rico Heineken Jazz Festival to study at the Berklee School of Music in Boston. At Berklee he received the Berklee Best Scholarship Award, the Frederic Cameron Weber Award, and a grant from the Corporation of Musical Arts. Meanwhile, he gained professional experience with drummer Bob Moses' Mozamba and the Either/Orchestra. After graduating from Berklee in 1998, Zenón received a scholarship to the Manhattan School of Music, where he studied with Danilo Perez, Dick Oatts, Dave Liebman, George Garzone, and Bill Pierce; he earned his Masters in Saxophone Performance in 2001.  

In his young career, the 33-year-old alto sensation has performed and/or recorded with such artists and groups as David Sanchez, Danilo Perez, William Cepeda's Afrorican Jazz, The Village Vanguard Orchestra, The Guillermo Klein Big Band, The Mingus Big Band, The David Murray Big Band, Charlie Haden, Branford Marsalis, Ray Barretto, and Edward Simon, among others. In the spring of 2004 he was selected to help form “The SFJAZZ Collective,” a project created by the San Francisco Jazz Festival under the leadership of Joshua Redman, and continuing now under the direction of Joe Lovano. Currently he appears with the E.J Strickland Quintet, Sam Yahel Trio, Lage Lund Group, SF Jazz Collective, and his own quartet and Esta Plena Septet. 

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Luis Perdomo©Andrea Canter
As a leader, Miguel Zenón has released four recordings: Looking Forward (Fresh Sound/New Talent) was selected by both The New York Times and TomaJazz Magazine as on of the top 10 Jazz CDs of 2002. In 2004, he released Ceremonial as one of the first artists signed to the new Marsalis Music label. On Jibaro (2005) he took his explorations of native Puerto Rican music to a new level, “a perfect example of his astonishing concentration” (Andrew Gilbert, Jazz Times). His 2008 release, Awake, was named one of the best jazz CDs of 2008 by Jazz.com, Jazz Improv Magazine, Cuadernos de Jazz, JazzTimes and El Nuevo Dia. A dedicated educator as well as performer, Zenon has taught throughout the world and in September joined the faculty of the New England Conservatory of Music. 

In addition to his 2008 MacArthur grant, Miguel Zenon received the prestigious Guggenheim Fellowship earlier that year to support a project examining the Plena music of Puerto Rico. The result is Esta Plena, to be officially released on October 20th.

Born in Caracas, Venezuela, Luis Perdomo began his professional career at age 12, playing on Venezuelan radio and television. He moved to New York to study at the Manhattan School of Music, later becoming a student of Sir Roland Hanna when he pursued graduate studies at Queens College. In addition to leading his own group and playing with the Miguel Zenón Quartet, Perdomo plays with John Patitucci, Ravi Coltrane, Brian Lynch, Claudia Acuña, Ray Barretto’s New World Spirits, and Ralph Irizarry’s Timbalaye. In his own trio, he typically collaborates with such jazz stars as Jeff "Tain" Watts, James Genus, Hans Glawischnig, and Jeff Ballard. Perdomo released his first recording as leader in 2004, Focus Point (RKM Records). Noted Ben Ratliffe (New York Times), “Luis Perdomo plays serious, analytical music, wrapped in complexities of rhythm…”

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Hans Glawischnig©Peter Gannushkin
Bassist Hans Glawischnig was born in Graz, Austria, the son of a pianist/educator. He enrolled in the Academy of Music in Graz as a violin student at age six, switching to electric bass at 13 and then to the acoustic bass, which became his primary instrument. After finishing high school, Glawischnig attended the Berklee College of Music in Boston, and graduate studies at the Manhattan School of Music. In 1995, he was invited join Bobby Watson's Urban Renewal band on the recommendation of fellow student Stefon Harris; a stint with Maynard Ferguson's Big Bop Nouveau soon followed. The following year he joined Ray Barretto’s New World Spirit Ensemble, and subsequently worked with Paquito D'Riviera, Stefon Harris, Claudio Roditi, Phil Woods, Claudia Acuna, Mark Murphy, and David Sanchez, among others. As a leader, Glawischnig has released Common Ground on Fresh Sound/New Talent (2001).

Drummer Henry Cole studied classical percussion in his native San Juan, Puerto Rico, discovering jazz while attending the Berklee College of Music in Boston. Back in Puerto Rico, he became one of the island’s most in-demand percussionists. He moved to New York in 2003, and has been keeping busy playing with modern leaders of Latin jazz, including Paquito D’Riviera, David Sanchez, Luis Perdomo, and of course Miguel Zenón.

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Henry Cole courtesy of Victor Firth Co.
Hector Tito Matos grew up with Plena music in Puerto Rico, and played with various plena bands in the 1980s. He has appeared as guest artist (as vocalist and percussionist) on recordings (three of them Grammy-nominated) by William Cepeda, Ralph Irizarry, Eddie Palmieri, David Sánchez, and Miguel Zenón, and has performed in concert specials and festivals in Cuba, Venezuela, Spain, France, Italy, Australia, Canada, and Mexico. He leads the acclaimed Viento de Agua.

Miguel Zenon and his Esta Plena Quintet perform at the Jazz Showcase in Chicago on October 8-11, two sets at 8 and 10:00 pm (and Sunday matinee at 4 pm), www.jazzshowcase.com;  on October 14th at the Dakota Jazz Club in downtown Minneapolis, sets at 7 and 9:30 pm, www.dakotacooks.com  

 


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