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 Thursday, 17 May 2012
Scotty Barnhart --“Say It Plain” Print E-mail
Written by Andrea Canter, Contributing Editor   
Monday, 13 July 2009

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Say It Plain

My first encounter with Scotty Barnhart was in print—The World of Jazz Trumpet, which I picked up primarily as a complement to a more generic  volume of jazz history. Turns out that Barnhart is as adept at blowing that horn as in writing about it, and his music similarly is steeped in tradition yet interpreted through contemporary vision. The Professor of Jazz Trumpet at Florida State University has played 17 years with the Grammy-winning Count Basie Orchestra, and garnered accolades during his tenure with the Marcus Roberts Quintet in the late 80s and early 90s. He has since played and recorded with a Who’s Who in modern jazz, yet his debut recording as leader was a long time coming. That time is now, as Barnhart and his quintet have released Say It Plain (Unity Records).

Say It Plain is a joyous shout featuring a half dozen Barnhart compositions (one co-written with Clark Terry) and another half dozen from giant hornmen (Coltrane and Gillespie) and standard bearers (Frank Loesser and Jimmy Dorsey).

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Scotty Barnhart
The recording opens with a “Giant Steps” that sounds far more New Orleans than Coltrane, with percussion swinging and Barnhart blowing for the fences—but saying it “plain,” not simplistic but direct and clear. Pianist Marcus Roberts is all about tradition with a modern bent to the voicings, and ditto Todd Williams on soprano, emulating a virtuoso clarinet. When the two weave their strands together, all hell---a delightful one—breaks loose.  Barnhart’s title track is a muted extravaganza replete with squeals and growls, a one-sided conversation that needs no partner, but here we have Rick Lollar’s guitar, as full of song and spice as anything from Russell Malone. “Burning Sands” could easily be dubbed “Burning Horns” as Barnhart nearly vaporizes the trumpet before Todd Williams whips the tenor over sizzling rhythm from bassist Rodney Jordan and drummer Leon Anderson.

In addition to his accomplished cast, Barnhart brings in a guest list of headliners—pianist Ellis Marsalis so elegant on Barnhart’s “Dedicated to You” (with the composer winsome on flugelhorn); Wynton Marsalis as a second trumpet, along with pianist Bruce Barth, on “Con Alma;” deep baritone Jamie Davis adding suave vocals to “Young at Heart;” and Clark Terry adding zip and humor with horn and voice to the finale, Barnhart’s “Pay Me My Money.” 

Sure, pay him his money, and pick up a copy of Say It Plain for some fierce blowing and swinging from the professor who says it plain, not simple.

More on Scotty Barnhart at www.scottybarnhart.com.



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