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"...utter musical fearlessness...a complete artist - one of the jazz world's finest..." - New York Times  Karrin Allyson© Dwight McCann Her smoky alto, wide-ranging repertoire from ballad to samba to blues, and a presence that nearly pulls you onstage beside her are sufficient reasons to welcome three-time Grammy nominee Karrin Allyson back to the Dakota on June 23-24. And if you need further convincing, consider that she “can swing, she can scat, she can croon the blues—and she plays one mean piano” (Gary Giddens). It’s always a homecoming when Karrin performs in the Twin Cities, with her Midwest roots, appearances on Garrison Keillor’s Prairie Home Companion, and frequent associations with local pianist Laura Caviani. On her last visit in spring 2008, Karrin celebrated the release of Imagina, focusing on Brazilian songwriters; the recording garnered a Allyson a third Grammy nomination for Best Vocal Jazz Album of the year.
 Karrin Allyson Born in Kansas and raised in Omaha and San Francisco, Karrin Allyson studied classical piano before being turned on to jazz (and the songs of Nancy Wilson, Carmen McRae, Billie Holiday and Ella Fitzgerald) as a college student. After graduating from the University of Nebraska with a degree in piano, she spent her early professional career in Kansas City, finally moving to New York City with orchestra conductor/husband Bill McGlaughlin a few years ago. In addition to her frequent appearances in jazz clubs and festivals around the world, she has appeared at Carnegie Hall (tribute to Ella Fitzgerald), Lincoln Center’s Avery Fisher Hall, and with symphony orchestras around the country, including the Carnegie Hall concert series at Zankel Hall. Recent tours have taken her to Japan and Israel; a year ago she was a featured guest honoring Marian McPartland on her 90th birthday—Karrin played several of McPartland’s compositions at Jazz at Lincoln Center. Since her first release, Karrin has made eleven recordings for Concord reflecting classic American jazz roots as well as French and Brazilian influences. In fact, her minor in college was French (her major was music), and her love of both French and Portuguese seeps into her live performances as well as recordings, most notably on From Paris to Rio and now on Imagina, released in February 2008. Her 2001 CD, Ballads: Remembering John Coltrane, was nominated for a Grammy (best female vocalist). Wild for You (2005), a tribute to the popular songs of her youth, garnered another Grammy nomination. “These are the songs I grew up with,” she said, “the songs that made me want to sing in the first place. Before I got into jazz, I studied classical piano. But when I became a teenager, I heard these songs, and they piqued my interest. I got the sheet music and learned to play them and pretty soon thought, ‘I'd like to do this for a living.’ ”  Imagina Footprints, released in 2006, brought Allyson back to the classic jazz literature. Working with lyricist Chris Caswell, works by Nat Adderley, Hank Mobley, Wayne Shorter, Dizzy Gillespie, John Coltrane and more were transformed into modern songs, along with contributions from Oscar Brown, Jr. and Jon Hendricks and featuring guest tracks with Hendricks and Nancy King. Chris Caswell also played an integral role on Allyson’s 2008 bilingual recording, Imagina, providing English lyrics to two songs. With Allyson serving as co-producer and arranger or co-arranger for most tracks, Imagina was described by Christopher Loudon (Jazz Times) as “among the best nods to Brazil ever crafted by an American singer.”
Imagina should be regarded among Karrin Allyson’s strongest recordings, which include some very powerful statements—Wild For You, Footprints, Ballads, In Blue. She can win you over in any language. Karrin Allyson’s performances at the Dakota are always popular so early reservations are strongly recommended. She’ll be on stage for two sets (7 and 9:30 pm) each night, June 23-24; reserve at www.dakotacooks.com or call 612-332-1010. The Dakota is located at 1010 Nicollet Mall, downtown Minneapolis.
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