 Wayne Shorter © Tom Beetz
"The Panama Jazz Festival has been a magical journey to a dream we've had for years in Panama," says Perez. "We, as a country, see the entire world pass through the Panama Canal every day, and we are honored to be the bridge of the Americas. But today, we are proud to say that every year -- for the past six years -- the Panama Jazz Festival has been the national event where the world does not pass by, but makes a stop in our wonderful land. The world's best jazz artists, as well as students and volunteers from all over the globe, unite in Panama with one goal in mind: to celebrate the world's diversity through jazz."
 The 2009 festival will be dedicated to the late bassist, composer, and arranger Clarence Martin Sr., whose contributions to Panamanian jazz date from the 1940s and have influenced several generations of musicians from many genres such as jazz, classical, and Caribbean music.
The festival will open with a gala concert at the Teatro Nacional by a flamenco jazz group from Spain, sponsored by the Spanish Embassy. Other artists scheduled to perform at the festival are the Puerto Rican saxophonist Marco Pignataro and his quintet, featuring Eddie Gomez and Billy Drummond; American singer Luba Mason, whose quintet includes flute master Hubert Laws, bassist Jimmy Haslip, and vocalist Ruben Blades (Mason's husband, and Panama's Minister of Culture); and the young Panamanian saxophonist Jahaziel Arrocha, who won a Berklee College of Music scholarship at the 4th annual Panama Jazz Festival and currently attends Berklee as a Presidential Scholar.
For the fourth consecutive year, the Panama Jazz Festival will offer clinics and courses on music technology under the auspices of the Berklee College of Music Production and Engineering Department (MP&E) and Music Synthesis Department (MS). Courses on recording, mixing, and live sound will be presented by Rob Jaczko, Chair of MP&E; Alejandro Rodriguez, Associate Professor of the MP&E Department; and Neil Leonard, Chair of Berklee's Music Synthesis Department.
The keynote for the 2009 festival is "expansion," notes Perez, as the concert lineup expands from 3 to 5 days a week and the scope of the master classes expands to include a new private lesson component. "We're also reaching out even more than before to other disciplines, such as art and dance, and we're opening a classical music department," says Perez. "We're expanding our scholarship opportunities to Panamanian schools in need by giving admission to the festival to students who demonstrate academic progress. And we are expanding our children's program to include even more communities in need of outreach programs."
A complete schedule of musical and educational events, as well as information about festival travel packages, will be available at www.panamajazzfestival.com. Tickets will be on sale through the festival site as of December 1st.
About the Panama Jazz Festival Logo
"From Vazco Nunez de Balboa's 16th-century dream of uniting both oceans, to our 21st-century dream of uniting cultures and social classes through music, the Panama Canal has affected not only the global economy, but has also allowed an unprecedented biological and cultural exchange since its opening in 1914.
"In the 2009 festival's logo, the silhouette of our country and the visible trace of the Panama Canal is surrounded by a green sea that represents our ecological and musical diversity (EcoMusical diversity), inviting the viewer to experience the balance between human and natural sound.
"Today, we celebrate our country's heritage with jazz music, and even when we face great economic, social, and political challenges, we can say that we are a nation with an immeasurable cultural legacy."
--Danilo Perez
For more information visit www.panamajazzfestival.com
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Saturday, 20 March 2010
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