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“I am convinced that all art has the desire to leave the ordinary,and to say it one way, at a spiritual level, a state of the exaltation at existence. All art has this in common. But jazz, the world of improvisation, is perhaps the highest, because we do not have the opportunity to make changes. It’s as if we were painting before the public, and the following morning we cannot go back and correct that blue color or change that red. We have to have the blues and reds very well placed before going out to play. So for me, jazz is probably the most demanding art.” - Sonny Rollins from a recent interview for the Catalan magazine Jaç
 

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Woodwind & Brasswind
Carole Martin Sings From the Heart at the Artists Quarter, October 10-11 Print E-mail
Written by Andrea Canter, Contributing Editor   
Thursday, 09 October 2008

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Carole Martin and Phil Aaron©Andrea Canter
 

Once a nightly fixture on the area club circuit, Carole Martin all but disappeared from the Twin Cities jazz scene for a few decades. But now with two acclaimed recordings released in the past three years (Pieces of Dreams, Songs From My Heart), Carole has returned to more or less regular performing with at least a few gigs per year at the Artists Quarter. This weekend, October 10-11, Carole will entice, seduce, and perhaps surprise listeners expecting the usual playlist of standards and torch songs, for there is nothing “standard” about the way this chanteuse wraps herself around a lyric and explores a melody from a deep well of passion and experience. Carole will be in the very fine company of pianist Phil Aaron and drummer/son-in-law/AQ owner Kenny Horst. If you caught Carole’s tunes at the September 28th tribute to Leigh Kamman, you are probably still checking your pulse following her rendition of “Blame It On My Youth.”  

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Carole Martin©Andrea Canter
Carole Martin was destined to a career as an entertainer, growing up in Glencoe, MN, in a family of musicians and circus performers. A self-taught singer, she notes that “I was brought up on singers like Tony Bennett, and I loved Nancy Wilson and Irene Kral.” In high school she sang in the choir and, with two sisters, sang “Canadian Sunset” on a Faribault radio station. Married at sixteen and divorced with three children a few years later, she started out singing pop songs at Minneapolis clubs like Mr. Nibs, but was more attracted to the jazz tunes she heard at the adjacent Duffy’s. She worked nights on end in her 20s at Twin Cities clubs such as the White House, Harbor Room, King Solomon's Mines and the Point, receiving her on-the-job training from such local legends as Percy Hughes. Her first recordings, For the First Time (1965) and The Music That Makes Me Dance (1968), were well received at the time, but it would be years before she returned to the studio.

When regular club worked petered out in the 80s, she turned to selling mens’ sportswear. She made a brief return to music in the early 90s, performing on the stages of earlier incarnations of the Artists Quarter and Dakota, but quit a few years later following the death of son Dale. But gradually—and with the memory of Dale’s encouragement ("You've got to sing, Mom”), Carole resumed public appearances, special engagements and finally a return to the recording studio for her first release in 35 years. Pieces of Dreams was an immediate success, described by Jon Bream (Star Tribune) as “the finest jazz-vocal CD from the Twin Cities in many a moon.” [click here for a Jazz Police review]

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Carole Martin©Andrea Canter
Fortunately Carole did not wait another three decades between recordings, releasing Songs From My Heart last November. [Click here for a Jazz Police review] With the Artists Quarter stage serving as sound studio, this recording has the intimacy of a small bar, a place where you can sit back and listen as the storyteller weaves her tales of love lost and found. Noted New York-based pianist Rick Germanson, an AQ favorite who appears on Songs…, "Carole could definitely work anywhere in the world. What she has that puts her above a lot of singers is that she always tells a story. Some singers I work with don't even hear what they're singing. Carole's honesty comes through in her music, and obviously she knows how to entertain a crowd." Adds the great saxophonist Irv Williams, also on her CD as well as a frequent member of her quartet, "Carole has all the tools. She has looks, a great personality, and nobody can sell a song better than she can.”

Now with six grandchildren and two great-grandchildren, Carole Martin sings not because she needs to support her family but because it brings her joy. And the years off stage seem to have only deepened her talent. In a recent interview for the Star Tribune, she noted, “I really found later in life, and maybe it's because of everything I've lived through, that I became the singer that I really wanted to become, and that's one reason I started recording again."  

This is a not-to-be-missed weekend at the AQ, with the amber voice of Carole Martin filling the autumn air with enough warmth to last through a Minnesota winter. 
 

The Artists Quarter is located in the lower level of the Hamm Building in downtown St. Paul (at St. Peter and 7th Place); call (651) 292-1359; www.artistsquarter.com. Pieces of Dreams and Songs From My Heart are available from the AQ or local and online record outlets. Quotes from the Star Tribune (November 2005). 

 
 Tuesday, 02 December 2008
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