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I don't suppose that every person who is into music will want to be a jazz musician because it is probably the hardest thing to do in the world. - Sathima Bea Benjamin
 
 Thursday, 08 January 2009
The Eternal Maverick: Mose Allison Returns to the Artists Quarter, October 3-5 Print E-mail
Written by Andrea Canter, Contributing Editor   
Saturday, 27 September 2008

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Mose AllisonŠAndrea Canter
 

“I been getting good crowds. It only took 50 years. But I got an audience that knows what I do. They usually show up, so I usually do pretty good.” --Mose Allison (All About Jazz)

Known as "The William Faulkner of Jazz," multi-Grammy winner Mose Allison has enjoyed a long career as pianist, singer and songwriter. Beyond his reputation as an engaging and “hip” entertainer, there are few living musicians who have had such a strong influence on the development of other artists. When many other jazzers were taking the music down a more intellectual path, Allison, like Art Blakey and Horace Silver, put great emphasis on his Southern Blues and folk traditions. Still touring about 40 weeks per year at age 80, Allison has attained icon status among the blues and pop communities. As he does nearly every year, Mose Allison returns to St. Paul for a weekend at the Artists Quarter, October 3-5.

Born on his grandfather’s farm near the Mississippi Delta village of Tippo, Mose Allison taught himself to play piano by ear and at five was playing blues and boogie tunes he heard on the jukebox at the nearby gas station. He remembers writing his first song at age 12. Later he would listen to the music of the jazz greats of they day—Ellington, Armstrong, Waller, and his main source of inspiration, Nat King Cole. By high school he was also playing trumpet in dance and marching bands, as well as writing his own songs.

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Mose AllisonŠAndrea Canter
Enlisting in the Army in 1946, Mose toured the country in the Army Band. After his discharge he returned home to Mississippi where he briefly served as arranger, pianist and trumpeter for a dance band. Soon he had formed his own trio, playing under the influence of Nat Cole, Louis Jordan and Erroll Garner. During this time he also earned his BA degree in English and philosophy from Louisiana State University. Through the mid-50s, Mose appeared in clubs in the South and West, now melding the influences of modern pianists John Lewis, Thelonious Monk and Al Haig with the vocal styles of bluesmen Percy Mayfield and Charles Brown. Relocating to New York in 1956, he recorded with Al Cohn and a year later, his own Back Country Suite. In addition to appearances with his Mose Allison Trio, he worked with sax stars Stan Getz, Zoot Sims and Gerry Mulligan, among the stars he met through roommate, singer/songwriter Bob Dorough. He continued to meld diverse styles at the piano, now reflecting the influences of Bud Powell and Lenny Tristano as well as classical composers Bartok, Ives, Schoenberg and Hindemith, always tinged with the blues.

Over time his songwriting skills have perhaps eclipsed his reputation as a world-class pianist. A wide range of artists have covered Mose’s songs, including Van Morrison, John Mayall, The Who, The Clash, Eric Clapton, the Yardbirds, Elvis Costello, Bonnie Raitt and Curtis Stigers. Van Morrison’s tribute, Tell Me Something, The Songs of Mose Allison, was released on Verve Records, and Pete Townshend, Bonnie Raitt and Bill Wyman of the Rolling Stones have cited Mose as a major influence on their music. And what distinguishes Mose Allison is his talent as a lyricist, his songs full of the witty observations of a master storyteller. “There's a few tunes of mine that don't have jokes,” says Allison, “but most of them have a joke and they have a humorous point of view somewhere. You got to laugh. What else can you do?” Everyday life is his source of inspiration for lyrics. “I never sit down and write. I just sorta let things form in my brain. I'm always storing away phrases and ideas and things that I think might turn into songs.”

Mose Allison’s discography is extensive. Many of his classics from the 50s and 60s have been re-released, and a new two-volume set is due from Concord/Prestige on September 25th.  And the BBC has recently completed the documentary film, Mose Allison: Ever Since I Stole The Blues.

"With his unorthodox, urgent sound and personalized harmonic voicings, he may remind you of Thelonious Monk, but only in the sense that he is the eternal maverick, eschewing more rules than he observes." --Washington Post

Don’t miss the annual party at the Artists Quarter when the “eternal maverick” returns to give us the warmth to last through another Minnesota winter. Two shows each night on October 3-6 (8:30 and 10:30 pm on Friday and Saturday; 7:30 and 9:30 pm on Sunday), cover $20.

The Artists Quarter is located at 408 St. Peter Street in downtown St. Paul, lower level of the Hamm Building. Reservations(recommended) at 651-292-1359. 

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