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“They said Bird played bebop, but Bird could still swing. I’ve heard a lot of guys play bebop, but they wasn’t swinging.” - Jay McShann
 
 Thursday, 08 January 2009
Kelly Rossum Celebrates “Family”, CD Release Party September 26-27 Print E-mail
Written by Andrea Canter, Contributing Editor   
Tuesday, 23 September 2008

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Kelly Rossum©Andrea Canter
 

On September 26-27, trumpeter Kelly Rossum and his quartet will celebrate the release of Family at the Artists Quarter in St. Paul. Rossum’s fourth recording, Family most clearly defines his musical heritage as well as his status as one of the region’s most divergent thinkers and performers. “Each project comes from a different place,” says Rossum of his four CDs. “I don't view these recordings as an evolution per se, but as an eventual profile of my personality.” [Click here for the full Jazz Police review.] 

A distinctive and versatile trumpeter whose history includes directing the big band at Busch Gardens (Virginia), earning his doctorate in Baroque Trumpet at the University of Minnesota, and currently coordinating jazz studies at the MacPhail Center for Music, Kelly Rossum has honed his skills over two decades of performing everything from Bach to rock, from swing to avant garde. Even his current projects reflect a restless eclecticism that informs his compositions—Pete Whitman’s X-Tet, the Jazz Is Now! Nownet, the Ellen Lease/Pat Moriarity Quintet, the Dolphy-inspired Out to Lunch Quintet, his new Rossum Electric Company, and soloing with the Skyway Jazz Orchestra. But his small ensembles, the Kelly Rossum Quintet and now Quartet, offer the most integrated view into the heart and mind of a musician who reveres his artistic roots while always pushing ahead to wherever those connections might lead. 

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Bryan Nichols©Andrea Canter
Family (612 Sides) follows three highly satisfying releases: Party’s Over/Begun in 2002 (Yebo) and Renovation (612 Sides) in 2004 used the two-horn quintet format, the latter adding some electronics and covers of Ornette and Hendrix to original repertoire. Moving to a piano-less, three-horn quintet, Rossum released the all-original Line in 2006 (612 Sides). Although at least one saxophone provided a playground for brass harmony on the earlier recordings, on Family (as well as recent live quartet gigs), Kelly scaled down the ensemble to one horn voice and full rhythm section with piano (Bryan Nichols on keys with brothers Chris and J.T. Bates on bass and drums), noting that “Music becomes transparent with fewer individual voices.”  

The “Family” that Kelly Rossum brings to the recording and to the CD release at the Artists Quarter includes simpatico musicians who have also built reputations for their versatility and innovation: Bryan Nichols returned to his native Minnesota after studies at Iowa State and gigging in Chicago. A member of the 2004 edition of Betty Carter’s Jazz Ahead (“Jazz Stars of Tomorrow”), he performed at Kennedy Center in Washington, DC. He’s played with Ari Brown, Maurice Brown, Von Freeman, and more, and is currently on the faculty of the MacPhail Center for Music. A member of the Motion Poets, bassist Chris Bates has focused on composing (he was a 1999 McKnight Composer Fellow) and playing regularly with Low Blow, the Ellen Lease/Pat Moriarty Quintet, How Birds Work, and the guitar trios, Framework and Red Planet. J.T. Bates is one of the busiest drummers in the Twin Cities, on and off the bandstand. He also was a member of Motion Poets, has played and recorded with Doug Little, and recently has worked with a variety of Latin, electronic, and experimental ensembles, including Low Blow and Fat Kid Wednesdays. 

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JT and Chris Bates©Andrea Canter
Family is perhaps the most diverse music that Kelly Rossum has recorded, what he describes as “a reflection of my musical family. The music stems from a rich tradition, yet it continues to evolve and grow.” One has to expect a broad palette from an artist who cites Miles Davis, Jimi Hendrix and J.S. Bach as his key influences! And if Miles Davis provides the most prominent DNA in Kelly Rossum’s gene pool, his arrangements of such Miles’ standards as “If I Were A Bell” offer a cellular map of the young trumpeter’s familial origins and adaptation. Overall, Family is at once evidence of Kelly Rossum’s musical inheritance and his ongoing genetic drift. 

The best introduction to Family will be in live performance, this weekend at the Artists Quarter, September 26-27.  

The Kelly Rossum Quartet will celebrate the release of Family on September 26-27 at the Artists Quarter in downtown St. Paul (408 St. Peter Street), sets at 9 pm; visit www.artistsquarter.com. CD available at the gigs and at CD Baby and Amazon. More about Kelly Rossum at www.kellyrossum.com 
 

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