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The Mike LeDonne Quintet featuring Eric Alexander and Jeremy Pelt at the Jazz Standard |
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Written by Ronaldo Oregano
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Saturday, 13 September 2008 |
"The pianists own statements could be called spontaneous compositions...he spins out solos that unfold with a logic that veils the formidable technique at their core." Ted Panken, Downbeat  Mike LeDonne Mike LeDonne is an exceptional pianist who has a long list of accomplishments. He has won praise not only from critics but from master musicians: the late Oscar Peterson picked him as one of his favorite pianists of today. His swinging quintet features the most solid jazzmen playing today: including Eric Alexander on tenor saxophone, Jeremy Pelt on trumpet, Mike LeDonne on piano, John Webber on bass, and Joe Farnsworth on drums. Each member of this ensemble is an accomplished soloist and leader. It just doesn't get any better than this. Don't miss this stellar lineup as they appear at the Jazz Standard for two night: Tuesday, September 16th and Wednesday, September 17th. Tickets are $20. After Mike LeDonne graduated from New England Conservatory he moved to New York City with the Widespread Jazz Orchestra. As the house pianist at Jimmy Ryan's, where that he came under the influence of and played jazz masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others. Later he worked with the Art Farmer-Clifford Jordan Quintet, went to Paris with Grady Tate, and played with James Moody, Dizzy Gillespie, Stanley Turrentine, Charles McPherson and Sonny Rollins.
 Jeremy Pelt © Jamie Ziefert In 1988 he started playing with the Milt Jackson Quartet (along with Mickey Roker and Bob Cranshaw). Mr. Jackson recorded Mike's compositions and arrangements. Mike also became the band's musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians for the Phillip Morris Superband World Tour. Mike served as musical director for that group, which featured Ryan Kisor on trumpet, Joshua Redman on tenor saxophone, Jesse Davis on alto saxophone, Christian McBride on bass and Lewis Nash at the drums. Around this time, Mike toured with the Newport All-Stars in lineups that also featured Harry "Sweets" Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios which have included Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes. Most recently, he has worked with Bobby Hutcherson. Mike has played concerts and clubs around the world since 1981. Along with his many recordings as a sideman, he has five CDs on Criss Cross Jazz and three on Double Time Records. The first two, 'Bout Time and The Feeling of Jazz are quintet projects with Tom Harrell, baritone saxophonist Gary Smulyan, bassist Dennis Irwin and drummer Kenny Washington. His third CD, Common Ground is a trio recording and also features Irwin and Washington. The fourth CD, Soulmates, includes Ryan Kisor, Joshua Redman, and Lewis Nash, with Peter Washington on bass and Jon Gordon on alto saxophone. 'Bout Time was one of the recordings selected as "Record Of The Year" in the 1989 Jazz Journal Critics Poll. The Feeling of Jazz was chosen as one of the "Top Ten Records of 1991 " in the Jazz Times' Critics Poll. Soulmates came in second in the "Best 12 Recordings of 1994" WBGO Poll (WBGO is the leading jazz radio station in the New York area). Waltz For An Urbanite features vibraphonist Steve Nelson and guitarist Peter Bernstein, along with Peter Washington and Kenny Washington. Waltz For An Urbanite won "Record Of The Month" in its first month of release on WBGO in Newark. Mike's sixth CD, To Each His Own, is on the Double Time label. It's a trio featuring Peter Washington and Mickey Roker on drums. This disc received four stars in a Downbeat review. Mike's seventh CD Then And Now, also on Doubletime, is a quintet recording featuring Eric Alexander on tenor sax, Jim Rotondi, trumpet, Peter Washington on bass, and Joe Farnsworth on drums. The latest CD Bags'Groove, is a tribute to Milt Jackson which features Steve Nelson on vibes, along with Jim Snidero on flute, Steve Wilson on alto flute, Jim Rotondi on flugelhorn, Steve Davis on trombone, and a rhythm section including Bob Cranshaw and Mickey Roker. This CD also received 4 stars in Downbeat magazine.  Eric Alexander © Andrea Canter With 16 CD's out under his own name and appearing as sideman on countless others, Eric Alexander has made his mark on the jazz world and documented his progress as a tenor master. He has a rich tone and an aggressive, driving style that grabs the listeners attention and doesn't let go. One can hear the influence of Sonny Stitt, Jackie McLean and George Coleman in his playing. At William Paterson College in New Jersey Eric advanced his studies under the tutelage of Mabern, Joe Lovano, Rufus Reid, and others. "The people I listened to in college are still the cats that are influencing me today," says Alexander. "Monk, Dizzy, Sonny Stitt, Clifford Brown, Sonny Rollins, Jackie McLean, Joe Henderson--the legacy left by Bird and all the bebop pioneers, that language and that feel, that's the bread and butter of everything I do. George Coleman remains a big influence because of his very hip harmonic approach, and I'm still listening all the time to Coltrane because I feel that even in the wildest moments of his mid- to late-Sixties solos I can find these little kernels of melodic information and find ways to employ them in my own playing."  Joe Farnsworth Jeremy Pelt arrived in New York in 1998 after graduating from Berklee College of Music, and it wasn't long before he started being noticed by a lot of top musicians in the city. His first professional gig was playing with the Mingus Big Band, which led to many long lasting associations with many of the top players in the band. Pelt has been fortunate enough to play with many of jazz’s luminaries including Jimmy Heath, Frank Wess, Charlie Persip, Keter Betts, Frank Foster, Ravi Coltrane, Winard Harper, Vincent Herring, Ralph Peterson, Lonnie Plaxico, Cliff Barbaro, Nancy Wilson, Bobby Short, Bobby "Blue" Bland, Cedar Walton, and many others. Pelt has also been featured in a variety of different bands, including the Roy Hargrove Big Band, The Village Vanguard Orchestra, and the Duke Ellington Big Band. Currently, he is member of the Lewis Nash Septet, Mingus Big Band, and The Cannonball Adderley Legacy Band featuring Louis Hayes. In addition to his busy schedule as a sideman, Pelt leads his own ensembles and has released five highly praised recordings under his own name. Joe Farnsworth has been living in the New York area since 1990. He studied with the great drummer Art Taylor while attending William Patterson College. While still living at home in Massachusetts, Joe studied with Alan Dawson who was also Tony Williams' teacher. Joe has been playing with tenor saxophonist Eric Alexander since the two met while they were students at William Patterson. It has been a very fruitful musical association. Farnsworth and Alexander have been together on too many sessions to list, with Eric as leader or a fellow sideman. Mike LeDonne iographic information fwas adapted from www.mikeledonne.com. Jazz Standard is located at 116 East 27th Street in New York. For more information visit www.jazzstandard.net or call 212-576-2232. |
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Tuesday, 02 December 2008
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