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 Tanner TaylerİAndrea Canter An unlikely wellspring for great jazz artists, Iowa claims such legends as Bix Biederbacke, Glenn Miller, and Charlie Haden, as well as young trumpet master, Ryan Kisor. Add to that “young lion” pool pianist Tanner Taylor, whose move to the Twin Cities in 2001 gave us one more reason to gloat at our neighbors to the south. Next weekend, June 6-7, Taylor pays tribute to one of his primary muses, the late great Oscar Peterson. “I began classical training when I was about six,” notes Tanner, and shortly thereafter he started composing his own tunes. But his initial inspiration to try jazz came “after seeing the Glenn Miller Story when I was twelve.” In addition to playing piano, Taylor took up jazz trombone, playing both instruments through high school. His music education was eclectic: “I studied most notably with Jack Oatts, Gary Dial of the Manhattan School of Music, classical instructors Chuck and Virginia Radke, and took one year of composition at the University of Northern Iowa.” Jack Oatts also created Tanner’s first professional opportunity, when at fourteen “my first pro gig was at a place in Carroll, IA with the Jack Oatts Quartet.”
 Adam LinzİAndrea Canter Citing Oscar Peterson, Bill Evans, Benny Green, and the Count Basie Orchestra as significant sources of inspiration, Tanner notes that “lack of good gigs in Iowa” motivated his move to the Twin Cities. “Plus,” he says, “I got a job as a piano technician for the Yamaha Piano Corporation.” He’s had no trouble getting gigs ever since, finding himself a frequent first-call keyboardist for the Twin Cities’ Jazz Festivals, backing the finest area vocalists and such acclaimed touring artists as David Fathead Newman and Barbara Morrison, and performing with Dave Karr’s Mulligan Stew. Leading his own trio, Taylor has performed frequently at the Dakota Jazz Club and Artists Quarter. Tanner notes fronting his own trio requires different preparation than backing a vocalist or comping for an instrumentalist. With a vocalist, “I try to think/arrange as if the piano is the Basie band, or George Shearing trio (or something). It's a matter of structured arrangement on the spot, and trying to keep it in good taste. With an instrumentalist, you've got a bit more freedom to play out. With the trio, I have all the space I want to play as much as I want. Playing with the trio kind of pushes me to a higher level of creativity.”  Tanner TaylorİAndrea Canter Playing the songbook of legend Oscar Peterson also pushes Tanner to a higher level, as does the company he keeps on the bandstand. With AQ owner Kenny Horst behind the trapset, the trio will be completed with bassists James Buckley on Friday night and Adam Linz on Saturday night. I never heard Oscar Peterson live in his younger days, but somehow I think hearing Tanner Taylor is the next best thing. The Artists Quarter is located at 408 St. Peter Street in downtown St. Paul; www.artistsquarter.com. Hear the Tanner Taylor Trio on June 6-7, 9 pm, $10 cover.
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