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Great Jazz Is Neither Too Near, Too Far (or Too French) at the AQ in May Print E-mail
Written by Andrea Canter, Contributing Editor   
Thursday, 01 May 2008

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Dean Magraw©Andrea Canter

Familiar faces from near and far headline the Artists Quarter’s May line-up. Favorites Red Planet, Bruce Henry and the Out to Lunch Quintet start out the month, while sax titan Eric Alexander—this time with acclaimed pianist David Hazeltine—returns for his now annual Memorial Day weekend. And short-term Minnesota resident Andres Prado returns from Lima for a rare “homecoming” with his Twin Cities quintet to close out May in a very warm note. Of special interest at the AQ and various venues across the Twin Cities is the Minnesota Sur Seine Festival, which the AQ hosts on May 21st.

Weekends at the AQ (9 pm unless otherwise noted)

May 2-3, Red Planet ($10). Led by guitarist Dean Magraw, with blazing support from bassist Chris Bates and drummer Jay Epstein, Red Planet has been a popular act at area jazz festivals and Twin Cities clubs. Straddling jazz, folk and bluegrass, Dean has performed with and/or recorded with Ruth McKenzie, Claudia Schmidt and Greg Brown, among others; he has explored his Celtic heritage performing with Celtic accordionist John Williams. Magraw’s first solo recording, Broken Silence, won the NAIRD 1994 Best Acoustic Instrumental Album of the Year; his 2007 release, Unseen Rain, has garnered similar accolades. Chris, with his brother, drummer JT, grew up with jazz, sons of trumpeter/bandleader Don Bates. A member of the Motion Poets, Chris Bates has focused more on composing (he was a 1999 McKnight Composer Fellow) and playing regularly with Low Blow, Framework, How Birds Work, the Kelly Rossum Quartet, and more ensembles covering mainstream and experimental music. Jay can be found behind the trapset across the Twin Cities, often in the company vocalists (Christine Rosholt, Connie Evingson) and top instrumentalists (Mary Louise Knutson, Gordy Johnson, Bill Carrothers). He had a long-standing gig with the Phil Aaron Trio and released a highly acclaimed recording, Long Ago. Put these guys together and you have spontaneous combustion!!

May 4, Face Candy Trio with Eyedea (8 pm, $10). Put drummer JT Bates and bassist Casey O’Brien together with hip-hop emcee Eyedea and you have a collision—free jazz and freestyle! Each of these artists is an ingeneous improviser, so imagine the possibilities when they meet on stage. Casey’s studied with the likes of Anthony Cox and Jim Anton and plays experimental music with the similarly minded Carbon Carousel. JT, also a member of Carbon Carousel, might be more known to AQ audiences for his efforts with Fat Kid Wednesdays and the Kelly Rossum Quartet, as well as his first-call status with bands that frequent the Minnesota Sur Seine Festival. St. Paul native and freestyle battle champion/rapper/emcee Eyedea (aka Michael Larsen) has most notably toured and recorded in the duo Eyedea & Abilities, along with Carbon Carousel. Not your usual Sunday night!

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Out To Lunch Quintet©Andrea Canter
May 9-10, Out to Lunch Quintet ($12). The eccentric music of Eric Dolphy could not be in better hands. OTLQ’s Live at the Artists Quarter was released in fall 2006, showcasing five of the most creative musical minds in the Midwest, or anywhere else. Known for his use of wide intervals and speech-like effects, multi-reedist Dolphy played with Mingus, Ornette Coleman and Coltrane before recording Out to Lunch in 1964, one of the avant-garde masterpieces of 20th century jazz. Reframing Dolphy on their own terms, Dave Milne (horns), Dave Hagedorn (vibes), Kelly Rossum (trumpet), Tom Lewis (bass) and Phil Hey (drums) present a ground-breaking re-examination of one of jazz’s great innovators, while also mixing in original compositions in a complementary vein. Produced by Jazz Police Chief, Don Berryman, the CD will be available at the sho.

May 16-17, Bruce Henry ($10). Few vocalists in the Midwest generate the loyal following of baritone Bruce Henry. Whether he is singing standards, African hymns or original tunes, Bruce brings both a jazz and world music sensibility to the stage, as well as a band of true artists. His most recent release is Connections, and his most recent project is Freedom Train, dedicated to bringing the African American experience to diverse audiences. Don’t miss Bruce this spring as he’ll soon be relocating to Chicago, with promises of frequent return visits.

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Eric Alexander©Andrea Canter
May 23-25, Eric Alexander With David Hazeltine (9 pm Friday-Saturday; 8 pm Sunday; $20). A highly accomplished musician still in his 30s, tenor saxman Eric Alexander was the runner-up to super-star Joshua Redman in the 1991 Thelonious Monk Saxophone Competition and has been on a roll ever since. Highly influenced by George Coleman and mentored by pianist Harold Mabern, Alexander is known for a warm, fat tone, boppish compositions and a bevy of stellar recordings. Among his employers he counts Mel Rhyne, Jimmy Scott, Jimmy McGriff, Charles Earland, Pat Martino, Freddy Cole and McCoy Tyner; he is a member of the New York-based ensemble One for All as well as leading his own Quartet. Popular among Twin Cities’ audiences, Eric has appeared on the AQ, Hot Summer Jazz Festival and Dakota stages in recent years. Jazz Week’s 2003 Artist of the year, his recent affiliation with High Note has led to one hot release after another, including It’s All in the Game (2004), Dead Center (2006), Temple of Zeus (2007) and his brand new CD, Prime Time. Eric describes his musical mission as “assembling good musicians that I'm comfortable playing with, getting quality material--a combination of originals and standards and perhaps some new arrangements on standard tunes--and trying to make the kind of a recording that a jazz fan or musician can put on and enjoy listening to from start to finish.” On recent recordings and on stage at the AQ will be master pianist David Hazeltine, another native Midwesterner whose early days were focused on Milwaukee, Chicago and Minneapolis venues. A member of one for all, leading his own trio and appearing as sideman with a cast of top artists, Hazeltine relocated to New York about 15 years ago. Adding in local talent, Eric and David will lead one killer quartet for the holiday weekend.

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Andres Prado©Andrea Canter
May 30-31, Andres Prado Quintet ($12). It was a sad day last fall when Andres Prado played his last gig as a Twin Cities resident. Lima, Peru native, guitarist/composer Prado arrived in the Twin Cities in 2005 after studying and performing in London. He quickly became a local favorite with a repertoire rooted in the Andes and Amazon, from Creole waltzes to Afro-Peruvian grooves, infused with classic American jazz masters like Miles Davis, John Coltrane and Elvin Jones. Prado also brings to his music the influences of jazz and classical studies at conservatories in Lima, Buenos Aires and London, and has taught Latin and jazz guitar at conservatories in both London and Peru over the past few years. As a bandleader, his ensembles have appeared at jazz and music festivals in Peru, Argentina, and England; and on radio and television. Back for a too-rare visit, Andres will reassemble his Minnesota Quintet featuring the hottest jazzers in town—Peter Schimke on piano, Pete Whitman on sax, Anthony Cox on bass, and Kevin Washington on drums. In previous appearances at the AQ, the band offered unique takes on Coltrane as well as mesmerizing tunes rooted in South American folk melodies, and the results were incendiary.

Weeknights, Cool Nights (9 pm unless otherwise noted)

Mondays, Green (7 pm)/Open Poetry (9 pm), no cover; and First Monday Poetry Slam (8 pm, $5). The explosive post bop quartet Green features Rob Dewey (piano), Rich Casey (bass), Zack Lozier (trumpet), and Scotty Schultz (drums). Green has been the Monday night band at the AQ for the past three years. Rob is a noted improviser who has performed with Test Type Trio and Streets of Acid; busy Scotty works with Ross William Perry among other projects; Rich can be heard with Javier Trejo. Newest addition Zack has focused on bringing traditional New Orleans jazz to the Midwest, and performs regularly with the Jack Brass Band. Following their sets, open mic poetry reading gets underway at 9 pm. No cover! First Mondays feature the monthly Poetry Slam—following an hour of Green, a special guest poet convenes the “slam” at 8 pm. On May 5th, the slam features Soap Boxing.

Tuesdays, B-3 Organ Night with the Tuesday Night Band. The Tuesday Night Band features “Downtown” Bill Brown on Hammond B-3, along with Billy Franze on guitar, Gary Berg on saxes, and Kenny Horst on drums. A weekly tradition at the AQ, you never know who might sit in—Joey DeFrancesco usually appears whenever he’s in town. Last fall, Tuesday night expanded with an exciting new band featuring Zach Schmidt, Cory Wong, Cassie Meyer, Patrico Toledo and Dan M. Musselman playing an early show at 7pm. These young, talented musicians provide the perfect starter for AQ's longest-standing engagement. And catch the monthly KFAI live broadcast on May 13th!

May 1, Gary Berg Quartet ($5). Multi-instrumentalist Gary Berg swings on tenor, alto, and soprano sax as well as the chromatic harmonica. Well known among the AQ crowd for his weekly appearances with the Tuesday Night Band and his tributes to Stan Getz, Gary is also an in-demand sideman, adding steam to a number of local releases including those from Carole Martin, Paula Lammers and George Avaloz. Notes Don Berryman, “He lets the bop riffs ride on the groove in a way that’s true to the music and the feeling.”

May 7, Chris Lomheim Trio ($5). Any comparison of Chris Lomheim to his hero Bill Evans is wholly appropriate. A prodigious talent as a teen whiz on organ and piano, St. Paul native Chris evolved virtuoso chops as composer and improviser in the key of Evans, yielding two elegant trio recordings to date. Former keyboardist for the Illicit Sextet and a long-time favorite at the AQ and Dakota Jazz Club, as well as a first-call keyboardist for area vocalists, Chris has a regular gig for Happy Hour on weekends at the St. Paul Hotel and recently appeared at the AQ with Jon Pemberton’s salute to Lee Morgan. But the piano trio—this trio—is his first born.

May 8, Phil Hey Quartet ($5). Phil Hey Quartet’s repertoire includes the tunes of Kenny Wheeler, Bobby Hutcherson, John Coltrane, and Wayne Shorter, as well as original compositons. A former student of Ed Blackwell, Phil teaches jazz drum at Macalester College and the U of M, toured with the late Dewey Redman, and recently toured with vocalist Stacey Kent. He’s joined by long-time bandmates Dave Hagedorn on vibes, Tom Lewis on bass, and Phil Aaron on piano. The PHQ’s debut recording, Subduction, was one of the best CDs of 2005. Their weekend gig at the AQ last month was worthy of Carnegie Hall.  

May 14, Twin Cities Hot Club ($5). Gypsy swing at its best, the TCHC recently released a live DVD. Catch them across the river from their weekly gig at the Times Bar and Café, and bring your dancing shoes.

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Tony Hymas©Bryan Aaker
May 15, Dave Karr Quartet ($5). Long a favorite of Twin Cities’ jazz audiences and artists alike, multi-reedist Dave Karr grew up in New York listening to the great boppers, from Charlie Parker to Dizzy Gillespie. A recent recipient of a McKnight Grant, Dave can be found in the pit orchestra of touring Broadway shows, supporting the best area vocalists, holding down the horn sections of the JazzMN Big Band and Pete Whitman’s X-Tet, or leading his own bands, Mulligan Stew and this quartet. On bari, tenor, flute or clarinet, Dave’s “fluid style is both exciting and elegant” (Don Berryman). His usual suspects include Tanner Taylor, Gordy Johnson and Phil Hey.

May 21, Minnesota Sur Seine Festival, Tony Hymas, Bruno Chevillion and JT Bates Trio (8 pm, $12). Every year, the AQ hosts at least one night of the acclaimed Minnesota Sur Seine Festival, a collaboration of Minnesota and European artists favoring the avant garde and experimental approach to jazz and improvisation. The trio of pianist Tony Hymas, bassist Bruno Chevillion and local drummer JT Bates have all worked with famed French multi-instrumentalist Michel Portal, both in the US and in Paris. Hymas and Bates appear on the award-winning Portal CD, Birdwatcher. This trio performed together for the first time at l’Ermitage in Paris last November, and their second outing should prove that lightning indeed strikes twice. Persian zarb (percussion) artist Pablo Cueco opens the evening.

May 22, Tanner Taylor Trio ($5). Iowa’s latest gift to the Twin Cities jazz scene is young Tanner Taylor, a pianist of monstrous skill and imagination who is always a delight to watch and hear, be it in the company of area vocalists like Christine Rosholt, handling keys for Mulligan Stew, or fronting his own hot trio. Boogie woogie, bop or blues, Tanner covers the keyboard with never-ending ideas.

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Tanner Taylor©Andrea Canter
May 28, How Birds Work ($5). One of the most popular regular attractions at the AQ, How Birds Work is the collaboration of four well-known area musicians—guitarist Dean Granros, bassist Chris Bates, pianist Peter Schimke, and drummer Kenny Horst. Sophisticated, often subtle, always working toward the edge from a firm foundation, How Birds Work offers multiple layers of challenge—and reward-- to the listener.

May 29, Pete Whitman’s X-Tet ($8). One of several projects led by veteran sax performer, composer, and arranger Pete Whitman, the X-Tet brings together the best artists in the region: Whitman, Dave Karr and Dave Milne (reeds); Kelly Rossum and Adam Rossmiller (trumpets); Jeff Rinear or Dave Graf (trombone); Dave Hagedorn (vibes), Gordy Johnson (bass), Phil Hey (drums), and Laura Caviani (piano). Head of Woodwinds and Brass at McNally Smith College, Whitman has performed with Randy Brecker, Jack McDuff, and the Woody Herman Orchestra, in addition to leading his X-Tet and and working regularly with the Jazz MN Big Band. This is one of the most popular monthly gigs at the AQ, so come early and stay late!

The Artists Quarter is located at 408 St. Peter Street in the lower level of the Hamm Building in downtown St. Paul. Visit www.artistsquarter.com for full calendar and news.

 
 Sunday, 20 July 2008
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