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“I am convinced that all art has the desire to leave the ordinary,and to say it one way, at a spiritual level, a state of the exaltation at existence. All art has this in common. But jazz, the world of improvisation, is perhaps the highest, because we do not have the opportunity to make changes. It’s as if we were painting before the public, and the following morning we cannot go back and correct that blue color or change that red. We have to have the blues and reds very well placed before going out to play. So for me, jazz is probably the most demanding art.” - Sonny Rollins from a recent interview for the Catalan magazine Jaç
 
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"Back Home" in San Diego: Kendra Shank at the Athenaeum, June 28th Print E-mail
Written by Andrea Canter, Contributing Editor   
Tuesday, 24 June 2008

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Kendra ShankİAndrea Canter

"One of New York's most original performers." --Gary Giddins, Jazz Times

Returning to her native San Diego area, acclaimed vocalist Kendra Shank will appear at the Athenaeum Music and Arts Library in La Jolla on June 28th. Voted Talent Deserving Wider Recognition in the 1999 Downbeat International Critics Poll, recognition came slowly  for Kendra. However, since the 2007 release of A Spirit Free, the elastic improviser has accumulated a pile of accolades, with a “unique and immediately identifiable sound and style” (Don Heckman, LA Times), as “a singer with a sound” (Abbey Lincoln) who “phrases inventively, whether crisp and sizzling or sensuously smoky” (Patricia Meyers, Jazz Times). On many “best of the year” lists, the recording has prompted critics to compare Shank to the most innovative singers of modern jazz, from Abbey Lincoln herself to Betty Carter, Patricia Barber, and Kurt Elling. For her first appearance in San Diego in nine years, Kendra will be accompanied by her standing New York band--pianist Frank Kimbrough, bassist Dean Johnson and drummer Tony Moreno.

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Kendra Shank
Kendra Shank’s flair for vocal drama comes naturally as the daughter of a playwright and actress. Growing up in southern California, she first acted at age five and attended Silvergate Elementary and Dana Junior High,  where she played oboe in the school orchestra.  At age 13, Kendra studied guitar with Bob LeBeau in Ocean Beach and developed into an accomplished guitarist-folksinger. Valedictorian of Point Loma High School's class of 1976,  Kendra worked as a folk singer in Seattle after graduation.

Kendra Shank first fell under the spell of jazz listening to a professor’s recordings of Billie Holiday; the attraction was furthered as she spent time in Paris, listening and sitting in at jazz clubs. Back in Seattle she began studies with Jay Clayton, and later landed a gig with the great Bob Dorough as vocalist/guitarist/percussionist for his West Coast tour. It was Shirley Horn who took notice and co-produced Shank's critically-acclaimed debut, Afterglow (Mapleshade, 1994), and invited the young singer to sit in at the Village Vanguard in New York. Relocating to New York in 1997, Kendra released two recordings for Jazz Focus—Wish (1998) and Reflections (2000), the latter with pianist Frank Kimbrough, bassist Dean Johnson, and drummer Tony Moreno, who also appear on the new recording. Named to “best of year” lists by Down Beat, Jazz Times, All Music Guide and Jazz Police, the Abbey Lincoln tribute creates "...a practically telepathic integration...these four people appear to have emerged from the same womb" (Lawrence Brazier, Jazz Now).

In recent years, Shank has headlined at major jazz venues across the U.S. and internationally, and has been featured on NPR's JazzSet and Marian McPartland's Piano Jazz. She's a regular performer at the 55 Bar in Manhattan.

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Frank KimbroughİRay Gawlak
Pianist Frank Kimbrough first met Kendra Shank through Shirley Horn in 1993 and has been her keyboardist and frequent arranger ever since. He’s released a number of recordings fronting his acclaimed trio, including Play (2006) as well as his new solo release, Air, both on Palmetto. Frank also appears with the Maria Schneider Orchestra, Ben Allison, Joe Locke, and Ted Nash, among others, and toured with the late Dewey Redman. A founding member and composer-in-residence of the Jazz Composers Collective (1992 - 2005), he has received numerous grants and commissions, including awards from the NEA and Chamber Music America.

Seattle transplant, bassist Dean Johnson has been a busy freelancer in New York for the past 28 years, including a decade with Gerry Mulligan. He’s performed with a list of stellar artists including Bob Brookmeyer, Randy Brecker, Joe Lovano, Dave Liebman, Dave Douglas, Lee Konitz, Wynton Marsalis, The New York Voices, Jackie and Roy, and Roseanna Vitro, in addition to Kendra Shank.

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Dean JohnsonİAndrea Canter
Drummer/composer Tony Moreno teaches at New York University and Columbia University, has composed music for film and dance, and recently published the textbook, “Rhythmic Studies for all Instruments.” Among his sideman credits are performance or recoding with Dave Phillips and Freedance, Marc Mommaas and Global Motion, Larry Willis, Eddie Henderson, Sonny Fortune; Ole Mathiessen Quartet, Timucin Sahin-Greg Osby Quartet, Jean Michel Pilc Trio, and many others.

It's a long overdue homecoming for Kendra Shank on June 28th!

The Athenaeum Music and Arts Library is located at 1008 Wall Street in La Jolla. Show starts at 7:30 pm on June 28th; tickets at (858) 454-5872 /www.ljathenaeum.org. More about Kendra Shank at www.kendrashank.com. See an exclusive interview with Kendra at www.jazzink.com (see Musicians/Interviews on the home page menu).

 
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