Jazz Police       Click to save on Hotels Hotels Cars Cars Cruises Cruises flights Flights
JP
After silence, that which comes nearest to expressing the inexpressible is music. - Aldous Huxley
 
Support our live jazz coverage. Visit our sponsors. If you plan to shop amazon.com or download iTunes, click through here:
Apple iTunes
Netflix, Inc.

Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |

Main Menu
Home
CD Reviews
Interviews
SF Bay Area
Chicago
Los Angeles
New York
Twin Cities, MN
More Cities
Festivals
FAQ
News
Contact
Video of the Week
Visitors: 13234920
Apple iTunes
Joanne Brackeen at the Iridium, February 13th Print E-mail
Written by Andrea Canter, Contributing Editor   
Thursday, 07 February 2008

Image
Joanne Brackeen©David Sokol

“She has wild ideas and she’s not afraid to try them… But it always sounds right. If I tried it, I’d be in a pickle. Brackeen, like Picasso, broke convention, and she always likely will.”
-- Marian McPartland

A “genuinely exciting pianist, with energy, whimsy, and sheer technical bravado” (Stuart Broomer, Amazon.com), Joanne Brackeen’s talents as pianist and composer have kept her in the forefront of modern jazz for nearly fifty years. Those talents and “wild ideas” will be on full display at the Iridium on February 13th when she is accompanied by Ugonna Okegwo on bass, E.J Strickland on drums, and some surprise guests.

Joanne Brackeen initially studied classical piano from age nine but found herself drawn to jazz as she wanted “to play what I was hearing on the radio.” She modeled herself after pianist/bandleader Frankie Carle, and soon had earned admittance to the Los Angeles Conservatory of Music, dropping out soon after to more actively pursue jazz. In the LA area she began playing with Dexter Gordon, Charles Lloyd, Bobby Hutcherson and Billy Higgins. Moving to New York in the early 60s with husband, saxophonist Charlie Brackeen, Joanne caught the ears of Woody Shaw and Dave Liebman. Soon she was playing with Art Blakey’s Jazz Messengers, later with Joe Henderson and Stan Getz. In the 1970s, Joanne began leading her own trios with such supporting musicians as Eddie Gomez, Jack DeJohnette, Cecil McBee, Billy Hart, and Sam Jones.

Image
Ugonna Okegwo
Over the years, Joanne Brackeen has composed many commissioned works and has released over 25 recordings (Pink Elephant Magic was a 2000 Grammy nominee); over 100 of her compositions have been recorded. While her style is highly eclectic, she is perhaps best known as a composer of challenging music with playful rhythms. The recipient of two NEA grants for performance and composition, Brackeen is also a dedicated jazz educator who has served on the faculties of the New School and Berklee College of Music. She’s also been the host of a Manhattan Public Television program, Joanne Brackeen Presents.

Ugonna Okegwo is one of the most acclaimed bassists of his generation, having played with such illustrious artists as Clark Terry, Benny Golson, Pharoah Sanders and Joseph Jarman. Born in London to a German mother and Nigerian father, Okegwo was raised in Germany but immersed in African music and American jazz. Today his unique approach fuses funk and jazz. Moving to New York in 1989, he found steady work with Jon Hendricks and eventually formed a trio with Jacky Terrasson and Leon Parker. Now a bandleader himself, he continues to play essential sideman roles as well.

Image
EJ Strickland©Andrea Canter
Young drum sensation E.J. Strickland has performed and recorded with many stellar artists including Ravi Coltrane, Russell Malone, Lizz Wright, Vincent Herring, Myron Walden, Freddie Hubbard, and the New Jazz Composer's Octet, as well as numerous collaborations with twin brother and tenor sax star Marcus Strickland. Raised in Miami, the Strickland brothers were immersed in music by their father, a former percussionist for the Fort Lauderdale Symphony Orchestra and a jazz enthusiast. Moving to New York to study piano, drums, and composition at the New School for Social Research, Strickland’s early mentors included Joe Chambers, Carl Allen, Ralph Peterson, Lewis Nash, and Jimmy Cobb. He continues to play regularly with the Ravi Coltrane Quartet, Luis Perdamo, and his own EJ Strickland Project.

It will be one magical night on February 13th at the Iridium with the Joanne Brackeen Trio (and surprise guest), a multi-generational break with convention.

The Iridium is located at 1650 Broadway (at 51st Street) in Manhattan. Sets at 8:30 and 10:30 pm; www.iridiumjazzclub.com

 
 Friday, 25 July 2008
BOOK TRAVEL WITH JAZZ POLICE AND SAVE! Search for deals here.
City Arrival Date Nights Adults Rooms
Today's top ten jazz downloads
JP Archive
Add Jazz Police button to your google toolbar
Latest News





Lost Password?
No account yet? Register
Artists' QUarter
 
Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |
All material protected by copyright. © 2007 Jazz Police and contributing writers & visual artists. All rights reserved. Material may not be reprinted or redistributed without permission of the contributing writers & visual artists.
Jazz Police makes no warranty, expressed or implied as to the accuracy, completeness or utility of information provided. All information is subject to change without notice.