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Von and Ed's "Battle of the Saxes" this Weekend and New Years Eve at the Green Mill Print E-mail
Written by Ronaldo Oregano   
Sunday, 23 December 2007

"People ask me why I didn't leave Chicago? It's because I love Chicago and it loves me." - Von Freeman

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Von Freeman © Anddrea Canter
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Ed Peterson

Two Chicago tenor titans face off at the Green Mill for a battle of the saxes on Friday, December 28; 9pm-1am, Saturday, December 29; 8pm-1am, Monday, December 31, 8:30-12:30. Von Freeman, the jazz legend who never left Chicago, and the returing Ed Petersen, who left to teach Applied Saxophon and Jazz Improvisation at the University New Orleans, will meet with battle it out backed by ta solid trio featuring Willie Pickens on piano, Brian Sandstrom on bass, and Robert Shy on drums.

Von Freeman turned 85 this year. The iconic Chicago saxophonist created a unique and captivating tenor style in the 1940s and 50s but didn't lead his first recording in 1972 at the age of 49. When Freeman was in his 70s and playing better and stronger than ever, he began a series of albums that have made him a cover story in major jazz magazines, a much-demanded performer at festivals the world over, and the recipient of a mayoral proclamation (with a street named for him), as well as a doctorate from Northwestern University, at the age of 80.

Born Earl Lavon Freeman on October 2, 1922, on the South Side of Chicago, Von (or "Vonski," to use his universally known nickname) grew up in a musical household that also gave us his younger brothers George, a well-known Chicago guitarist, and drummer Bruz, who retired from music in the 1960s after a series of records on Contemporary with the Hampton Hawes Trio. As a toddler, Von heard Louis Armstrong – not in a dance hall but in his own living room, when Armstrong (a family friend) would come to visit. Fats Waller also visited the Freeman household. To this day, Von will point at the beat up piano in his living room and say, “Fats Waller played that piano.” At age 6, Von broke the horn off his father’s Victrola, pieced it together with a wooden mouthpiece, and started wailing into his very first “saxophone.” His father relented (if only to protect his prized Victrola!) and bought young Von a real instrument; by age 12, he was playing in a nightclub in Gary, Indiana, sporting a large hat to cover his youthful features.

He turned down an offer from Earl "Fatha" Hines to stay in school, where he would learn even more about music than if he’d gone on the road with Hines. Von attended DuSable High School, where he studied under the famed band director and educator Captain Walter Dyett – whose instruction and discipline Von credits to this day. In the early 1940s, he performed with Horace Henderson's Orchestra before heading off to the Navy – where he took part in the “Great Lakes Experience,” the military’s historic experiment in desegregating the armed services through music by preparing black bands to perform for white sailors.

 

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Von Freeman © Jimmy Katz

Von moved to New York in the mid 40s, but he soon returned to Chicago, where he and his brothers played in the house band at the Pershing Ballroom, backing visiting jazz greats that included Charlie Parker and Dizzy Gillespie; eventually, he led his own groups, giving early exposure to rising stars Ahmad Jamal, Andrew Hill, and Malachi Favors. In addition, he was a founding member of the first “Arkestra” assembled by visionary Sun Ra in 1948 (although he never recorded with the band). In the 50s, Von built an underground reputation as one of the city’s most accomplished but unusual saxophonists, with a sound just as big as you’d expect from the Chicago “tenor school,” but displaying a radically different sonority. He also built a reputation as one of the hardest-blowing tenor “battlers,” and locked horns on disc with Dexter Gordon, Willis "Gator" Jackson, Buck Hill and Teddy Edwards.

Remaining in Chicago to raise his family, Von played in a wide variety of venues at home – from Calumet City strip clubs to southside blues bars to northside jazz clubs – before establishing his ongoing Tuesday night jam session at the New Apartment Lounge, on a block of 75th Street renamed “Von Freeman Way” in 2002. These sessions have become a beacon for aspiring musicians; among those to have “graduated” (with honors) from the New Apartment are saxist Steve Coleman, multiple-Grammy-nominated vocalist Kurt Elling, and Von’s own son, saxist Chico Freeman. In the last several years, Von has also enjoyed a deepening friendship with the acclaimed young pianist Jason Moran, who appears on his previous Premonition release, The Improvisor.

The DownBeat Magazine cover story on Von that appeared in early 2001 helped create a new round of publicity and excitement about this ageless wonder’s music; recent events have included his 80th Birthday Concert at Symphony Center, a birthday tribute at the Chicago Jazz Festival, his honorary doctorate from Northwestern, and a Chicago “Heroes” Award presented by the National Academy Of Recording Arts & Sciences.

 

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Ed Petersen © Erin Petersen
Edward Petersen is the Associate Chair of Music and Coordinator of Jazz Studies at the University of New Orleans. He teaches Applied Saxophone, Jazz Improvisation and directs the UNO Louis Armstrong Quintet. He has recently performed with the New Orleans Jazz Orchestra at the Ravinia Festival, the Clifford Brown Jazz Festival, San Francisco Jazz Festival, The Clearwater Jazz Festival, The Kimmell Center, Lincoln Center, and at many other venues. He has played with J.J. Johnson, Johnny Griffin, Clifford Jordan, Wilbur Campbell, Jay McShann, Lionel Hampton, Henry Butler, Herlin Riley, Benny Goodman, Ella Fitzgerald, Ira Sullivan, Eddie Harris, David Liebman, Ellis Marsalis, Ernie Watts and many others. He has recorded with Kurt Elling, Ron Carter, Cedar Walton, Laurence Hobgood, Clark Terry, Art Farmer, Willie Pickens, Von Freeman, Brian Seeger, Fareed Haque, Jason Marsalis, Ramsey Lewis, Frank Mantooth, Steve Wiest, Johnny Adams, Ruth Brown, THRASCHER, and many others. His playing and musical compositions are featured on numerous other recordings, including three Grammy-nominated Blue Note CD’s by Kurt Elling, Close Your Eyes, The Messenger, and Live in Chicago and several releases under his own name on the Delmark label, Upward Spiral, The Haint, and Von and Ed, which also features the legendary Chicago saxophonist, Von Freeman.

Mr. Petersen is an Artist/Clinician for Boosey & Hawkes/Julius Keilwerth Saxophones. He has recently conducted workshops and performances at the University of Illinois, University of New Mexico, University of Texas at Arlington, University of Wisconsin-Whitewater, The Arizona Jazz Academy, Texas Wesleyan University, Roosevelt University, Prairie State College, the Rotterdam Conservatory, University of Wisconsin-Green Bay, Collin County Community College, Missouri State University, Penn Stae University, the Texas Music Educators Association convention, The Louis Armstrong Summer Jazz Camp (New Orleans), and the Houston High School for the Performing and Visual Arts. He received a Louisiana Division of the Arts Artist Fellowship in Music Performance in 2002 and has received Special Composer’s Awards from the American Society of Composers, Authors, and Publishers (ASCAP) eleven times (1996, 1997, 1998, 1999, 2000, 2001, 2003, 2004, 2005, 2006, and 2007).

Hear the Von Freeman and Ed Petersen on Friday, December 28; 9pm-1am, Saturday, December 29; 8pm-1am, Monday, December 31, 8:30-12:30 at the Green Mill. The Green Mill is located at 4802 N. Broadway Ave in Chicago. Call 773-878-5552 or visit www.greenmilljazz.com for more information.

Von Freeman biographic information is adapted from Premonition Records www.premonitionrecords.com - Ed Peterson ifno is from www.jazz-ed.net.

 
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