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"I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz. " - Joe Sample
 
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Chick Corea Electrik Band at Catalina's Jazz Club, December 18th-23rd Print E-mail
Written by Ronaldo Oregano   
Thursday, 13 December 2007
Image
Chick Corea © Howard A. Gitelson

Catalina's in Hollywood presents the Chick Corea Electrik Band featuring Eric Marienthal, Frank Gambale, Victor Wooten and Dave Weckl, Tuesday, December 18th through Sunday December 23rd. The Elektrik band is one of the most critically acclaimed jazz fusion bands of the past two decades. Unlike Corea's now defunct Return to Forever band, the Elektric Band is a move away from rock -oriented fusion into a more Post-bop style. Chick Corea has reunited his ground-breaking Elektric Band and adding Victor Wooten on bass. Come hear how good jazz fusion can be.

An NEA Jazz Master and groundbreaking artist both as a keyboardist (piano, electric piano, synthesizer) and as a composer-arranger, Chick Corea has moved fluidly among jazz, fusion, and classical music throughout a four-decade career, winning national and international honors including 12 Grammy awards. He ranks with Herbie Hancock and Keith Jarrett as one of the leading piano stylists to emerge after Bill Evans and McCoy Tyner, and he has composed such notable jazz standards as "Spain," "La Fiesta," and "Windows."

Born in Chelsea, Massachusetts, in 1941, Corea began playing piano and drums at an early age and enjoyed a childhood home filled with the music of Bud Powell, Charlie Parker, Dizzy Gillespie , and Lester Young, as well as Mozart and Beethoven. From 1962 to 1966 he gained experience playing with the bands of Mongo Santamaria and Willie Bobo, Blue Mitchell, Herbie Mann, and Stan Getz. He made his recording debut as a leader with Tones For Joan's Bones (1966) and in 1968 recorded the classic trio album Now He Sings, Now He Sobs with Miroslav Vitous and Roy Haynes. Following a short period with Sarah Vaughan , Corea then joined Miles Davis's (JM) group, in which he gradually replaced Herbie Hancock. Davis persuaded Corea to play electric piano on the influential albums Filles de Kilimanjaro, In a Silent Way, Bitches Brew, and Miles Davis at the Fillmore.

In 1971, Corea formed the ensemble Return to Forever with Stanley Clarke on bass, Flora Purim on vocals, her husband Airto Moreira on drums, and Joe Farrell on reeds. Within a year, the soft, samba-flavored group had become an innovative, high-energy electric fusion band, incorporating the firepower of drummer Lenny White and guitarist Al DiMeola. Spearheaded by Corea's distinctive style on Moog synthesizer, Return to Forever led the mid-1970s fusion movement with albums such as Where Have I Known You Before, Romantic Warrior, and the Grammy award-winning No Mystery. In 1985, Corea formed a new fusion group, The Elektric Band, and a few years later he formed The Akoustic Band. In 1992, he established his own record label, Stretch Records.
 
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