David Sánchez

David Sánchez will be performing La Leyenda del Canavera which is a rseult of a grant David received from Chamber Music America with which he composed a piece that was inspired by a poem on the African Diaspora. The performance includes include spoken-word as well as David's musical composition which weaves Afro-Caribbean and East African elements into a piece that includes several parts, each filled with the depth and richness for which David's work is known. La Leyenda del Canaveral, is set to a poem written by David's sister, Margarita. The poem refers to travels of African people from Africa to the Caribbean and its central theme is the history and anecdotes of people who worked on sugar cane plantations throughout the Caribbean.

The piece has been strongly inspired by music from East Cameroon (specifically the Baca forest people), Tanzania, the Caribbean and Jazz. The last part of the piece could be considered the spine of the entire piece, as it includes this group of travelers' main source of communication - musical folklore.

David Sánchez

Born in Guaynabo, Puerto Rico, Sánchez began playing percussion and drums at age 8 before migrating to tenor saxophone four years later. While a student at the prestigious La Escuela Libre de Música in San Juan, he also took up soprano and alto saxophones as well as flute and clarinet. The bomba and plena rhythms of Puerto Rico, along with Cuban and Brazilian traditions, were among the biggest influences on Sánchez's early taste in music. Sonny Rollins, Dexter Gordon and John Coltrane had the greatest impact on his playing. "I'm just talking about tenor, now. Charlie Parker is a major influence, of course, and many, many others."

In 1986 Sánchez enrolled at the Universidad de Puerto Rico in Rio Píedras, but the pull of New York was irresistible. By 1988 he had auditioned for and won a music scholarship at Rutgers University in New Jersey. With such close proximity to New York City, Sánchez quickly became a member of its swirling jazz scene. He gigged with piano giant Eddie Palmieri and trumpeter Claudio Roditi who, along with master saxophonist Paquito D'Rivera, brought Sánchez to the attention of Jazz legend Dizzy Gillespie. In 1991, Gillespie invited the young saxophonist to join his “Live the Future” tour with Miriam Makeba.

The Departure, his 1995 debut for Columbia, gained critical kudos as did the disc's successors Sketches of Dreams, and Street Scenes. Meanwhile, David had begun touring with various jazz greats such as Kenny Barron, Roy Haynes and legendary drummer Elvin Jones, recording with Barron and Haynes respectively. When he returned to the studio for his next project, the results were sterling. Produced by Branford Marsalis, Obsesión would garner the saxophonist his first Grammy nomination. He would follow that album with the Grammy-nominated (and Latin Grammy-nominated) Melaza. In 2001, Sánchez appeared on high-profile recordings with bassist Charlie Haden (Nocturne) and trombonist Steve Turre (TNT [Trombone-N-Tenor]) before issuing another Grammy-nominated release on Columbia, Travesía, which also garnered rave reviews from jazz cognoscenti.

Sánchez’ most recent recording for Columbia, Coral, earned the saxophonist his fourth Grammy nomination and won a Latin Grammy after being voted “Best Instrumental Album” of 2005 by the Latin Academy of Recording Arts and Sciences. Coral is the most ambitious manifestation to date of his continuing expansion of the frontiers of mainstream jazz to incorporate Afro-Latin influences. In the project, recorded in Prague, Czech Republic, and placing his jazz sextet against the backdrop of the City of Prague Philharmonic Orchestra, he explores obscure works composed by giants of the Latin American classical genre: Antonio Carlos Jobim, Alberto Ginastera and Heitor Villa-Lobos. In addition, he juxtaposes classical structure with jazz improvisation in two of his original tunes as well as in a composition by Carlos Franzetti (arranger and conductor for all tracks on the album).

The expression of the jazz sensibility against the backdrop of a classical structure, the hallmark of the Coral project, has recently led David to explore other pairings of the jazz and classical traditions. Most recently, David has collaborated with the Alexander String Quartet in performances of the Focus suite, composed by Eddie Sauter and recorded by Stan Getz over forty years ago, and considered by some to be Getz’ masterpiece recording. In the two ensembles’ 2004 debut performance of the work in San Francisco, the wildly enthusiastic audience response spawned a collaboration between the two groups which continues to thrill concertgoers whenever it is experienced.

Whether with Gillespie, Palmieri, Haden and his other jazz mentors, or under his own name, Sánchez has continued to tour extensively, bringing his mix of mainstream jazz with Afro-Latin influences to delighted audiences throughout the globe. In 2003 he partnered with pianist Gonzalo Rubalcaba for a world tour, which took the two artists to France, Spain, Italy, Slovenia, Russia, Germany, Portugal, Holland, Denmark, South Korea, Hong Kong and Australia before Sánchez took his own band to perform at the Newport Festival at Madarao, Japan. Later that year, he led his sextet in a triumphal tour through Spain, followed by a week of performances by his quartet in Athens, Greece and Fort-de-France, Martinique. In 2004 David collaborated with Dee Dee Bridgewater on the “Latin Landscapes” world tour. And, performance highlights in 2005 included an extensive U.S. tour with Pat Metheny, as well as touring with his own jazz quartet and trio throughout the U.S., Brazil, Canada and Europe, extending up to the present.

Tour dates

• October 17th David Sánchez Sextet performs La Leyenda del Canaveral at Carnegie Hall, Zankel Hall New York, NY
• October 18th Thru 21st David Sánchez Group at Yoshi's in Oakland
• Octtober 26th David Sánchez Group The Firefly Club Ann Arbor, MI
• October 27th Thru 28th David Sánchez Group at Andy's Jazz Club, Chicago, IL
• October 30th David Sánchez Group, Dakota Jazz Club in Minneapolis