Jazz Police       Click to save on Hotels Hotels Cars Cars Cruises Cruises flights Flights
JP
"I found that within my playing that I could play notes, not at first, because at first I couldn't hear these notes, so I wouldn't play them. But as I play more and more I hear more notes to play against the more common chord progressions. And a lot of people say they're wrong. Well, I can't say they're right, and I can't say they're wrong. To my hearing, they're exactly correct". - Eric Dolphy
 
Support our live jazz coverage. Visit our sponsors. If you plan to shop amazon.com or download iTunes, click through here:
Apple iTunes
Advertisement

Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |

Main Menu
Home
CD Reviews
Interviews
SF Bay Area
Chicago
Los Angeles
New York
Twin Cities, MN
More Cities
Festivals
FAQ
News
Contact
Video of the Week
Youtube tagged JAZZ
Visitors: 14841701
“Imagine This”: Tom Braxton Goes Beyond Smooth Print E-mail
Written by Joe Montague   
Monday, 10 September 2007

Image
Imagine This
I can remember when I was a little boy, and I would sit watching my mother frost or ice a cake. My mouth would start to water and the excitement would build as I waited for her to finish making those smooth, creamy swirls so I could lick the beaters of the hand mixer (do they still have those?), take a spoon, and dive into more of that creamy stuff lining the bowl. Tom Braxton’s CD, Imagine This (Pacific Coast Jazz), recreated that same feeling for me the first time I put it into my CD player. The man goes beyond smooth he is the icing on the cake, and I could not wait to taste the next new groove I was about to hear.  

The fun gets started with a cover of Steely Dan’s “Peg,” authored by Donald Fagen and Walter Becker. Braxton triples on keyboards, soprano and tenor saxes. He also produced and wrote the instrumental arrangements for the song. Kevin Whalum handled the vocal arrangements and also provided background vocals with Kimberly Mont.  

I would like to say that this is a very good CD, but those words seem so inadequate when describing track after track of glorious grooves, melodies and rhythms. Braxton’s soprano saxophone courts Brian Simpson’s piano chops on “Escape,” a Joe Ninowski tune.      C.J. Roland and Ninowski’s percussion keep the dance lively. 

Braxton wrote or collaborated on six of the eleven tracks for Imagine This, including the very pretty and easygoing title track, which features Kirk Whalum playing tenor sax. Whalum and Braxton create a pillowy ambience built upon some strong bass playing by Braylon Lacy.  

Kevin Whalum teams up this time with Selinza Mitchell to provide some subdued but ethereal vocals on “Kaanapali Beach.” Mitchell appears again on “1 a.m.”   Daran DeShazo serves up some great Latin infused guitar riffs, while the horns are everywhere on this song. Braxton put together some super arrangements for Larry Spencer’s trumpet, Pete Branham (tenor sax), and Braxton’s own tenor and soprano saxes.  

R&B is the order of the day with “Haven’t You Heard,” and this time it is vocalist Andrea Wallace’s turn to shine, turning in a beautiful high soprano effort, bordering on a falsetto. The song moves quickly but lightly, without being hindered by heavy beats.  

By the time I got to the seventh track, “Evening Drive,” I began asking myself if there is any instrument that Tom Braxton cannot play. Up to this point on the CD, he had already played two different saxophones, the piano and keyboards. On “Evening Drive,” he plays the flute as well as the aforementioned instruments. Braxton uses his keyboard to create an ethereal vibes-like effect. 

“Downtime,” “Rest Assured,” and “Revelation” are other great tunes to listen for on Tom Braxton’s Imagine This. All I have to say about this CD in closing Imagine a booklet of songs as good as This.  

 
 Thursday, 20 November 2008
BOOK TRAVEL WITH JAZZ POLICE AND SAVE! Search for deals here.
City Arrival Date Nights Adults Rooms
Today's top ten jazz downloads
JP Archive
Add Jazz Police button to your google toolbar
Latest News





Lost Password?
No account yet? Register
Misplaced Music - Local Net Radio
 
Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |
All material protected by copyright. © 2007 Jazz Police and contributing writers & visual artists. All rights reserved. Material may not be reprinted or redistributed without permission of the contributing writers & visual artists.
Jazz Police makes no warranty, expressed or implied as to the accuracy, completeness or utility of information provided. All information is subject to change without notice.