"It's easy to be impressed by Carter's relaxed, Lester Young-like virtuosity and sheer saxophonistic prowess." --Philadelphia Inquirer
 James Carter © Andrea Canter From Thursday, August 23rd thought Sunday, August 26th, Yoshi's will present saxophone titan James Carter in a sextet featuring Dwight Adams on trumpet, D.D. Jackson on keyboards, Rogel Glenn on vibes, Ralphe Armstrong on bass, and Leonard King on drums. James Carter has been living in the limelight since he first appeared on the New York jazz scene from his native Detroit. Impressive both in style and substance, Carter was called the "the ultimate peacock jazz musician" by the New York Times while critics lauded his virtuosic ability and his unique playing style. Studying as a young prodigy with trumpeter Marcus Belgrave, he played and toured with Marsalis in 1986 at the age of 17 and became a member of Lester Bowie's band upon relocating to New York in 1988. In addition to his own projects, James Carter has played on albums with Cyrus Chestnut, Herbie Hancock, Detroit comrade Rodney Whitaker, Regina Carter (his cousin, also from the Motor City), Madeleine Peyroux and Karrin Allyson. Carter moves with ease through swing, bop and avant-garde styles. Don’t miss this opportunity to see him perform in Oakland.
 James Carter © Andrea Canter Born in Detroit, Michigan, in 1969, James Carter began playing saxophone at age 11, first recorded with a Detroit student ensemble in 1986 and, by 1991, had recorded with legendary trumpeter Lester Bowie on The Organizer and contributed to the 1991 collection The Tough Young Tenors. Mastering a family of reed instruments, from sopranino to contrabass saxophones to contrabass and bass clarinets, James Carter mesmerized the jazz world after arriving in New York City in 1988. His debut recording, JC On The Set, released in Japan when Carter was a mere 23 years old, heralded the arrival of a significant and powerful new musical force in jazz. Recorded at the same session as his debut, Carter's next release, Jurassic Classics (1994), found him entering the Top Jazz Albums chart for the first time. Since then Carter has been prolific releasing one great record after another: The Real Quiet Storm (1995), Conversin' With The Elders (1996), In Carterian Fashion (1998), and Chasin' The Gypsy (2000), Layin' In The Cut, (2000), Gardenias For Lady Day (2003), Live at Baker's Keyboard Lounge (2004), Out of Nowhere (2005), and Gold Sounds (2005). In a review of the two albums Layin' In The Cut, an electric jazz/funk collective jam session, and Chasin' The Gypsy, an homage to Django Reinhardt, Rolling Stone (August 3, 2000) asserted that "....saxophonist James Carter is as near as jazz gets nowadays to a Young Turk -- not some ironically avant-post-rock experimentalist but a cocky scene stealer with...a knack for coming up with noticeable records." Carter has performed, either live or in the studio, with the Lincoln Center Jazz Orchestra, the late Julius Hemphill, Ronald Shannon Jackson, the Charles Mingus Big Band, soprano Kathleen Battle, Aretha Franklin, David Murray, the Art Ensemble of Chicago, Ginger Baker, Sonny Rollins, and many others. He appeared in the 1994 PBS telecast of "Live At Lincoln Center" and portrayed saxophonist Ben Webster in Robert Altman's 1996 film, "Kansas City." James Carter topped Downbeat's annual Critics Poll in the Baritone Saxophone category for three years in a row.
James Carter August 23-26 at Yoshi's in Oakland Advance Tickets: - Thur 8pm $20 & 10pm $12
- Fri 8pm $24 & 10pm $16
- Sat 8pm & 10pm $24
- Sun 7pm $24 & 9pm $16
- Day of Sale: additional $3 per ticket
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