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“Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra runaround the room while the rhythm section grimaces and dances around their instruments.” - Charles Mingus
 
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George Cables Trio: A Letter to Dexter (Kind of Blue Records) Print E-mail
Written by Glenn A. Mitchell (LA Jazz Scene)   
Monday, 30 July 2007
George Cables Trio: A Letter to Dexter
George Cables Trio: A Letter to Dexter
After pianist George Cables’ recent appearance here in L.A., I was able to get his latest CD, A Letter to Dexter. Cables has become a jazz icon, performing for many years, including a long stint with the legendary late saxophonist Dexter Gordon. In the liner notes, Cables writes: “To me, Dexter Gordon didn’t just play JAZZ, he was JAZZ.” Unfortunately, “Dex” is no longer with us, but long to be remembered.

Cables recorded several albums with Gordon (notably after Gordon’s return from Europe) and one of their best was Manhattan Symphony. Cables’ newest CD repeats many of the same tunes from the album, a dedication of sorts to his long run with Gordon. Cables used stalwart bassist Rufus Reid, who worked with Gordon as well as Cables for many years. Drummer Victor Lewis, working a longtime with both Cables and Reid, is a proven perfect choice to round out the trio for current the CD, A Letter to Dexter.


 

Gordon fans will recognize the music and the updated versions of tunes: “Catalonian Nights” (by D. Gordon), “Tanya,” “Body and Soul,” “LTD (Long tall Dexter),” which is a driving blues, and “I Told You So” (by G. Cables). The trio performs these tunes as though they’ve been playing them for years, which they have been. Reids’s solos are better than ever, including some octave explorations in a tune or two. Cables gives a little poetic introduction to “Polka Dots and Moonbeams” for a personal touch. The trio ends the excellent CD with Monk’s “Round ‘Bout Midnight.” This CD is a wonderful collectors’ item and not to be missed. Visit Cables website, www.georgecables.com, and www.kindofbluerecords.com .

 

Glenn A. Mitchell is a bassist and writer for LA Jazz Scene. This review is reprinted with permission from the August 2007 issue of LA Jazz Scene.

 
 Monday, 01 December 2008
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