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Betty Buckley and Kenny Werner Bring Cabaret to the Blue Note, July 17-22 Print E-mail
Written by Andrea Canter, Contributing Editor   
Monday, 16 July 2007
One of New York's best-kept piano secrets is Kenny Werner, a true innovator with a delicate touch and a vivid imagination....” (Jazziz)

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Kenny Werner © Andrea Canter
One of the idiom’s most lyrical interpreters and composers, pianist Kenny Werner will be on stage with “the voice of Broadway” Betty Buckley when the two long-time collaborators bring a touch of Cabaret to the Blue Note in Manhattan, July 17-22.

A child prodigy, Kenny Werner was born in Brooklyn and joined a children’s song and dance group at age four.At age 11, he recorded a single with a fifteen-piece orchestra and played stride piano on television. Still in high school, he studied at the Manhattan School of Music, later becoming a classical piano major. His interest in improvisation led him to the jazz program at the Berklee School of Music; he began recording in the late 1970s, appearing on Charles Mingus’ “Something Like a Bird.” In the 1980s, Werner toured with Archie Shepp and the Mel Lewis Orchestra, worked in duo formats with Rufus Reid, Ray Drummond, and Jaki Byard, and performed solo concerns in Europe and New York. Three National Endowment of the Arts grants helped further his career as a composer and enabled him to present his compositions at Symphony Space in New York. He also wrote compositions for the Mel Lewis Jazz Orchestra, which became the Vanguard Jazz Orchestra. With Ratzo Harris and Tom Rainey, Werner spent 14 years experimenting with trio formats, and in the 1990s, this format became his main focus. Bob Blumenthal (Boston Globe) noted that Werner’s ensemble “has provided an ever-evolving definition of the spontaneity that remains at the heart of jazz... unsurpassed as a working trio.”

 

Over the years, Kenny Werner has performed and/or recorded with such luminaries as Bob Brookmeyer, Ron Carter, Joe Williams, Chico Freeman, Sonny Fortune, Peter Erskine, John Abercrombie, Bobby McFerrin, Lee Konitz, Billy Hart, Marian McPartland, Joe Henderson, Tom Harrell, Gunther Schuller, Ed Blackwell, Paul Motian, John Scofield, Jack DeJohnette, Eddie Gomez, Dave Holland, Charlie Haden, Chris Potter, and Joe Lovano. With his trio and larger ensembles, Werner has released a series of acclaimed recordings on Doubletime and now Palmetto.

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Betty Buckley
"Buckley owns the best pipes in the musical theatre and is a gifted actress as well! A singer whose instrument is a peerless melding of vulnerability and power!" Jeremy Gerard, Variety

Singer/actress Betty Buckley was a prodigy herself, first singing in public at age 2 in her native Fort Worth. Her first real inspiration came at age 11 when she saw Bob Fosse's original "Steam Heat" choreography in a summer stock production of The Pajama Game. Listening to the recordings of Judy Garland and Della Reese, she developed her own sound, and made her stage debut at 15 in a production of Gypsy. More stage productions followed before she enrolled at Texas Christian University as a journalism major; she became head cheerleader, won the title of Miss Fort Worth (1966) and was runner up in the Miss Texas competition. Invited to Atlantic City to perform at the Miss America Pageant, she was “discovered” by a talent scout, leading to New York auditions.

As they say, the rest is history—her Broadway debut creating the role of Martha Jefferson in the musical 1776; a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats; a second Tony Award nomination for Best Actress in a musical in the 1997-98 Broadway season for her performance as Hesione in Triumph of Love; an Olivier Award nomination for her interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews in New York. Her other Broadway credits include Gypsy, Lloyd Webber's Song and Dance and the role of Margaret White in the cult musical Carrie, for which she was nominated as Best Actress in a Musical by the Outer Critic's Circle. And in London she starred as Fran Kubelik in Promises, Promises, garnering a nomination from The Evening Standard for Best Actress in a Musical. On film, Buckley has appeared in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Wood Allen's Another Woman, and Lawrence Kasden's Wyatt Earp. Of her many television credits, she may be best remembered as mopm Abby Bradford in Eight Is Enough.

Buckley has released a handful of recordings, gaining a Grammy nomination for her 2002 release, Stars and the Moon, Betty Buckley Live at the Donmar (Concord).For over 30 years, she has has taught scene study and song interpretation, giving workshops in Manhattan and various universities and arts centers as well as serving as a faculty member in the theatre and music departments of the University of Texas at Arlington, at The Terry Schreiber School in New York City, and the Casa Manana Theatre in Fort Worth.

The Werner/Buckley partnership has been one of the most compatible and acclaimed in jazz and cabaret. Werner has served as her music director as well as pianist. In 2004, they won the Legend of Cabaret Award at the Nightlife Awards in New York City; they are frequently booked into such intimate rooms as Café Carlyle and Feinstein’s in Manhattan, celebrating 17 years of partnership with a 2006 run at the Blue Note.

The July gig at the Blue Note, dubbed Songs for a Summer Night, will feature selections from Buckley’s forthcoming recording, Quintessence, as well as her usual eclectic playlist from pop, rock, country and musical theatre. Werner has also written a few new arrangements for the Blue Note show. On July 17 Buckley will be backed by her trio (Werner on piano, Tony Marino on bass and Anthony Pinciotti on drums), with Billy Drewes on reeds for the rest of the week, and drummer Dan Rieser subbing for Pinciotti on July 21 and 22.

The Blue Note is located in Manhattan at 131 West Third Street. For reservations call (212) 475-8592 or visit www.bluenote.net. More on Betty Buckley at www.bettybuckley.com ; more on Kenny Werner at www.kennywerner.com




 

 
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