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“I am convinced that all art has the desire to leave the ordinary,and to say it one way, at a spiritual level, a state of the exaltation at existence. All art has this in common. But jazz, the world of improvisation, is perhaps the highest, because we do not have the opportunity to make changes. It’s as if we were painting before the public, and the following morning we cannot go back and correct that blue color or change that red. We have to have the blues and reds very well placed before going out to play. So for me, jazz is probably the most demanding art.” - Sonny Rollins from a recent interview for the Catalan magazine Jaç
 

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The Return of Slide Huxtable, CD Release Party at the Artists' Quarter, July 12th Print E-mail
Written by Ronaldo Oregano   
Sunday, 08 July 2007

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Slide Huxtable

The long standing and long distance Minneapolis/New York based quartet Slide Huxtable will be celebrating the release of their debut CD, The Return of Slide Huxtable on Thursday, July 12th at 9:00pm at The Artists’ Quarter, 408 St. Peter Street in St. Paul, MN. There is a $7 cover, CD will be on sale for only $10 at the door.  Formed in 1998 as an offshoot of the popular Twin Cities jazz ensemble Motion Poets, Slide Huxtable is comprised of Mark Miller on trombone, Bill Bergmann on guitar, Chris Bates on bass and J.T. Bates on drums. The group initially played with regularity at St. Paul’s Clown Lounge, but has gigged much more sporadically since Miller moved to New York City in 1999. The band’s name is inspired by Bill Cosby’s on-screen father Russell “Slide” Huxtable as played by Earle Hyman (Trombone performed by Slide Hampton) in the 80’s hit sitcom “The Cosby Show”.

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Slide Huxtable
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Mark Miller © Andrea Canter

Trombonist Mark Miller grew up in Racine, Wisconsin and attended the University of Minnesota where he studied with Tom Ashworth. An ever-present sound on the Minneapolis music scene in the 1990s, he was a founding member of the Motion Poets and played with Happy Apple, Latin Sounds, Salsa Del Soul, and the Intergalactic Contemporary Ensemble. Mark also counts among his credits performances with such legends as Billy Joel, Doc Severinsen, Ernie Watts, Frank Foster, Cy Coleman, Gloria Gaynor, and the Jason Lindner Big Band. Mark recently completed a three year run on the road with the Billy Joel/Twyla Tharp Tony Award winning hit Broadway musical “Movin’ Out”. His first Broadway tour was with “Swing!” in 2002/03. A featured soloist at the London, San Jose, and the Discover Jazz Festivals, Mark has toured extensively in 46 states and 17 countries. He currently resides in New York City.

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Bill Bergmann
Guitarist Bill Bergmann has been lending his unique sound to groups in the Twin Cities for years. Attending Berkeley College of Music in Boston enabled him to branch out and discover many different types of world music. Now Bill is well versed in rock, pop, blues, R&B, jazz, reggae, ska, soukous, high-life, cha-cha, and calypso to name a few. He has played with Fred Wesley, Billy McLaughlin, Ipso Facto, Shangoya, La Kaboomba and currently plays with the West African singer/multi-instrumentalist Yawo. Bill is also the resident guitarist for the Guthrie Theatre and the Children’s Theatre Company. With a strong interest in the evolution of world music, Bill easily blends western style licks with the rhythms and harmonies from the tropics.

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Chris Bates © Andrea Canter
Originally from Hopkins, MN, Chris Bates grew up studying bass with James Clute and Anthony Cox. He has played with many great musicians including Lee Konitz, Mose Allison, Joe Lovano, Eric Alexander, Bill Carrothers, Claudia Schmidt, Osmo Vanska, Charles Lazarus, Ira Sullivan, Greg Skaff, Ernie Watts, Dean Magraw, Helene Labarrie, Tony Hymas, Pablo Cueco, Regis Huby, Marcus Wise, Chris Cunningham, Dean Granros, Lucia Newell, Laura Caviani, and Prudence Johnson. Chris maintains a long-standing relationship with drummer Jay Epstein and performs in the groups Red Planet, Tanner Taylor Trio and Framework with him. Other groups Chris currently leads / follows are - Enormous, Improvised Explosive Device, How Birds Work, Tampered Seals, Volcano Insurance, Slide Huxtable, Sambo Makti, Klezmerica and Low Blows. Chris has recorded albums with Kelly Rossum, Klezmerica, Rhonda Laurie, Red Planet, Peg Carrothers, Motion Poets, Low Blows, Willie August Project and Craig Schumacher.

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JT Bates © Andera Canter
Since the early nineties J.T. has been one of the hardest working musicians in the Twin Cities. He has performed with many nationally and internationally renown artists including: Anthony Cox, Airto, Tony Malaby, Craig Taborn, Michael Formanek, Robert Skoro, Beniot Delbecq, Jim Anton, Dean Magraw, Wessell Anderson, Rodney Whitaker, Dick Oatts, David Freidman, Evan Parker, Carbon Carousel, and Dosh. With the collective trio, Fat Kid Wednesdays (with Mike Lewis - Saxophone, Adam Linz - Bass), he has performed at many international jazz festivals in the U.S., France and Spain. Some of these include the San Jose Jazz Festival, the Heineken Jazz Fest (Spain), Son D’Hiver (Paris), Europe Jazz (Le Mans), Festival Dancing in Your Head (Walker Art Center), Minnesota Sur Seine, and the Iowa City Jazz Festival. J.T. regularly performs around the Twin Cities with many bands including Alpha Consumer, These Modern Socks, Dubsack and the Regional Jazz Trio. J.T.'s unique and instantly recognizable style, coupled with his ability to play such a wide range of musical styles without so much as a blink, makes him a master at the art of improvising and an extremely powerful element on stage and in the studio. This is pretty much common knowledge among those in the know, which is why he has been the first choice session drummer for recordings with Michel Portal (Universal Jazz France), John Gorka (Red House Records), Tony Hymas (Hope Street), and singer/songwriter Alex Ward (Mary Ellen).

 

ImageOf the nine tracks on The Return of Slide Huxtable, five of which are original compositions including four by Mark Miller and one by Chris Bates. “The Juggla” is a hard-hitting straight ahead jazz number by Anthony Cox’s former drummer Ralph Peterson and was originally featured on Cox’s Factor of Faces CD. Mark Miller’s “Salt of the Earth” is an odd metered folksy tune that features Bergmann’s soulful acoustic guitar playing and a simplistic mantra like melody. “For J.J.”, also by Miller, is a mournful ballad in tribute to the late great trombone master J.J. Johnson. Then the album takes a more electric turn with a reggae version of the old Broadway hit “Whatever Lola Wants Lola Gets”. “The Chicken” follows as a straight up funk number, which was penned by James Brown’s tenor man Pee Wee Ellis and made popular by Jaco Pastorius. Bassist Chris Bates contributes “Warren Ashtabula”, another odd metered groover with Bergmann again taking the lead. Miller’s next ballad “Let” starts with a pseudo-classical melody showcasing Chris Bates’ beautiful arco bow work. It also features younger brother J.T. Bates on a rare ballad solo for drum set. “Bop Slop” is exactly as it sounds: sloppy bebop, but on purpose, demonstrating Miller’s wild, humorous trombone style. The final track is a Dave Holland tribute to Charles Mingus entitled “Blues for C.M.” It is a slow blues that has that ‘end of the evening’ feeling that makes you want to order one more for the road and hit the hay. The album will be made available for sale for $10 on Thursday, July 12th, when we celebrate our CD release with a gig at the Artist's Quarter. For more information visit: www.artistsquarter.com, www.myspace.com/slidehuxtable and www.markjmiller.net.

 
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