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Just Down the Road: The 2007 Iowa City Jazz Festival, June 29-July 1 Print E-mail
Written by Andrea Canter, Contributing Editor   
Saturday, 23 June 2007

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Airto Moreira
Just about anywhere you live in the Midwest, you are less than a day away from one of the nation’s best kept cultural secrets—the Iowa City Jazz Festival. Taking place annually over the first weekend of July, the Iowa City Jazz Festival celebrates its 15th on June 29-July 1. Held on the famed (and shaded!) “Pentacrest” of the University of Iowa, this festival has grown in stature and musical offerings to be one of the best of the free outdoor festivals in the nation, and is now a major component of the Iowa City Summer of the Arts program. With major sponsorship from Toyota-Scion of Iowa City, headliners this year blend high energy and sophisticated musicianship, including Ray Anderson, Airto Moriera, Cuong Vu, Stanton Moore, Don Byron, Ben Allison and the Derek Trucks Band. Interspersed among the national headliners will be the best of local and regional jazz, as well as youth and college band stages promoting the future of jazz in Iowa and beyond.

There’s an expanded schedule Friday evening to get the fun underway, with Brazilian legend Airto Moriera on the main stage with Eyedentity; Saturday and Sunday offer nonstop music from 2 pm til after dark, closing Sunday with the amazing Derek Trucks Band. Jams at the nearby Sheraton Hotel and area music bars ensure many hours of jazz for those who just can not get enough. Concessions across from the Pentacrest will keep the crowds fueled throughout the weekend, and feature such nonstandard Iowa fare as gourmet delights from the cuisines of India, Africa, Greece and Asia, along with “state fair” staples like corn dogs and ice cream.

The festival schedule for 2007:

Friday, June 29th

On the Main Stage on the Pentacrest, Clinton Street side:

5:00 pm, United Jazz Ensemble.For over a decade the combined forces of City High and West High have “united” as an award-winning jazz band to help kick-off the festival.

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Main Stage 2006, UI Faculty Jazz Ensemble © Andrea Canter
6:30 pm, Ray Anderson and the U of I Faculty Ensemble. One of the masters of modern trombone, Ray Anderson is a perennial poll winner and innovator who has been a part of the bands of Barry Altschul and Anthony Braxton. Currently he leads a quartet, his Wishbone Ensemble, Alligatory Band, Bonified Big Band and Pocket Brass Band. He also is a member of the trombone quartet, Slideride with Craig Harris, George Lewis and Gary Valente. Last year it was Robin Eubanks on the trombone with the U of I faculty ensemble; this year Ray Anderson brings his unique sound to the Pentacrest.

8:30 pm, Airto Moreira and Eyedentity. A child prodigy in his native Brazil, Airto Moreira was singing and playing percussion by age 6 and soon had his own radio show. He became a professional musician at 13, moving to Sao Paulo at 16 to work in nightclubs and television as a percussionist, drummer and singer. He followed singer Flora Purim to New York, where he worked with Reggie Workman, JJ Johnson, Cedar Walton and bassist Walter Booker, who connected him to gigs Cannonball Adderley, Lee Morgan, Paul Desmond and Joe Zawinul. Airto worked for two years with Miles Davis, including the Bitches Brew sessions in the early 70s; he went on to co-lead Weather Report and work with Chick Corea’s Return to Forever. He founded Fingers with Flora Purim and later performed with Quincy Jones, Herbie Hancock, Michael Brecker, George Duke, Paul Simon, Santana and Chicago and appears on numerous movie soundtracks. Since 1973 he has won Downbeat’s readers and critics polls 20 times. The trio Eyedentity has been playing for ten years, the teaming of Moriera and Purim’s daughter Diana and Walter Booker’s son/Wayne Shorter’s nephew Krishna Booker with George Duke’s son Rashid Duke. The resulting music is an eclectic mélange of Afro-Brazilian, hip hop, acid jazz and funk.

Side Stages (on Clinton Street and Iowa Avenue):

  • 4:00 pm, Krewe Osgood (pre-fest performance)

  • 6 & 8 pm, Midwest Youth Jazz Quintet (Youth Stage)

  • 6 & 8 pm, New Beat Society (Local Stage)

  • 6 & 8 pm, Latin Jazz Ensemble (College Stage)

Saturday, June 30th

Main Stage

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Corey Christiansen © Mary Kay Gaydos
2:00 pm, Corey Christianson Trio. Now Senior Music Editor for Mel Bay Publications, Utah native Corey Christiansen played guitar at Utah State University and went on to earn a master’s degree in Jazz Performance at the University of South Florida. In addition to teaching, he’s been a featured performer at numerous festivals including performed at many notable festivals and special events including John Pisano's Guitar Night in Los Angeles, the Smithsonian Institution in Washington, D.C., the Umbria Jazz Festival in Perugia, Italy, the Lionel Hampton Jazz Festival, the Clearwater Jazz Festival, the Daytona Beach Jazz Festival, the Classic American Guitar Show, and the St. Louis Jazz Festival. His resume also includes gigs and recordings with Jimmy Bruno, John Pisano, Chuck Redd, Rob McConnell, Jack Wilkins, and Danny Gottlieb. Says Jack Wilkins, “Corey has a definitive sense of adventure and wild improvisations in his playing. He goes for it all…”

4:00 pm, Cuong Vu Trio. On of the unique voices of modern jazz, Saigon native Cuong Vu emigrated to Seattle at age six, began trumpet studies at age 11, and enrolled at the New England Conservatory of Music with a full scholarship. His performance credits include work with such innovators as Pat Metheny, Laurie Anderson, David Bowie, Dave Douglas, Myra Melford, Cibo Matto, Mitchell Froom and Chris Speed. With the Pat Metheny Group, he has received two Grammies for Best Contemporary Jazz Album (2002 and 2006). Also in 2006 he was named Best International Jazz Artist by the Italian Jazz Critics Society. A New York resident since 1994, Vu leads his own ensembles and has released four acclaimed recordings. He was recently appointed to the faculty of the University of Washington’s School of Music—back in Seattle. As noted in the New York Times, “There are few trumpeters in downtown music who play with as much authority as Cuong Vu. His compositions…with their skillfully written sequential episodes through patches of wooliness and calm, are fast gaining pace with his strong tone and improvisational skill.”

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Stanton Moore

6:00 pm, Stanton Moore Trio. One of the most explosive drummers of his generation, New Orleans native Stanton Moore has been piling up accolades, awards and “best of year” honors. Since the early 90s, he has been recording and touring with the funk band Galactic. By the late 90s he was fully launched on a solo career, as well as the Garage à Trois ensemble. Today Moore is busy not only performing but also with educational projects—private lessons and clinics, as well as writing for Drum! and Modern Drummer magazines. He plays at home in Crescent City as well as around the globe with such artists as Karl Denson; Charlie Hunter; John Medeski and John Wood (of Medeski, Martin and Wood); Donald Harrison Jr.; Robert Walter; the New Orleans Klezmer All-Stars; the Preservation Hall Jazz Band; Corrosion of Conformity; and Irma Thomas. His standing trio includes organist Robert Walter and guitarist Will Bernard. Noted Robyn Rubinstein (Jam Base), “This unassuming man with Buddy Holly glasses is a juggernaut of rhythm. He re-invents himself every time he sits behind his kit to bring a sound that is fresh and unique. Maybe nothing is original, but Stanton Moore is inimitable.”

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Don Byron
8:00 pm, Don Byron Plays Junior Walker. One of the most eclectic and inventive jazz artists of the decade, as clarinetist, saxophonist, composer, arranger (and social critic), Don Byron has tackled classical, salsa, hip-hop, funk, rhythm & blues, klezmer, and any jazz style from swing and bop to free improvisation. Since he was first named "Jazz Artist of the Year" by Down Beat in 1992, Byron has repeatedly topped readers and critics polls while engaging in a plethora of music projects and performing throughout the world at festivals, clubs and concert halls. Raised in New York by his musician parents, Byron was exposed to diverse art forms, and soon he was playing classical clarinet while simultaneously arranging salsa music. He studied in the Third Stream Department of the New England Conservatory of Music with George Russell while also performing around Boston in Latin and jazz ensembles. Now in New York for the past two decades, Byron served as Artistic Director of Jazz at the Brooklyn Academy of Music; was Artist-in-Residence at New York's Symphony Space where he established Adventurers Orchestra; wrote and performed music for the dance companies of Donald Byrd, Bebe Miller, Mark Dendy, and Ellen Sinopoli; was featured in Robert Altman's movie Kansas City and the Paul Auster film Lulu on the Bridge; has composed film scores and commissioned works. Byron has played with a multitude of artists, including the Duke Ellington Orchestra, John Hicks, Bill Frisell, Cassandra Wilson, Anthony Braxton, Geri Allen, David Murray, Douglas Ewart, Steve Coleman, Uri Caine, Steve Lacy, the Bang On A Can All-Stars, Medeski Martin & Wood, Carole King, Daniel Barenboim and the Atlanta Symphony. His latest Blue Note release, Do the Boomerang, features his interpretations of the music of saxophonist, singer, and soul/R&B legend Junior Walker. Don Byron and his sextet performed at the 2004 Iowa City Jazz Festival. Said the Seattle Weekly, “Among the many great things about Don Byron is the way he collapses the distinctions between high art and low, between generic formulas and avant attitude.”

Side Stages

  • 1:30 & 3:30 pm, Jazz Camp Combos (Youth Stage)

  • 1:30 & 3:30 pm, Dr. Z’s Experiment (Local Stage)

  • 1:30 & 3:30 pm, Bobby Domsic (College Stage)

  • 5:30 & 7:30 pm, Jazz Camp Combos (Youth Stage)

  • 5:30 & 7:30 pm, The Diplomats (Local Stage)

  • 5:30 & 7:30 pm. Chuck and the All Nighters (College Stage)

Sunday, July 1st

Main Stage

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Public Property Band
2:00 pm, Public Property. A white reggae band from Iowa City? Actually a lot of odd things come from Iowa City (including the author of this article!). Hawaii native Dave Bess started this band four years ago, and their music runs the gamut from roots reggae to gospel reggae, ska to hip-hop infused funk, to rock and back to reggae—never letting the dance floor cool down. Now considered one of the top nationally touring reggae acts, this summer Public Property is touring throughout the Midwest and Colorado. With three CD releases, Public Property proves there is no such thing as “typical” Midwest music. Says The Beat Magazine, “This band can do anything."

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Rebecca Martin
4:00 pm, Rebecca Martin.
Like in a fairy tale, Maine native Rebecca Martin left home for the Big Apple and soon was collaborating with singer/songwriter Jesse Harris as the Once Blue band. Their first recording was a smash and Martin and Harris toured with the likes of Shawn Colvin, Emmylou Harris and The Lilith Fair. After a decade and restructuring of her EMI label, Martin returned to small town life in upstate New York, soon signed to Fresh Sound/New Talent. Her 2002 collection of standards (Middlehope) was named one of the year’s top ten jazz albums by the New York Times. Shortly thereafter, Martin was signed as MaxJazz’s first singer/songwriter. Her latest release, People Behave Like Ballads, shows Martin to be a balladeer without limits, one who has easily lived up to and surpassed her early promise. Noted Ben Ratliffe in the New York Times, "This is a fresh jazz singer set loose in folk-pop, or vice versa; you never quite know which...and both sides of the equation come out well."

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Ben Allison © Jimmy Katz
6:00 pm, Ben Allison Quartet. A leader of the modern jazz scene in New York, bassist Ben Allison’s multiple ensembles include Peace Pipe, the Ben Allison Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough). Known for an adventurous yet accessible approach, Allison has been dubbed “one of today’s best young jazz musicians” by the Boston Globe, releasing 7 recordings of original music in the past decade. He’s been listed in a number of Down Beat Readers and Critics Polls in multiple “rising star” categories, including “Best Bassist” (top ranked in 2005 and 2006), "Album," "Composer," "Acoustic Group," "Arranger" and "Jazz Artist of the Year." When only 25, Allison formed the Jazz Composers Collective — a musician-run, non-profit organization based in New York City dedicated to encouraging creating and risk-taking through new music. As the Artistic Director and a Composer-in-Residence of the Collective, Ben has produced or coproduced

over 100 concerts and special events, national and international tours, a Collective residency at the Museum of Modern Art, and an annual "Jazz Composers Collective Festival" at the Jazz Standard; he has received commissioning, performing, and recording grants from a number of organizations including Chamber Music America, the National Endowment for the Arts and the American Composers Forum. Allison’s quartet released Cowboy Justice (Palmetto) to wide acclaim in 2006, and features Ron Horton (trumpet), Steve Cardenas (guitar) and Gerald Cleaver (drums). Noted George Kanzler (Hot House), “Allison’s new quartet may well have one of the most original sounds and conceptions in 21st century jazz.”

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Derek Trucks
8:00 pm, Derek Trucks Band. Ten years in evolution, the Derek Trucks Band blends jazz, rock, blues, Latin, Eastern Indian, and other world sounds into a unique “progressive roots music.” Jacksonville, Florida native Derek Trucks first picked up a guitar at age nine, and a year later was ready to go on the road with his father serving as his manager. With his first paid gig at all and his first band at 12, Derek was on his way to becoming the youngest player to be named to the Rolling Stone’s list of the One Hundred Greatest Guitarists of All Time, A significant early influence was the Allman Brothers Band, as Derek’s uncle, drummer Butch Trucks, was a founding member of the ABB. Among his other influences, Derek cites “Elmore James, and BB King. Then guys like Charlie Christian, Wes Montgomery, Django, Albert King, Jimmy Herring, Jack Pearson,” as well as Miles Davis, Sun Ra, John Coltrane and Wayne Shorter. His slide guitar style also reflects the influence of East Indian saroud music. In addition to his DTB, Trucks has been a member of the Allman Brothers Band since 1999 when he replaced Duane Allman, and was part of Eric Clapton’s 2006-07 tour. This summer, Trucks and wife, singer/guitarist Susan Tedeschi, will be part of a limited tour as the Soul Stew Revival.

The core of the DTB has been together since the beginning. At 15, Trucks met bassist/vocalist Todd Smallie, and a year later connected with drummer Yonrico Scott. A few years later, the band expanded to include Kofi Burbridge on flute, keyboard and vocals; in 2002, lead vocalist Mike Mattison joined the DTB. The band sometimes includes a sixth musician, Count M’Butu, on percussion and congas. Still in his 20s, Trucks has been described in the Wall Street Journal as "the most awe-inspiring electric slide guitar player performing today."

Side Stages

  • 1:30 & 3:30 pm, Ignition (Youth Stage)

  • 1:30 & 3:30 pm, Radio Improved (Local Stage)

  • 1:30 and 3:30 pm, Three Page Fives (College Stage)

  • 5:30 and 7:30 pm, North Scott High School (Youth Stage)

  • 5:30 & 7:30 pm, The Tornados (Local Stage)

  • 5:30 & 7:30 pm, Group X (College Stage)

Celebrating 15 Years

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North Scott HS, Drew and Seth Thompson © Andera Canter
From the first event in 1991, the Iowa City Jazz Festival has grown from an intimate gathering of local jazz aficionados into a nationally recognized event averaging over 25,000 attendees each year. Under the leadership of music director Steve Grismore, some of the biggest names in jazz have headlined the ICJF, including John Scofield, Paquito D’Rivera, Joe Lovano, Kenny Garrett, Roy Haynes, Dave Douglas, Bill Frisell, Joey de Francesco, Charlie Hunter, Greg Osby, Cubanismo, Pat Martino, Paul Motian, Don Byron, Andrew Hill, Carla Bley, Steve Swallow, Yellowjackets, Soulive, Patricia Barber, Sexmob, Stefon Harris, Geoffrey Keezer and Robin Eubanks. The sponsors underwrite all costs of producing the event, allowing it be presented to the public at no charge, thus attracting a diverse audience of university students, families, and jazz enthusiasts from all over the midwest.

 

JazzSet (National Public Radio) has recognized the Iowa City Jazz Festival by recording the festival four times in the past eight years, and recently featuring ICJF broadcasts for three consecutive weekly shows nationwide. Each year, the festival focuses on jazz education through its “Keyhole” program, inviting young musicians from area schools to perform and learn from such noted educators like T.S. Monk, Jr., Kenny Werner, Curtis Fuller, Geri Allen, David Berkman and Dick Oatts through workshops. Further, the festival supports local youth jazz groups by collaborating with both the City High and West High jazz bands.


Named among the “Top 10 Festivals in the Nation” by Downbeat magazine, the festival often features “cutting-edge” musicians—and perhaps never as many genre-stretching innovators as the line up for 2007. Check your map—Iowa City is located in eastern Iowa right on Interstate 80, about half way between Minneapolis and St. Louis, Omaha and Chicago. Lodging is inexpensive and the music is free. And it’s among the best collection of national talents you’ll find at any free festival this summer. Don’t wait til the Fourth. The fireworks are on the Pentacrest in Iowa City, June 29-July 1.

 

For more information about the Iowa City Jazz Festival, visit https://www.summerofthearts.org/JazzFest. And while you’re listening, watch for Jazz Police administrator Don Berryman!

 
 Friday, 04 July 2008
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