“As 'Fountain of Youth' so exuberantly captures, Roy Haynes is one of the seven wonders of modern jazz." --Dan Ouelette (Billboard)  Roy Haynes © Andrea Canter If there is an “Energizer Bunny” of jazz, it has to be drummer extraordinaire Roy Haynes. At an age when even jazz musicians tend to slow down and take it easy, Haynes has done the opposite, revving up his engines with his “Fountain of Youth” Band—so aptly named for its leader, issuing volcanic recordings and traveling cross country to share the beat. One of the most dynamic timekeepers in the business, Haynes’ career mirrors the history of modern jazz as one of the last of the great innovators of the 1940s who is still pushing the genre forward in the 21st century. Few working musicians in 2007 include the bands of Louis Armstrong, John Coltrane, Miles Davis, and Dizzy Gillespie on their resumes; but many of today’s top 20-something rising stars are graduates of the “Academy of Roy Haynes.” This week ( Ju ly 17-22), 82-year-young Haynes and his young protégés—alto saxman Jaleel Shaw, pianist Bejerano, and new bassist David Wong-- hold court at Dizzy's at jazz at Lincoln Center in Manhattan.
Born in 1925 in the Roxbury section of Boston, Roy Haynes taught himself to play drums, fascinated by the talents of Jo Jones, Sid Catlett and Chick Webb. Older brother Doug played trumpet, studied for a time at the New England Conservatory, and introduced Roy to Jo Jones; listening to his brother’s record collection and the big bands on radio were early influences on young Roy. “Doug knew everybody. He was my main connection to jazz.” Still in high school, Haynes played drums for various bands around town. In 1942—at only 17—Haynes began his professional career with guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown. In 1945 he was asked to join legendary bandleader Luis Russell at New York's legendary Savoy Ballroom, and between gigs absorbed the lessons of bop along 52nd Street and at the legendary Minton’s. Along the way, and after his stint with Russell ended in 1947, Roy Haynes became the favorite drummer of many bop-era titans, including Louis Armstrong, Billie Holiday, Lester Young, Charlie Parker, Bud Powell, Thelonious Monk, Lennie Tristano, Dizzy Gillespie, Miles Davis, Sonny Rollins, and John Coltrane. His chops led Young to dub him “The Royal of Haynes”; Bird and Coltrane regarded him has among the very best they worked with, Coltrane regarding Haynes as his preferred substitute for the late Elvin Jones in the historic Coltrane Quartet (1961-65).  David Wong © Andrea Canter Over the last 30 years, Haynes has primarily free-lanced when the sideman opportunities appealed to him, as well as spending more and more time leading his own bands. He supported the great Sarah Vaughan for many years (touring 1954-59), and at one time or another, he has managed the trapset for Eric Dolphy, Stan Getz, Gary Burton, Chick Corea, Pat Metheny, and Michel Petrucciani; he led the jazz-rock Hip Ensemble with George Adams and Hannibal Peterson. More recently he has mentored younger artists such as saxmen Ralph Moore, Craig Handy, and Marcus Strickland; his own son, trumpet/cornet player Graham Haynes; and now his grandson, drummer Marcus Gilmore.Numerous accolades and honors have been awarded to Haynes, including the “Living National Treasures of Jazz” (Museum of American History) in 1988; an honorary Doctor of Music degree from Berklee College of Music in 1991; the 1993 inductee into the International Academy of Jazz Hall of Fame (University of Pittsburgh); the French Chevalier des l'Ordres Artes et des Lettres; numerous Down Beat polls. His Dreyfus release, a tribute to Charlie Parker aptly titled Birds of a Feather, received a Grammy nomination in 2002. In 2004, he released the explosive, live Fountain of Youth (Dreyfus), featuring Marcus Strickland, Martin Bejerano, and John Sullivan. Of Haynes’ then-approaching 80th birthday, Lloyd Sachs (Amazon.com) remarked, “Signs of slowing down? Forget it. The only one trying to catch any breath is the listener.” Slowing down was not an option. Haynes and his quartet (with Shaw, Robert Rodriguez sitting in for Bejerano and long-time bassist John Sullivan)) started off 2006 with a live recording weekend at the Artists Quarter in St. Paul, released last fall as Where As (Dreyfus), featuring Haynes’ Grammy nominated solo track, “Hippity Hop.” And with Wong replacing Sullivan, the Fountain of Youth as continued its high activity level through 2007.  Jaleel Shaw © Andrea Canter Alto saxophonist Jaleel Shaw attended Berklee in Boston, earning a dual degree in Music Education and Performance in 2000. While enrolled at Berklee, Jaleel received the Billboard Endowed Scholarship for Outstanding Academic and Musical achievement (1998), two Woodwind Department Chair Awards, The Outstanding Student Teacher Award, and The Boston Jazz Society Award (1999). Not done with formal studies, the Philadelphia native next moved on to the Manhattan School of Music (also with a scholarship), earning a Masters in Jazz Performance in 2002; that year he also was a finalist in the Thelonious Monk International Saxophone Competition. Shaw has performed throughout the US and around the world with such artists as Clark Terry, Roy Hargrove, Christian McBride, Jeff "Tain" Watts, Arturo Sandoval, Nicholas Payton, the Village Vanguard Orchestra, and the Count Basie Orchestra; he appears and records with the Mingus Big Band, The Either Orchestra, and Jeremy Pelt Quartet, and leads the Jaleel Shaw Quintet. His first album Perspective (Fresh Sound, 2004) was voted one of the top 5 debut jazz CDs of 2005 by All About Jazz; his composition “The Heavyweight Champion”—also on the CD--won the ASCAP Foundation Young Jazz Composer Award. Pianist Martin Bejerano is building a solid career backing some of modern jazz’s elders and young masters. In addition to his work with Roy Haynes, Bejerano has worked with Russell Malone, James Moody, Ira Sullivan, Marcus Printup, and Marcus Strickland. He’s appeared at festivals around the world, including Playboy, Montreal, Aspen, Ravinia, Sedona, Big Sur, Lincoln Center, Bahia, and the Charlie Parker jazz festivals, and at such venues as Birdland, The Blue Note, Jazz Gallery, Sunset Club (Paris), Jazz Showcase (Chicago) and the Dakota, and Artists Quarter (Twin Cities).  Roy Haynes © Andrea Canter The newest addition to the Fountain of Youth, bassist David Wong has taught jazz clinics at the University of Wisconsin Milwaukee and Northern Illinois University, and teaches bass privately. The Julliard graduate has performed with the Wynton Marsalis Quartet and the Illinois Jacquet Big Band, and recently has toured with Pete Zimmer and vocalist Sachal Vasandani. Time, for Roy Haynes, never stands still--he always has something new to say. Hear what 82 years behind the drum kit has to offer every jazz fan, of any age, why Roy Haynes (again) was named 2007 Drummer of the Year by the Downbeat Critics Poll, why he is both the elder statesman and youthful core of the Fountain of Youth. “Every time I get on the bandstand, it's going to be something different. I want to do something that I've never done before.”– Roy Haynes
The Roy Haynes Quartet will be on stage at Dizzy's July 17-22, two sets per night; www.jalc.org |