Jazz Police       Click to save on Hotels Hotels Cars Cars Cruises Cruises flights Flights
JP
Dizzy Gillespie: “Men have died for this music. You can’t get more serious than that.”
 
Support our live jazz coverage. Visit our sponsors. If you plan to shop amazon.com or download iTunes, click through here:
Apple iTunes

Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |

Main Menu
Home
CD Reviews
Interviews
SF Bay Area
Chicago
Los Angeles
New York
Twin Cities, MN
More Cities
Festivals
FAQ
News
Contact
Video of the Week
Visitors: 13594406
Swinging “After Hours” with Nancy Kelly at Dizzy’s, March 13-17 Print E-mail
Written by Andrea Canter, Contributing Editor   
Sunday, 04 March 2007
If swing was gold, Nancy Kelly would be the richest woman on earth.”John Gilbert, Jazzreview.com

Image
Nancy Kelly © Tom Olsen and Leo Reinfeld
Rochester, New York native Nancy Kelly’s career spans 30 years, singing mostly in New York City as well as in Miami and Los Angeles. Winner of two Down Beat Reader Polls as “best female vocalist,” she has released three recordings on the Amherst label since 1988, most recently the very aptly titled, Born to Swing (Amherst Records, 2006). Kelly will be featured “After Hours” at Dizzy’s Club Coca Cola (Jazz at Lincoln Center) March 13-17; she’ll perform each night at 11 pm following two sets by the great Mark Murphy. That might seem like a daunting task, but the “real deal” Ms. Kelly is more than up to the challenge.

Starting at age four, Kelly studied piano, clarinet, drama and dance, later concentrating on voice at the Eastman School of Music in Rochester. Over the years she has performed for audiences across the country and in Europe and Asia, including three tours of Japan. New York gigs have included appearances at the Blue Note, Birdland, Rainbow Room and Dizzy’s. Over her career, Kelly has released three recordings: Live Jazz, Singin’ and Swingin’, and Born to Swing.

Born to Swing was one of my favorites of 2006, maintaining its place in my car CD player for several months. With Dino Losito on piano, Neal Miner on bass, Mark Taylor on drums, and a special appearance by great bop saxophonist Houston Person, Kelly brings her trademark sassy swing to every tune. She keeps things effectively simple on a bossa rendition of “Like Someone in Love;” engages Person in charming repartee on “Let Me Off Uptown;” scats up a storm on “You’d Be So Nice to Come Home To;” exudes wistful elegance on “Didn’t We;” and shows her bluesy side on the closing, “Let’s Talk Business.” As Bruce Crowther (Jazz Journal International, UK) notes, “At a time when we are still immersed in the flood of popsters claiming to be jazz singers, this CD comes as a very welcome assurance that the real thing is still around.”

Double your pleasure in the “real thing” of vocal jazz with a doubleheader at Dizzy’s—catch an early set from legend Mark Murphy, and then hang out “After Hours” for a swinging finale from the queen of swing, Nancy Kelly. Joining Kelly on Tuesday will be Ray Gallon (piano), Neal Miner (bass) and Fukushi Tainaka (Drums); on Wednesday-Saturday, Jimmy Madison takes over the drum kit; on Thursday-Saturday, Dino Losito takes the piano bench.

Mark Murphy and Nancy Kelly appear at Dizzy’s Club Coca Cola at Jazz at Lincoln Center in Manhattan, March 13-17. Murphy’s sets at 7:30 and 9:30 pm; Kelly closes out the night at 11 pm. Reservations at www.jalc.org

 

 
 Thursday, 21 August 2008
BOOK TRAVEL WITH JAZZ POLICE AND SAVE! Search for deals here.
City Arrival Date Nights Adults Rooms
Today's top ten jazz downloads
JP Archive
Add Jazz Police button to your google toolbar
Latest News





Lost Password?
No account yet? Register
BluesPolice
 
Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |
All material protected by copyright. © 2007 Jazz Police and contributing writers & visual artists. All rights reserved. Material may not be reprinted or redistributed without permission of the contributing writers & visual artists.
Jazz Police makes no warranty, expressed or implied as to the accuracy, completeness or utility of information provided. All information is subject to change without notice.