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 Saturday, 04 July 2009
How Birds Work: Inventive Musings at the Artists' Quarter, December 26th Print E-mail
Written by Andrea Canter, Contributing Editor   
Sunday, 23 December 2007
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Dean Granros © Andrea Canter
St. Paul’s answer to New York’s Village Vanguard, The Artists Quarter is a no frills, basement jazz club--no food, a basic bar, and generally an audience primed for jazz rather than conversation. Established by drummer Kenny Horst as a venue for musicians and their music, the AQ offers some amenities unlike the Vanguard: you can come and go as you please, order a drink when the spirits move you, and neither Horst nor host Davis Wilson ever make you feel like they did you a favor to open the door. This artist-friendly setting was the genesis of the quartet, How Birds Work, a collaboration of four well-known area musicians—guitarist Dean Granros, keyboard specialist Peter Schimke, bassist Billy Peterson, and AQ owner and drummer Kenny Horst; Chris Bates has now taken over bass duties for the ultra busy Billy Peterson. With an acclaimed CD released in 2004 (Live at the Artists Quarter) and profiled in last January's Minneapolis-St Paul Magazine, HBW continues to hone its craft with nearly monthly gigs at the AQ. Offering a good escape from rounds of holiday parties, HBW will be on stage at the AQ this Wednesday night, December 26th.
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Peter Schimke © Andrea Canter

Each of these artists has established his reputation through many diverse routes: Dean Granros’s 30-year career encompasses an ecletic range of genres and projects, including several well-known to AQ audiences—FKG with Scott Fultz and Dave King, Siamese Fighting Fish with King and Anthony Cox, and his long-running duo with Brad Bellows. In 2003, he recorded Mercury with the rock/jazz fusion band Curlew, featuring saxist George Cartwright, generating accolades from Jazz Times critic Stuart Nicholson who noted that “Granros’raw guitar explores the tensions between jazz and rock.” Jazz Police administrator Don Berryman adds, “Granros blends the vocabulary of bebop, acid rock, and delta blues into a delightful and potent cocktail that may leave you shaken or stirred.”

Peter Schimke is one of the busiest keyboard virtuosos in the Twin Cities today, appearing frequently at the AQ, Dakota, and just about anywhere else that requires first class comping and soloing on piano or Fender Rhodes. In addition to HBW, Schimke is a mainstay of Bruce Henry’s Sextet, leader of his own trio, frequently collaborator with saxophonist Irv Williams, and a favorite keyboardist of many local and national artists. With How Birds Work, Schimke also displays his skills as a composer and adds vocals to the mix. Notes Don Berryman (Jazz Police), “When he is comping behind a soloist, he is engaged in a subtle dialog, listening and responding with harmonies and rhythms that sometimes represent a suggestion or even a challenge to the soloist.” And when he takes off in a leading role, Schimke blazes new trails and challenges others to keep up.

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Chris Bates © Andrea Canter

Chris Bates, with his brother, drummer JT, grew up with jazz, sons of trumpeter/bandleader Don Bates. Chris began bass lessons in 4th grade and progressed to jazz studies at the University of Wisconsin-Eau Claire before returning to the Twin Cities to study with Anthony Cox. A member of the original Motion Poets, Chris has focused more on composing (he was a 1999 McKnight Composer Fellow) and playing regularly with Low Blow, the Kelly Rossum Quartet, and the guitar trios, Framework and Red Planet, in addition to HBW. He’s also a busy performer during the annual Minnesota Sur Seine Festival..

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Kenny Horst © Andrea Canter

Kenny Horst isn’t busy enough running the Artists’ Quarter, he also tends the drum kit with many of the AQ’s visiting and local artists, and still manages to perform now and then at other venues with groups such as The Five and Dean Granros Trio. Says Don Berryman (Jazz Police), “Great hard-bop, soul jazz, and fusion chops and the sweetest guy you could meet.” He served double duty on the HBW recording as both drummer and producer

So what happens when this veteran foursome joins forces? Sophisticated, often subtle, always working toward the edge from a firm foundation, How Birds Work offers multiple layers of challenge to the listener. Live at the AQ is an ambitious recording, with tough covers for a first outing, including well-known classics of master composers, Coltrane’s “Equinox,” Hancock’s “Maiden Voyage,” and Shorter’s “Footprints.” These have been performed many times by legendary artists—with the bar set so high, this could be a dangerous play list, but these guys are up to the challenge, and throw in three originals to boot. And according to CD Baby, “It's jazz. Some of it is out there, some if isn't. Some of it has a little bit of a rock tinge. A lot of it doesn't.” I agree, and I would also add “it is simultaneously accessible and challenging” for the listener.

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How Birds Work follows in some large “footprints” of modern jazz, often teetering toward the outer limits but nevertheless within reach. Catch their inventive musings when they take over the stage on Wednesday, December 26th.

The Artists Quarter is located in the lower level of the Hamm Building at St. Peter and 7th Place in downtown St. Paul. See www.artistsquarter.com or call (651) 292-1359. More information about the band and CD is available at cdbaby.com/cd/howbirdswork. See the feature on HBW in the January 2007 issue of Minneapolis/St Paul Magazine.

How Birds Work live vdeo from 2005:

 



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