Looking for a different gig? Kristin Korb fits
the bill. While there are many fine female vocalists, far too few women in jazz have tackled the acoustic bass. Kristin Korb is not only a member of the very tiny community of women bassists, she is also
equally known as a vocalist—and she often shares both talents simultaneously. A singing bassist? Combining the vocal traditions of
Ella Fitzgerald and Sarah Vaughn with the instrumental influence of Ray Brown, Korb will bring her unique talents to the stage at
Steamers on Friday, December 29th.
A Montana native, Kristin grew up surrounded by music. She started playing guitar in elementary school, briefly moving on to violin and
piano. Learning that the “hip” group in junior high was the vocal ensemble, she sang in the seventh grade group and played bass
guitar with the eighth graders. “I spent my lunch hours and stayed after school listening to the director’s Ella Fitzgerald, Manhattan
Transfer, and Diane Reeves recordings. I wanted to know about scat.”
 Kristen Korb © Andrea Canter She continued to divide her focus between bass and voice, earning a
bachelor's degree in music education from Eastern Montana College. To study with bass professor Bertram Turetzky, Kristin moved to San
Diego in 1992, earning a master's degree in classical bass performance from the University of California (San Diego). Turetzky
suggested she combine her two talents: “Turetzky looked at me and said, ‘You play…and you sing…why don’t you do both at the
same time?’… The music is within me whether it comes out through my voice or through my bass. Some things are executed differently,
but when I’m trading with myself on bass and voice it has to be continuation of the same idea…Ideas make a lot more sense on the
bass if I’m singing them in my head.”
As her performing career got underway, Korb was highly influenced and mentored by the great Ray Brown, with whom she made her debut
recording for Telarc. She has been featured at the International Society of Bassists Conference (in 1999 and 2001) and was recently
appointed to their Board of Directors. In addition to touring with Ray Brown and Benny Green, Korb has appeared with Clark Terry, Bill
Mays, Bobby Shew, Jeff Hamilton, and Carl Allen, among others, and leads her own ensemble. A committed educator, she most recently
served as Director of Jazz Studies at Central Washington University in Ellensburg, Washington, where she performed with the faculty jazz
ensemble, taught bass and jazz history, and directed their premier
Jazz Band I. Now living in LA where she heads the vocal jazz program at USC, Kristin is more focused on
performing. Korb notes, “I don’t try to be ‘rhythmically
surprising.’ Rather than playing a lot of fast lines I like to use
space and rhythmic diversity—put meaning into every single note
rather than into a flurry of notes.” This approach is working well--Kristin Korb won the 2005 Jazz Connect Vocal Jazz Competition and released her third recording last month.
Said
Ray Brown, “I've never heard anyone scat quite that fast! She has a great feeling –very musical.” Come see and hear this
dually talented woman of jazz at Steamers Jazz CLub on Friday, December 29th.
www.steamersjazz.com. More on Kristin Korb at www.kristinkorb.com.
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