 Buster Williams © Howard A. Gitelson “Something More” is an apt title
for Buster Williams’ ensemble. Among the busiest and most prolific
of modern bassists, Williams has always been more than a sideman,
from his early days with Jimmy Heath, Gene Ammons, and Sonny Stitt
(all before age 20), to his alliance with such vocalists as Sarah
Vaughan, Nancy Wilson, and Betty Carter, to his work on projects as
diverse as the Jazz Crusaders, Herbie Hancock’s Mwandishi Band, and
Sphere with T.S. Monk. In addition to his numerous supporting roles,
Williams has also shone as a frequently-recorded leader and composer.
The Penguin Guide to Jazz notes his “impeccable harmony”
and a “rhythmic sense that is unfailing, feeling, and utterly
original.” On October 20-21, Williams brings his latest version of
Something More to Smoke in Manhattan.
Bass players often are overlooked or
underappreciated even by “jazz fans”—bass solos often seem to
be regarded as mere intermissions while the horn or piano takes a
break. Buster Williams commands our attention, as much
to his supporting lines as to his dynamic and creative solos. The son
of a bassist, Williams grew up in New Jersey, noting that “we were
a two-bass family.” He was playing with Jimmy Heath while still in
high school, and shortly after graduation was working with Gene
Ammons and Sonny Stitt. Later he was hired by Dakota Staton, and over
time appeared with jazz giants such as Art
Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter
Gordon, Branford Marsalis, Wynton Marsalis, Herbie Hancock, Larry
Coryell, Lee Konitz, McCoy Tyner,
Illinois Jacquet, Nancy Wilson,
Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Garter, Woody Shaw,
Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee
Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson,
Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron,
Charlie Rouse, Kenny Dorham, Freddie Hubbard, and more. But "after
working almost continuously for 30 years as a sideman," says
Buster, "I decided it was time to take the plunge, step up to
the front, play my music, and express my concept of a cohesive
musical unit. I've served my apprenticeship under many great masters
and feel that it's my honor and privilege to carry on the lineage
that makes this music such an artistically rich art form.” Williams
was awarded an NEA grant for composition in 1991, shortly after
forming the first configuration of his “Something More” band. In
addition to his quartet, Williams recent work has included tours with
Kenny Barron (with whom he once collaborated on the ensemble Sphere)
and Benny Golson.
 Danny Grissett © Andrea Canter
The current Buster Williams Something
More Quartet offers “something more” than a great bass player and
composer. Always traveling in superb company, Williams will bring an
all-star ensemble to Smoke with young monster pianist Danny Grissett
, the sublime Steve Wilson on alto sax, and long-time collaborator
Lenny White on drums.
Originally from Los Angeles, Danny
Grissett has been playing piano since age five, studied
classical piano through high school and college, and went on to
explore his love for jazz in graduate school. He earned an M.F.A in
Jazz Performance from Cal Arts in 2000 followed by an advanced
performance certificate from the prestigious Thelonious Monk
Institute where he studied with Barry Harris, Herbie Hancock, Terence
Blanchard, Kenny Barron, Bobby Watson, Jimmy Heath, and Carl Allen.
Shortly after arriving New York three years ago, Grissett became a
popular sideman, working with Vincent Herring, Vanessa Rubin, Freddie
Hubbard, Tom Harrell, The Mingus Big Band, Russell Malone, Jeremy
Pelt, and Nicholas Payton.  Steve Wilson © Andrea Canter
Dubbed a “musician’s musician,”
soprano/alto saxman Steve Wilson has played sideman on
over 100 recordings with such artists as Chick Corea, Dave Holland,
Don Byron, Bill Stewart, James Williams, and Mulgrew Miller. Notes
George Varga in the San Diego Times, “Wilsonhas the rare ability to
say more with less and to let the space between each note breathe and
resonate.” The Virginia native began formal sax studies at 12,
continuing at Virginia Commonwealth University where he studied or
played with Percy Heath, Jon Hendricks, Jaki Byard, Frank Foster and
Ellis Marsalis. After moving to New York, he was part of the OTB (Out
of the Blue) Sextet and toured with the Lionel Hampton Orchestra.
Today he tours with many of the top bands in jazz, including the
Maria Schneider Orchestra, as well as with Buster Williams, Michael
Weiss, and his own quartet (Ed Howard, Bruce Barth, Adam Cruz).
Wilson is also a dedicated jazz educator and former faculty member at
William Paterson College.  Lenny White
And what better choice of drummer than
Lenny White? Best known for his early work with Miles
Davis (on “Bitches Brew”) and Chick Corea’s Return to Forever
band, White is still known more as a fusion drummer than mainstream
jazz artist, which is a shame because he so readily morphs into the
latter in the company of such talents as Buster Williams and Patrice
Rushen. In fact, much like Steve Smith of Journey, Lenny White has
proven to be a master of percussion regardless of genre.
The Buster Williams “Something More”
Quartet promises that the whole will be greater than the sum of its
parts—and given the parts, that means two nights of exceptional
jazz at Smoke!
Smoke
is located at 2751 Broadway, Manhattan,
www.smokejazz.com.
Buster Williams and Something More perform October 20-21, three sets
each night at 8, 10 and 11:30 pm. Cover $25, (212) 864 6662.
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