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Lew Tabackin October 13th-15th at the Artists' Quarter |
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Written by Don Berryman
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Monday, 09 October 2006 |
 Lew Tabackin © Andrea Canter
Lew Tabackin, one of the great tenors and jazz flautists of our time,
will perform in a wide-open trio setting at the Artists'
Quarter in Saint Paul on October 13th through the 15th with Tom Lewis on Bass and Kenny Horst on drums.
Those who are only familiar with Lew through his work with the Toshiko Akiyoshi Jazz Orchestra
should check out this gig o hear him really stretch out.
One is tempted to make comparisons,
Tabackin has a big aggressive sound on tenor reminiscent of Sonny Rollings or even the Hawk,
and the influence of Coltrane is strong (as is must be for anyone on tenor who came after him).
But after many years of listening I must conclude that Lew Tabackin sounds like
Lew Tabackin, and that is pretty damn good.
He is an innovator who has built upon the foundation of jazz tradition fully integrating the vocabulary of jazz choosing to learn from history rather than repeat it.
Lew has developed a unique voice and added it to that of the other
great innovators who have gone before him.
Tabackin makes beautifully intricate and unabashedly bold music.
On flute Tabackin stands alone as a pioneer in the fusion of Asian melody and jazz. Unlike the aggressive, in-your-face New York sound on tenor Lew's flute playing evokes exotic, subtle beauty and is simultaneously airy and earthy. He has constantly placed near the top for jazz flute on critics readers polls for decades.
Lew Tabackin's interest in music began in his birthplace, Philadelphia, where he first studied flute and then tenor saxophone in
high school. He majored in flute at the
Philadelphia Conservatory of Music.After his U.S. Army service (1962-65), Mr. Tabackin moved to New Jersey and then to
New York, where he
played first with Tal Farlow and Don Friedman and later in the big bands led by Cab Calloway, Les and Larry Elgart, Maynard Ferguson,
Joe Henderson, Chuck Israels, Thad Jones and Mel Lewis, Clark Terry, and Duke Pearson. During the late 1960's, Mr. Tabackin led a trio
at a club called La Boheme in Philadelphia, in addition to playing in smaller groups with Donald Byrd, Roland Hanna,
Elvin Jones, and
Attila Zoller. In those early years he worked with Doc Severinsen and the studio band for Dick Cavett's television show. He also spent
some time in Europe, where he was a soloist with various orchestras, including the Danish Radio Orchestra and the Hamburg Jazz Workshop.
 Photo by Howard A. Gitelson
In 1968 he met
Toshiko Akiyoshi
when the two played together in a quartet. They eventually married and moved to
Los Angeles, where they
formed the award-winning big band known as the Toshiko Akiyoshi Jazz Orchestra.
While in
Los Angeles, Mr. Tabackin also played with Shelley
Manne and with various trios of his own with Billy Higgins, John Heard, and Charlie Haden. He also toured Japan frequently with Ms. Akiyoshi and
her orchestra as well as with his own trio, which included drummer Joey Baron and bassist Michael Moore.
During the 1980's he began to get some long overdue recognition as a flutist, winning many Down Beat critic's and reader's polls. In 1982 Mr. Tabackin
and Ms. Akiyoshi moved to New York, which brought him back to the Manhattan jazz scene. Since then he has solidified his position as a major tenor
saxophone and flute artist. In 1990 Mr. Tabackin released his first disc for Concord, Desert Lady, featuring Hank
Jones, Dave Holland, and Victor Lewis, followed by the acclaimed I'll Be Seeing You with Benny Green, Peter Washington, and Lewis Nash. In 1994 the same
group recorded What a Little Moonlight Can Do. Mr. Tabackin has also been associated with several all-star bands, including George Wein's Newport All-Star
Band, the New York Jazz Giants, and the Carnegie Hall Jazz Band.
Hear Lew Tabackin October 13th-15th at:
the Artists' Quarter
7th Place & St. Peter
in the Hamm Building
Downtown St. Paul
(651) 292-1359
www.artistsquarter.com |
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Friday, 22 August 2008
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