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“All I know is that there are four beats to a bar and there are a million ways to phrase a tune.” –Anita O’Day (undated Down Beat, circa 1938-39)
 
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 Thursday, 08 January 2009
Carrying the Iowa Jazz Legacy: Tanner Taylor at the Artists Quarter December 30th Print E-mail
Written by Andrea Canter, Contributing Editor   
Monday, 25 December 2006
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Tanner Taylor © Andrea Canter
An unlikely wellspring for great jazz artists, Iowa claims such legends as Bix Biederbacke, Glenn Miller, and Charlie Haden, along with young lion Ryan Kisor. Add to that “young lion” pool pianist Tanner Taylor, whose move to the Twin Cities gives us one more reason to gloat at our neighbors to the south. Since his first appearances on local stages a few years ago, Taylor has been burning up keyboards in fast company, including Dave Karr’s Mulligan Stew and backing such acclaimed touring artists as David Fathead Newman. Often accompanying the finest area vocalists, Tanner fronts his own trio almost monthly at the Artists Quarter in St. Paul,and this weekend he holds down the stage for a Saturday night gig, December 30th.

“I began classical training when I was about six,” notes Tanner, and shortly thereafter he started composing his own tunes. But his initial inspiration to try jaz came “after seeing the Glenn Miller Story when I was twelve.” In addition to playing piano, Taylor took up jazz trombone, playing both instruments through high school. His music education was eclectic: “I studied most notably with Jack Oatts, Gary Dial of the Manhattan School of Music, classical instructors Chuck and Virginia Radke, and took one year of composition at the University of Northern Iowa.” Jack Oatts also created Tanner’s first professional opportunity, when at fourteen “my first pro gig was at a place in Carroll, IA with the Jack Oatts Quartet.”

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Katie Gearty and Tanner Taylor © Andrea Canter

Citing as primary muses Oscar Peterson, Bill Evans, Benny Green, and the Count Basie Orchestra, Tanner notes that “lack of good gigs in Iowa” motivated his move to the Twin Cities. “Plus,” he says, “I got a job as a piano technician for the Yamaha Piano Corporation.” He’s had no trouble getting gigs ever since, finding himself a frequent first-call keyboardist for the Winter and Hot Summer Jazz Festivals and performers at every venue, from the Dakota and AQ to Rossi’s, Sophia’s and more. But perhaps his most frequent gig is with a vocalist—weekly at the Times with Katie Gearty and often at Sophia’s and Rossi’s with singers such as Christine Rosholt, Maud Hixson, Arne Fogel, Vicky Mountain and more.


Tanner notes that backing a vocalist requires a different approach than when comping for an instrumentalist or leading is own trio. “I try to think/arrange as if the piano is the Basie band, or George Shearing trio (or something). It's a matter of structured arrangement on the spot, and trying to keep it in good taste. With an instrumentalist, you've got a bit more freedom to play
out. With the trio I have all the space I want to play as much as I want. Playing with the trio kind of pushes me to a higher level of creativity.”

That higher level of creativity will be on full display this Saturday night at the Artists Quarter when the Tanner Taylor Trio (featuring AQ owner/drummer Kenny Horst) takes the stage. With a $10 cover PLUS free CD (the late Bobby Peterson),this show is a steal. (But then, we do get a certain amount of pleasure every time we steal from Iowa!)


The Artists Quarter is located at St. Peter Street and 7th Place in the lower level of the Hamm Building in downtown St. Paul; www.artistsquarter.com. You can also hear Tanner Taylor with the Dave Karr Quartet at the AQ on Friday night, December 29th!

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