 Tanner Taylor © Andrea Canter An
unlikely wellspring for great jazz artists, Iowa claims such legends
as Bix Biederbacke, Glenn Miller, and Charlie Haden, along with young
lion Ryan Kisor. Add to that “young lion” pool pianist Tanner
Taylor, whose move to the Twin Cities gives us one more reason to
gloat at our neighbors to the south. Since his first appearances on
local stages a few years ago, Taylor has been burning up keyboards in
fast company, including Dave Karr’s Mulligan Stew and backing such
acclaimed touring artists as David Fathead Newman. Often accompanying
the finest area vocalists, Tanner fronts his own trio almost monthly at the Artists Quarter in St. Paul,and this weekend he holds down the stage for a Saturday night gig, December 30th.
“I
began classical training when I was about six,” notes Tanner, and
shortly thereafter he started composing his own tunes. But his
initial inspiration to try jaz came “after seeing the Glenn
Miller Story when I was twelve.” In addition to playing piano,
Taylor took up jazz trombone, playing both instruments through high
school. His music education was eclectic: “I studied most notably
with Jack Oatts, Gary Dial of the Manhattan School of Music,
classical instructors Chuck and Virginia Radke, and took one year of
composition at the University of Northern Iowa.” Jack Oatts also
created Tanner’s first professional opportunity, when at fourteen
“my first pro gig was at a place in Carroll, IA with the Jack Oatts
Quartet.”
 Katie Gearty and Tanner Taylor © Andrea Canter
Citing
as primary muses Oscar Peterson, Bill Evans, Benny Green, and the
Count Basie Orchestra, Tanner notes that “lack of good gigs in
Iowa” motivated his move to the Twin Cities. “Plus,” he says,
“I got a job as a piano technician for the Yamaha Piano
Corporation.” He’s had no trouble getting gigs ever since,
finding himself a frequent first-call keyboardist for the Winter and
Hot Summer Jazz Festivals and performers at every venue, from the
Dakota and AQ to Rossi’s, Sophia’s and more. But perhaps his most
frequent gig is with a vocalist—weekly at the Times with Katie
Gearty and often at Sophia’s and Rossi’s with singers such as
Christine Rosholt, Maud Hixson, Arne Fogel, Vicky Mountain and more.
Tanner
notes that backing a vocalist requires a different approach than when
comping for an instrumentalist or leading is own trio. “I try to
think/arrange as if the piano is the Basie band, or George Shearing
trio (or something). It's a matter of structured arrangement on
the spot, and trying to keep it in good taste. With an
instrumentalist, you've got a bit more freedom to play
out.
With the trio I have all the space I want to play as much as I
want. Playing with the trio kind of pushes me to a higher level
of creativity.”
That
higher level of creativity will be on full display this Saturday
night at the Artists Quarter when the Tanner Taylor Trio (featuring
AQ owner/drummer Kenny Horst) takes the stage. With a $10 cover PLUS free CD (the late Bobby Peterson),this
show is a steal. (But then, we do get a certain amount of pleasure
every time we steal from Iowa!)
The
Artists Quarter is located at St. Peter Street and 7th
Place in the lower level of the Hamm Building in downtown St. Paul;
www.artistsquarter.com.
You can also hear Tanner Taylor with the Dave Karr Quartet at the AQ on Friday night, December 29th!
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