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“It’s the group sound that’s important, even when you’re playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That’s jazz.” - Oscar Peterson
 
 Thursday, 08 January 2009
Kenny Werner Trio 5 Nights at the Jazz Bakery Print E-mail
Written by Andrea Canter, Contributing Editor   
Thursday, 07 September 2006
Image One of the idiom's most lyrical interpreters and composers, pianist Kenny Werner brings his trio to the Jazz Bakery in Los Angeles for a five night stand, September 27- October 1. He will be joined by long-time collaborators Johannes Wiedenmueller on bass and Ari Honig on drums. As a special bonus, on September 28th from 6:00 - 7:15 PM, Werner will present a lecture on his famed "Effortless Mastery" with a question and answer session, also at the Jazz Bakery.

A child prodigy, Kenny Werner was born in Brooklyn and joined a children's song and dance group at age four. At age 11, he recorded a single with a fifteen-piece orchestra and played stride piano on television. Still in high school, he studied at the Manhattan School of Music, later becoming a classical piano major. His interest in improvisation led him to the jazz program at the Berklee School of Music. He began recording in the late 1970s, appearing on Charles Mingus' "Something Like a Bird." In the 1980s, Werner toured with Archie Shepp and the Mel Lewis Orchestra, worked in duo formats with Rufus Reid, Ray Drummond, and Jaki Byard, and performed solo concerns in Europe and New York. Over the years, Kenny Werner has performed and/or recorded with such luminaries as Bob Brookmeyer, Ron Carter, Joe Williams, Chico Freeman, Sonny Fortune, Peter Erskine, John Abercrombie, Bobby McFerrin, Lee Konitz, Billy Hart, Marian McPartland, Joe Henderson, Tom Harrell, Gunther Schuller, Ed Blackwell, Paul Motian, John Scofield, Jack DeJohnette, Eddie Gomez, Dave Holland, Charlie Haden, Chris Potter, and Joe Lovano.

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Kenny Werner © William Claxton
Three National Endowment of the Arts grants helped further his career as a composer and enabled him to present his compositions at Symphony Space in New York. He also wrote compositions for the Mel Lewis Jazz Orchestra, which became the Vanguard Jazz Orchestra. With Ratzo Harris and Tom Rainey, Werner spent 14 years experimenting with trio formats, and in the 1990s, this format became his main focus. Bob Blumenthal (Boston Globe) noted that Werner's ensemble "has provided an ever-evolving definition of the spontaneity that remains at the heart of jazz... unsurpassed as a working trio."

Kenny Werner is one of the most active educators in jazz today. He joined the faculty of the New School's jazz department in New York City in 1987, and gives clinics at many universities in the United States and abroad, as well as conducting private lessons. Now on the faculty of New York University, Werner has published many articles and books on music theory and performance. These days, in addition to teaching, he often plays in duet with Toots Thielemans and performs his own music, mostly with his current trio (Ari Hoenig on drums and German bassist Johannes Weidenmueller on bass) or with jazz orchestra and other large ensembles.

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Kenny Werner Trio
Hoenig and Weidenmueller have proved to be musical soul mates for Werner, even as they forge independent careers working with a long list of musicians in New York. Noted JazzHouston, "Hoenig and Weidenmueller...have a wonderful elastic quality in their playing...It's very much like hearing a modern day Tony Williams and Ron Carter."

Despite a list of acclaimed studio recordings, the success of Form & Fantasy (Double Time Records, 2001) and Beat Degeneration (Sunnyside, 2002), both culled from a live trio date from The Sunset Cafe in Paris, led Werner to decide "never to record a trio in the studio again. It just doesn't tell the story of the kind of great things that happen spontaneously on the bandstand when we have the resonance of people listening and watching." True to his word thus far, Werner and his trio released Peace on Half Note (2004), recorded live at the Blue Note in New York. Wrote critic Bill Milkowski in his liner notes, "they've raised the bar with music that transcends notes, and communicates with passion, elegance, and love. It's the sound of three souls flowing to the same muse."

Don't miss one of the most empathetic trios of modern jazz! Catch the Kenny Werner Trio at the Jazz Bakery.

For more information visit www.kennywerner.com and www.jazzbakery.com
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