“Music at its most
evolved transcends language, culture, genre and even time itself.”
–Geri Allen
 Geri Allen
In tribute to those who
lost their lives in the terrorist attacks of September 11, 2001, the
Walt Whitman Arts Center in Camden, NJ commissioned acclaimed
pianist/composer Geri Allen to compose “For the Healing of the
Nations,” a sacred jazz suite in two movements. Allen used the
title song of her recently released Timeless Portraits and Dreams
(Telarc) as the inspiration for the new suite. For the Healing of the
Nations will be premiered on Sunday, September 10 (3 pm) at the
Rutgers Camden Center for the Arts’ Gordon Theater. Participating
in this historic concert, with Geri Allen at the piano, will be a
large orchestra including Oliver Lake, Craig Harris, Antoine Roney,
Mark Johnson and other instrumentalists; the Creative Arts High
School Students of Camden; the Afro Blue Vocal Ensemble of Howard
University, and acclaimed vocalists Andy Bey, Nnenna Freelon and Mary
Stallings.
A product of the great
jazz tradition of Detroit, Geri Allen studied with
Marcus Belgrave, earned a degree in jazz studies at Howard University
in Washington, DC (where she met husband, trumpeter Wallace Roney), a
master’s degree in ethnomusicology at the University of Pittsburgh,
and studied jazz piano in New York with the great Kenny Barron. In
the 1980s she was a member of the M-Base Collective; in the early 90s
she worked with Ornette Coleman. She has since released a series of
acclaimed recordings as leader (including 2004’s Life of a Song
with Dave Holland and Jack DeJohnette and, earlier this year, Zodiac
Suite Revisited with the Mary Lou Williams Collective) while
teaching at Howard University. In 1996 she became the first woman to
be awarded the Jazzpar Prize in Denmark, the only international jazz
award.
 Andy Bey
A child prodigy who
appeared at the Apollo Theater and with Louis Jordan (at age12),
Sarah Vaughan, and Dinah Washington before he turned 18, Newark
native Andy Bey has been performing for over 50 years,
mostly under the radar screen until several recent recordings brought
him greater acclaim and attention. Noted
Ben Ratliffe in the New York Times, “when he enters a song,
he makes it deluxe, decking it out with cushions and tapestries...."
Also in the Times, James Gavin noted that “he
turns songs into prayer like reveries ... built on sounds woven into
hypnotic lines in which the rhythm feels suspended in air.”
 Nnenna Freelon © Andera Canter
One
of the most acclaimed vocalists of the 21st century,
Nnenna Freelon was a late bloomer—she raised three
children and worked in healthcare services in North Carolina before
her lifelong interest in music prompted a career shift. Starting
slowly with occasional gigs at local nightclubs, she garnered more
attention singing at jazz festivals. Soon she was working with Dr.
Billy Taylor, Yusef Lateef, Toshiko Akiyoshi, Ellis Marsalis, Dr.
George Butler, Dianne Reeves, and touring with Ray Charles, Al
Jarreau and the T.S. Monk's Tentet. Today her discography includes
nine titles. . In the past decade, Freelon has won the Billie Holiday
Award from the Academie du Jazz, received the Eubie Blake Award, and
made her feature film debut in Mel Gibson's What Women Want.
Of
Mary Stallings, the New York Times wrote,
“Perhaps the best jazz singer alive today is a woman almost
everybody seems to have missed. Her name is Mary Stallings ...”
Making her first recording at age 11, by high school Mary was singing
with the Louis Jordan Tympani Five, and soon was touring the world in
the company of Count Basie, Joe Williams, Tony Bennett and Ella
Fitzgerald. She took some time out in the 70s but came back as
an active performer and recording artist. In 2005, she released
Remember Love, featuring Geri Allen on piano and as producer.
For information about the world premiere performance
of For the Healing of the Nations on Sunday, September 10 (3 pm) at
the Gordon Theater, Rutgers Camden Center for the Arts, call
856-225-2700. The Gordon Theater is located at 350 N. Third Street in
Camden, NJ. Tickets $25.
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