“McPherson's music is a felicitous
blend of urbane sophistication and youthful passion that combines
fire and finesse in equal measure.” –George Varga, Jazz Times
 Charles McPherson © Andrea Canter
Fire and finesse will be on display
when Charles McPherson brings his quartet to the Jazz Showcase in
Chicago, August 22-27. At 66, altoist McPherson has been the
keeper of the bop flame for nearly half a century.
A native of Joplin, MO, Charles
McPherson moved with his family to Detroit at age 9, starting trumpet
at age 12 when the school band ran out of saxophones. About a year
later, he switched to alto, and was hooked on bop when he first heard
Charlie Parker’s “Tico Tico.” Detroit’s famed Bluebird Club
gave young McPherson the opportunity to hear many of the great bop
artists of the 50s, including Barry Harris, Paul Chambers, Thad
Jones, and Pepper Adams. He soon formed a bop band at his high school
and sat in at the Bluebird where Harris became his mentor. McPherson
launched his professional career at age 19, and moved from Detroit to
New York in 1959. He was part of Charles Mingus’ bands from
1960-72, and collaborated frequently with Harris, Lonnie Hillyer
(trumpet), and George Coleman (tenor sax). Although heavily
influenced by Charlie Parker, McPherson was encouraged by Mingus to
find his own voice.
McPherson
recorded with Mingus and Harris, later issuing a series of recordings
with his own groups, including an acclaimed series for Prestige with
Cedar Walton. Despite the attention surrounding the avant garde
movement of the 1960s, McPherson did not follow the direction of
Ornette Coleman and Albert Ayler, remaining true to his bop roots
throughout his career. Noted McPherson in a recent Jazz Times
interview, "I wonder what the world would be like if artists did
what they really wanted, with no regard for money. I have, and you
pay a price for that."
In the 1980s, he
was known for his planned approach to collective improvisation,
demonstrated particularly on his recording, The Prophet
(1983). McPherson performed and/or recorded with Eric Dolphy,
Eddie Jefferson, Art Farmer, Kenny Drew, Toshiko Akiyoshi, the
Carnegie Hall Jazz Orchestra, and the Lincoln Center Jazz Orchestra
with Wynton Marsalis; in the Clint Eastwood Film tribute to Charlie
Parker (Bird), he played the role of his idol. McPherson was
recently featured at Lincoln Center showcasing his original
compositions and arrangements with a seven-piece ensemble. He
continues recording, most recently Live at the Cellar (2006,
Megaphon).
Today, McPherson
lives in San Diego and is blowing as strongly as ever, combining
passion with intricate improvisations. He doesn’t just carry the
torch for bop, he takes the idiom beyond its origins. His quartet at
the Jazz Showcase will include son Chuck McPherson on drums, John
Campbell on piano, and Jeff Littleton on bass.
“He is a
singular voice who has never sacrificed the fluidity of his melody
making, and is held in high esteem by musicians both long seasoned
and young." –Stanley Crouch, New York Times
The Charles
McPherson Quartet will perform August 22-27 at the Jazz Showcase, 59
W. Grand, downtown Chicago;
www.jazzshowcase.com.
Showtimes: Tuesday -Wednesday-Thursday, 8 pm
&
10 pm; Friday-Saturday, 9 pm & 11
pm; Sunday,
4pm, 8pm & 10 pm. Cover $20-$25. |