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 Wednesday, 17 March 2010
Charles McPherson Quartet at the Jazz Showcase, August 22-27 Print E-mail
Written by Andrea Canter, Contributing Editor   
Saturday, 12 August 2006
McPherson's music is a felicitous blend of urbane sophistication and youthful passion that combines fire and finesse in equal measure.” –George Varga, Jazz Times

Image
Charles McPherson © Andrea Canter

Fire and finesse will be on display when Charles McPherson brings his quartet to the Jazz Showcase in Chicago, August 22-27. At 66, altoist McPherson has been the keeper of the bop flame for nearly half a century.

A native of Joplin, MO, Charles McPherson moved with his family to Detroit at age 9, starting trumpet at age 12 when the school band ran out of saxophones. About a year later, he switched to alto, and was hooked on bop when he first heard Charlie Parker’s “Tico Tico.” Detroit’s famed Bluebird Club gave young McPherson the opportunity to hear many of the great bop artists of the 50s, including Barry Harris, Paul Chambers, Thad Jones, and Pepper Adams. He soon formed a bop band at his high school and sat in at the Bluebird where Harris became his mentor. McPherson launched his professional career at age 19, and moved from Detroit to New York in 1959. He was part of Charles Mingus’ bands from 1960-72, and collaborated frequently with Harris, Lonnie Hillyer (trumpet), and George Coleman (tenor sax). Although heavily influenced by Charlie Parker, McPherson was encouraged by Mingus to find his own voice.

McPherson recorded with Mingus and Harris, later issuing a series of recordings with his own groups, including an acclaimed series for Prestige with Cedar Walton. Despite the attention surrounding the avant garde movement of the 1960s, McPherson did not follow the direction of Ornette Coleman and Albert Ayler, remaining true to his bop roots throughout his career. Noted McPherson in a recent Jazz Times interview, "I wonder what the world would be like if artists did what they really wanted, with no regard for money. I have, and you pay a price for that."

In the 1980s, he was known for his planned approach to collective improvisation, demonstrated particularly on his recording, The Prophet (1983). McPherson performed and/or recorded with Eric Dolphy, Eddie Jefferson, Art Farmer, Kenny Drew, Toshiko Akiyoshi, the Carnegie Hall Jazz Orchestra, and the Lincoln Center Jazz Orchestra with Wynton Marsalis; in the Clint Eastwood Film tribute to Charlie Parker (Bird), he played the role of his idol. McPherson was recently featured at Lincoln Center showcasing his original compositions and arrangements with a seven-piece ensemble. He continues recording, most recently Live at the Cellar (2006, Megaphon).

Today, McPherson lives in San Diego and is blowing as strongly as ever, combining passion with intricate improvisations. He doesn’t just carry the torch for bop, he takes the idiom beyond its origins. His quartet at the Jazz Showcase will include son Chuck McPherson on drums, John Campbell on piano, and Jeff Littleton on bass.

He is a singular voice who has never sacrificed the fluidity of his melody making, and is held in high esteem by musicians both long seasoned and young." –Stanley Crouch, New York Times



The Charles McPherson Quartet will perform August 22-27 at the Jazz Showcase, 59 W. Grand, downtown Chicago; www.jazzshowcase.com. Showtimes: Tuesday -Wednesday-Thursday, 8 pm & 10 pm; Friday-Saturday, 9 pm & 11 pm; Sunday, 4pm, 8pm & 10 pm. Cover $20-$25.



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