|
 |
 |
 |
 |
|
Bebop Lives! The James Moody Quartet at the Iridium |
|
|
|
Written by Ronaldo Oregano
|
|
Thursday, 03 August 2006 |
 James Moody © Howard A. Gitelson “Every time I begin to play,” states Moody, I don’t hold back, I always
do my best.” Whether he’s playing tenor sax, the alto, soprano or
flute, Moody does so with the fluidity, resonance and passion that has
made him one of the most expressive and enduring
figures in modern jazz. A born performer, Moody always engages the
audience with his wit, wisdom as well as his woodwind prowess.
This year marks Jazz legend, James Moody’s 81st birthday and six
decades in the music industry. Since the 1940's, saxophone master
James Moody has serenaded lovers with his signature song Moody's Mood
for Love an improvisation on the chord progressions of I'm in the Mood
for Love. He brings his stellar quartet to the Iridium in New York for
four nights of bebop magic, August 10th through the 13th. He will then
travel to Chicago for six evenings at the Jazz Showcase August 15th
through the 20th. The James Moody Quartet includes Moody on reeds, Renee
Rosnes on piano, Tod Coolman on bass, and Adam
Nussbaum on drums.
Born in Savannah, Georgia, on March 26th, 1925, and raised in Newark,
New Jersey, James Moody took
up the alto sax, a gift from his uncle, at the age of 16. A few years
later, impressed by saxmen Buddy Tate and Don Byas of the Count Basie
Orchestra, he switched to the full bodied tenor saxophone. Following
his discharge from the US Air Force in 1946, Moody joined the
influential BeBop big band of Dizzy Gillespie. During that time, he
recorded with trumpeter Howard McGhee and vibist Milt Jackson for Dial
Records. A year later he made his recording debut as a leader (James
Moody and His BeBop Men), using players from the Gillespie band. His
now legendary 16-bar solo on Gillespie's
Emanon alerted jazz fans to an emerging world-class soloist.
 Renee Rosness
Pianist Rene Rosnes grew up in
Vancouver and began formal piano studies at age three, followed by
violin lessons two years later. Her evident talents and love for music
led her to the University of Toronto, where she was a Classical
Performance student, and to on-the-job training on the Vancouver club
circuit before she came to NYC in 1986 on a grant from the Canada
Council of the Arts. Rosnes was soon tapped for a series of
high-profile gigs with jazz masters such as Johnson, Joe Henderson,
Wayne Shorter, James Moody and others. Since her Blue Note debut in
1989, guests on subsequent releases reveal a veritable pantheon of jazz
greats, including Herbie Hancock, Shorter, Henderson, Branford
Marsalis, Chris Potter, Nicholas Payton, Jack DeJohnette and Christian
McBride. She has earned three Junos (the Canadian equivalent of the
Grammy Award) and two Jazz Report awards for Best Jazz Album for
earlier Blue Note releases. Renee is also a founding member of the San
Francisco Jazz Collective, an all-star resident and touring octet led
by artistic director Joshua Redman. Drawn from the top ranks of today's
jazz artists, the band includes master vibraphonist Bobby Hutcherson,
trumpeter Nicholas Payton, and the young altoist Miguel Zenon on alto
saxophone.
A cool man on Bass, Todd Coolman
graduated from the Indiana University School of Music with a Bachelor
of Music degree in Doublebass Performance in 1975. Since moving to New
York, Coolman as performed, toured world-wide and/or recorded
with a virtual "who's who" of jazz artists including Horace Silver,
Gerry Mulligan, Al Haig, Stan Getz, Benny Golson, Art Farmer, Tommy
Flanagan, Lionel Hampton, Benny Goodman, Hal Galper, and numerous
others. He has performed with The James Moody Quartet for 18
years as well as free lance work in New York City, Europe, and Japan.
Also a jazz educator, Coolman is the Director of Jazz Studies at
Purchase College (SUNY) and for over twenty years has remained active
as a clinician and lecturer at universities throughout the world.
Todd Coolman won the 1998 Grammy Award for "Best Album Notes" for my
lengthy contribution to the Miles Davis boxed set entitled "Miles Davis
Quintet 1965-1968." Today, He actively performs with an impressive
array of artists in
addition to Moody, including: Ahmad Jamal, Slide Hampton, Jimmy Heath,
Frank Wess, and was the last bassist to perform with The Carnegie Hall
Jazz Band.
 Adam Nussbaum
Adam Nussbaum grew up in
Norwalk Connecticut and started to play drums at age 12 after studying
piano for 5 years, also playing bass and saxophone as a teenager. He
moved to New York City in 1975 to attend The Davis Center for
Performing Arts at City College. In 1978 he joined Dave Liebman's
quintet and did his first European tour with John Scofield. During the
early eighties he continued working with John Scofield in a celebrated
trio with Steve Swallow. In 1983 he become a member of Gil Evans
Orchestra and played with Stan Getz as well. He later joined Eliane
Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans. In 1987
he began touring with the Michael Brecker Quintet. In 1988 they
recorded the Grammy winning "Don't Try This At Home" During 1992 he was
part of the Carla Bley Big Band and that same year John Abercrombie
hired him to complete his organ trio with Dan Wall. Besides the James
Moody Quartet, he also currently works with John Abercrombie, Joe
Sample Trio, 'We Three' w/ Dave Liebman & Steve Swallow and
is also busy maintaining an active freelance schedule.
Hear the James Moody Quartet at the Irridium in New York on August 10th
through the 13th, and in Chicago for six evenings at the Jazz
Showcase on August 15th
through the 20th. |
|
Tuesday, 07 October 2008
|
|
|
|
 |
 |
 |
 |
|
|
|