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Whatever instrument you are playing, you should study the history of the instrument from the very beginning. Many drummers think jazz drumming started with Elvin Jones and Jeff Watts. You have to find out where theses people learned from and go upstream from there. You can’t put student before the teacher. You have to start at the origin. Listen to Roy Haynes with Lester Young and Bud Powell. Listen to Art Taylor comp with his left hand like Bud Powell. - Joe Farnsworth
 
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San Francisco Jazz Legend Frank Jackson to Play Three Nights at Jazz at Pearl’s in North Beach Print E-mail
Written by Jerry Karp   
Thursday, 03 August 2006
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Frank Jackson

Frank Jackson is a giant of the Bay Area jazz scene. For more than 50 years, Frank has been serving up his impeccable, elegant piano style, smooth warm vocals and unique phrasing. Jackson's place in San Francisco jazz history was recently solidified even more forcibly, as he was prominently featured in Harlem of the West, the recent best-selling history of the Fillmore Street jazz era of the 1950s and 60s.

On Friday-Sunday, August 4-6, 2006 (showtimes 8:00 and 10:00 pm nightly), Jackson will take the stage at popular North Beach jazz spot Jazz at Pearl’s for a three-night set featuring a trio of revered San Francisco jazz veterans, including the legendary Noel Jewkes on saxophone and clarinet, Al Obidinski on bass and Omar Clay on drums. All three have been frequent collaborators of Jackson’s for years, and the honey-toned Jewkes, in particular, has a San Francisco Bay Area jazz legacy almost on a par with Jackson's. Like Jackson a veteran of famed nightclub Bop City, the shining crown of the Fillmore District's jazz glory, Jewkes has been performing in town with just about every vocalist and instrumentalist imaginable since 1964.

As a traditional jazz musician and one of the most accomplished interpreters of the Great American Songbook, Frank Jackson is a consummate entertainer, able to fulfill practically any request. He has an astonishing knowledge of the length and breadth of the jazz repertoire. As audience members learn to their delight, no jazz standard is too obscure to be included in Jackson’s vast repertoire.

Jackson's jazz education accelerated during his years as the house pianist at San Francisco's legendary nightclub, Jimbo’s Bop City. Musicians traveling up and down the West Coast would drop in at Bop City to jam after their gigs or just to see who was in town. Being in the house band, Jackson got the chance to associate with practically everyone: Charlie "Bird" Parker, Billie Holiday, Frank Foster, Ben Webster, Ella Fitzgerald, Harold Land, Joe Comfort, Errol Garner, Art "God" Tatum, Chet Baker, John Coltrane, Miles Davis, Quincy Jones, Dizzy Gillespie and Louis Armstrong make up the “short list.”

One frequent visitor to Jimbo’s who made a lasting impression on Jackson’s developing style was Nat “King" Cole. Listeners can hear Cole’s influence in Jackson’s relaxed, audience-embracing style, but it’s also clear that over the years, Jackson has developed a sound that is solely his own.

In addition to his Bop City stagemates, Frank has performed over the years with such jazz luminaries as Lionel Hampton, Gerald Wilson, Cal Tjader, Lester Young, Ben Webster, Ruth Brown, T-Bone Walker, Jimmy Witherspoon, Ernestine Anderson, Ernie Andrews, Harold Jones, Omar Clay, Rufus Reid, Jeff Chambers, Larry Vuckovich, Noel Jewkes and Mary Stallings.
 
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