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“I am convinced that all art has the desire to leave the ordinary,and to say it one way, at a spiritual level, a state of the exaltation at existence. All art has this in common. But jazz, the world of improvisation, is perhaps the highest, because we do not have the opportunity to make changes. It’s as if we were painting before the public, and the following morning we cannot go back and correct that blue color or change that red. We have to have the blues and reds very well placed before going out to play. So for me, jazz is probably the most demanding art.” - Sonny Rollins from a recent interview for the Catalan magazine Jaç
 
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A Fountain of Youth Behind the Trapset: Roy Haynes at the Jazz Showcase Print E-mail
Written by Andrea Canter, Contributing Editor   
Tuesday, 25 July 2006
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Photo by Andrea Canter

If there is an “Energizer Bunny” of jazz, it has to be drummer extraordinaire Roy Haynes. At an age when even jazz musicians tend to slow down and take it easy, Haynes has done the opposite, revving up his engines with his latest “Fountain of Youth” Band—so aptly named for its leader, issuing volcanic recordings and traveling cross country to share the beat. One of the most dynamic timekeepers in the business, Haynes’ career mirrors the history of modern jazz as one of the last of the great innovators of the 1940s who is still pushing the genre forward in the 21st century. Few working musicians in 2006 include the bands of Louis Armstrong, John Coltrane, Miles Davis, and Dizzy Gillespie on their resumes; but many of today’s top 20-something rising stars are graduates of the “Academy of Roy Haynes.” This week, Haynes and his young protégés-- smooth walkin’ John Sullivan on bass, monster tenor sax star Marcus Strickland, and elegantly assertive pianist Martin Bejerano will continue a cross-country 81st birthday celebration with a full week engagement at the Jazz Showcase in Chicago Ausgust 1st - 6th.


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Marcus Strickland © Andrea Canter

Born in 1925 in the Roxbury section of Boston, Roy Haynes taught himself to play drums, fascinated by the talents of Jo Jones, Sid Catlett and Chick Webb. Older brother Doug played trumpet, studied for a time at the New England Conservatory, and introduced Roy to Jo Jones; listening to his brother’s record collection and the big bands on radio were early influences on young Roy. “Doug knew everybody. He was my main connection to jazz.” Still in high school, Haynes played drums for various bands around town. In 1942—at only 17—Haynes began his professional career with guitarist Tom Brown, bandleader Sabby Lewis, and Kansas City blues-shout alto saxophonist Pete Brown. In 1945 he was asked to join legendary bandleader Luis Russell at New York's legendary Savoy Ballroom, and between gigs absorbed the lessons of bop along 52nd Street and at the legendary Minton’s. Along the way, and after his stint with Russell ended in 1947, Roy Haynes became the favorite drummer of many bop-era titans, including Louis Armstrong, Billie Holiday, Lester Young, Charlie Parker, Bud Powell, Thelonious Monk, Lennie Tristano, Dizzy Gillespie, Miles Davis, Sonny Rollins, and John Coltrane. His chops led Young to dub him “The Royal of Haynes”; Bird and Coltrane regarded him has among the very best they worked with, Coltrane regarding Haynes as his preferred substitute for the late Elvin Jones in the historic Coltrane Quartet (1961-65).

Roy Haynes, Photo by Andrea Canter
Roy Haynes, Photo by Andrea Canter


Over the last 30 years, Haynes has primarily free-lanced when the sideman opportunities appealed to him, as well as spending more and more time leading his own bands. He supported the great Sarah Vaughan for many years (touring 1954-59), and at one time or another, he has managed the trapset for Eric Dolphy, Stan Getz, Gary Burton Chick Corea, Pat Metheny, and Michel Petrucciani; he led the jazz-rock Hip Ensemble with George Adams and Hannibal Peterson. More recently he has mentored younger artists such as saxmen Ralph Moore, Craig Handy, and Marcus Strickland; his own son, trumpet/cornet player Graham Haynes; and now his grandson, drummer Marcus Gilmore.


Numerous accolades and honors have been awarded to Haynes, including the “Living National Treasures of Jazz” (Museum of American History) in 1988; an honorary Doctor of Music degree from Berklee College of Music in 1991; the 1993 inductee into the International Academy of Jazz Hall of Fame (University of Pittsburgh); the French Chevalier des l'Ordres Artes et des Lettres; numerous Down Beat polls. His Dreyfus release, a tribute to Charlie Parker aptly titled Birds of a Feather, received a Grammy nomination in 2002. In 2004, he released the explosive, live Fountain of Youth (Dreyfus), featuring his current quartet of Marcus Strickland, Martin Bejerano, and John Sullivan. Of Haynes’ then-approaching 80th birthday, Lloyd Sachs (Amazon.com) remarked, “Signs of slowing down? Forget it. The only one trying to catch any breath is the listener.”


Time, for Roy Haynes, never stands still--he always has something new to say. Hear what 81 years behind the drum kit has to offer every jazz fan, of any age, why Roy Haynes is both the elder statesman and youthful core of the Fountain of Youth.


“Every time I get on the bandstand, it's going to be something different. I want to do something that I've never done before.”– Roy Haynes




The Roy Haynes Quartet will be on stage at Chicago's Jazz Showcase, August 1st throuth August 6th, visit www.jazzshowcase.com for information.

 
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