 Adam Niewood © Andrea Canter “Niewood
has a distinctly powerful, supple and soulfully intelligent presence.
One can draw comparisons with several jazz saxophonists, but Niewood
never mimics or rehashes someone else's work. He clearly can hold his
own with names like Tony Malaby, Chris Potter and other notable
contemporaries.” –Mark F. Turner, All About Jazz
The
Artists’ Quarter in St. Paul has certainly witnessed its share of
musical “rabble rousers,” but this weekend (July 7-8) marks the
Minnesota debut of a band carrying that name when New York
saxophonist Adam Niewood joins forces with a Twin Cities rhythm
section featuring Brian Nichols, Adam Linz, and JT Bates for a live
recording session. A few days later (July 12), the band will appear
at the Nomad in Minneapolis.
A native
of New Jersey, Niewood got an early start in music as the son of
multi-reedist Gerry Niewood and classical pianist Gurly Niewood. As a
six-year-old, Adam rode along with his dad on tours with Simon &
Garfunkel and Liza Minnelli. As a fourth grader, Adam began clarinet
lessons, but moved to the alto sax and, in high school, picked up the
tenor after listening to his dad’s recordings of Sonny Rollins,
Sonny Stitt, Gene Ammons, John Coltrane and more.
 JT Bates © Andrea Canter “As
a junior in highschool, I got the great opportunity to play 2nd tenor
in a Big band including: Lew Soloff, Don Menza, my father Gerry,
Steve Gadd, etc. under the direction of Chuck Mangione, for a short
tour,” recalled Adam. “That was all I needed to convince me that
I wanted to go to music school, and play all the saxophones
professionally." To further his jazz education, Niewood studied
at Berklee College of Music and received his degree from William
Paterson College. He taught saxophone and jazz history for three
years at Montclair State University before enrolling in the new jazz
studies program at Julliard; due to his busy teaching schedule, he
only attended one year. He soon dropped his teaching duties and
received a scholarship to the Master’s program at the Manhattan
School of Music, where he graduated in 2005.
Adam
soon met Bill Goodwin who became a mentor as well as cohort, playing
with Bill Charlap, Jim McNeely, Rufus Reid, Warren Vache, Vic Juris,
Steve Gilmore, Gene Bertoncini, and others “in numerous
configurations…All situations I wouldn’t have found myself in, if
not for Bill. He is a fabulous musician and I’ve learned a lot
about playing music from him." Adam released is first recording
with the collective SBW for Native Language in 2003, then Goodwin
produced a recording that paired Adam with his father Gerry (Facets,
2004). Also in 2004, Goodwin produced Adam’s first recording as
leader, Introducing Adam Niewood, with Eric Lewis on piano,
Matt Brewer on bass, and Ben Perowsky on drums.
Despite
Adam’s success as a performer, he may be better known in the Big
Apple as a woodwind
mouthpiece refinisher, a skill he developed following the death of
refinisher Jon Van Wie and to address his own frustration over the
quality of modern wood mouthpieces. In New York and on tour, he
continues to play with Bill Goodwin’s Quartet, the Adam & Gerry
Niewood B-3 Big Band, and other ensembles.
 Adam Linz © Andrea Canter
Joining
Adam Niewood in the Twin Cities are three of the finest “rabble
rousing” jazzmen around: Longtime pal, bassist/composer Adam
Linz plays with a variety of cutting edge groups in the area,
including Fat Kid Wednesdays and FKG, and also doubles on turntables
with the electronic hip hop group, Suki Takahashi. One of the busiest
musicians during the Minnesota Sur Seine Festival, Linz has recently
appeared with French pianist François Tusques and has been
involved as an instructor with the Minnesota Institute for Talented
Youth jazz bands.
JT
Bates is one of the busiest drummers in the Twin Cities, on
and off the bandstand. He was a member of Motion Poets, has played
and recorded with Doug Little, and recently has worked with a variety
of Latin, electronic, and experimental ensembles, including Low Blow
and Fat Kid Wednesdays. Locally he was in high demand at last fall’s
Minnesota Sur Seine Festival and during the recent Hot Summer Jazz
Festival (“Trumpet Summit”).
 Brian Nichols © Andrea Canter
One of the
newer talents on the local scene, pianist Brian Nichols
hails from Chicago, attended Iowa State University, and was a
participant in Betty Carter’s Jazz Ahead Residency at Kennedy
Center in 2004. Since his arrival, he has been an impressive
performer at the Artists Quarter and Dakota, and as an instructor at
the MacPhail Center for Music. His recent appearances have included
keyboarding for Peruvian guitarist Andres Prado.
The AQ
weekend gig will be a live recording event, so we can expect
considerable mayhem from this ballistic quartet!
The
Artists Quarter is located at 7th Place and St. Peter
Street in downtown St. Paul. Sets at 9 pm, July 7-8;
www.artistsquarter.com.
On July 12, you can catch the Rabble Rousers across the river at the
Nomad World Pub, 501 S. Cedar (Minneapolis), show at 9 pm;
www.nomadpub.com
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