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Jazz From J-Z: Sax Summit in Hopkins, May 20th Print E-mail
Written by Andrea Canter, Contributing Editor   
Tuesday, 09 May 2006

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Karr, Milne and Whitman, Photo by Andrea Canter
One of the most popular of modern jazz instruments, the saxophone is typically represented by one or two musicians in a small ensemble, or perhaps four or five as part of a big band. On May 20th at the Hopkins Center for the Arts in suburban Minneapolis, fans of this magnificent instrument will enjoy the rare opportunity to hear seven of the area’s sax virtuosos performing together and in varying combinations as part of the Sax Summit. Pianist/composer Laura Caviani will play host to one of the Twin Cities’ newer and most unique ensembles, Jazz AX —a saxophone quartet dedicated to performing jazz classics as well as new and original compositions. Joining Jazz Ax will be two of the area’s sax legends—octogenarian Irv Williams and septuagenarian Dave Karr, along with the Twin Cities’ queen of bari sax, Kathy Jensen. Seven horns need some support, so the brass menagerie will be given some supervision from the hottest rhythm section around—pianist Caviani, bassist Gordon Johnson, and drummer Phil Hey. This concert, co-sponsored by the Hopkins Center for the Arts, is part of the Twin Cities Jazz Society’s “Jazz J to Z” series.


Jazz Ax

Based in St. Paul, JazzAx is dedicated to the exploration and performance of jazz, contemporary and improvised music for saxophone quartet. Each of the four members of JazzAx are well known locally and beyond as jazz and classical performers and educators. The JAZZAX Saxophone Quartet (JSQ) performed regularly at Brilliant Corners in St. Paul from February 2003 until the club closed last year; JSQ has also performed as part of the 13th World Saxophone Congress in Minneapolis, and has appeared on the stages of University of Wisconsin-River Falls, Hamline University, Lawrence University, University of Wisconsin-Eau Claire Jazz Festival, Phipps Center for the Arts, and the Minnesota State Capitol (Arts Advocacy Day Concert). JSQ has also performed as part of the Minneapolis-St Paul Regional Public School Performance series, was recently featured at the MacPhail Center for the Arts’ "Saxophone Day," and at the Stillwater Public Schools’ "Jazz Exchange" festival. In addition, JSQ presents master classes in jazz saxophone performance, saxophone ensemble performance techniques, and jazz ensemble performance.

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Dave Milne, photo by Don Berryman
JSQ leader David Milne (soprano sax) is an Associate Professor of Music (Saxophone/Jazz Studies) at the University of Wisconsin-River Falls. A native of Rochester, NY, he holds BA and MM degrees in Music from Indiana University and a DMA from the Eastman School of Music. In the Twin Cities, he is an active jazz and classical saxophonist, guest artist/clinician, and composer/arranger. He is an artist-clinician for Selmer Saxophones. Among his other projects, he is a member of the JazzMN Big Band and leads the quintet APEX.

Michael Walk (alto sax) is an Instrumental Music Instructor for Stillwater (MN) Area Schools who holds degrees from the University of Wisconsin-Eau Claire and the University of Wisconsin-River Falls. He previously taught in the Pepin (WI) Area Schools for six years. Currently on the faculty at the University of Wisconsin Arts and Education Center, he teaches saxophone, improvisation and directs jazz ensembles. In addition to performances throughout the Twin Cities and western Wisconsin, Walk plays with the JazzMN Big Band.

Pete Whitman (tenor sax) has performed with such artists as Randy Brecker, Jack McDuff, and the Woody Herman Orchestra. Holding BM and MM degrees in Jazz Studies from the University of North Texas, Whitman currently heads the Brass and Woodwinds Department at McNally Smith (Musictech) College in St. Paul. His many projects include leading Departure Point, The Pete Whitman Quintet, and The Xtet, and playing with the JazzMN Big Band. In 2002 his quintet released The Sound of Water (Artegra), and he has released recordings with Departure Point as well as serving as sideman on many other projects.

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Greg Keel, Photo by Andrea Canter

Greg Keel (baritone sax) is on the faculties of the MacPhail Center for the Arts, Normandale College, University of Wisconsin Indianhead Arts and Education Center, and the UW-Green Bay summer jazz program. He attended the University of Wisconsin - Eau Claire, UW-Madison, and Concordia College in St. Paul. Among his credits are performances with Anthony Cox, Geoff Keezer, Mel Torme, The Temptations, Bobby Vinton, Andy Williams, The O'Jays, Frankie Valli, Bob Hope, and blues guitarist Luther Allison. In addition to JSQ and the JazzMN Big Band, Keel is an artist/clinician for the Selmer Company and has been a contributing writer for Saxophone Journal magazine.

Local Sax Titans

Irv Williams

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Irv Williams, photo by Andrea Canter
(aka “Mr. Smooth”) was a recipient of the 2006 KBEM Jazz Festival Lifetime Achievement Award, for good reason. With a resume that includes stints with Fletcher Henderson, Mary Lou Williams, and Billy Eckstein, Irv has played at every jazz venue, past and present, including the old Flame Bar where he was often back to back with such stars as Sarah Vaughn, Dizzy Gillespie, and Johnny Hodges. The first jazz musician to have his own “Irv Williams Day” granted by the State of Minnesota (1984), he has been inducted into the Minnesota Jazz Hall of Fame and was pictured on the “Celebrate Minnesota” official state map in 1990. Now 86, Irv plays weekly at the Friday night “happy hour” at the Dakota and has released two acclaimed recordings in the past two years—and another is on the way.

A native New Yorker, multi-instrumentalist Dave Karr has been a fixture on the Twin Cities jazz scene for nearly 50 years, and has appeared on multiple recordings with local artists, ranging from vocalists (Connie Evingson) to small ensembles (Pete Whitman’s Departure Point and X-Tet, Dave Graf’s septet) to big bands (JazzMn Big Band). Using his bari sax, Dave founded Mulligan Stew, a band dedicated to the music and times of Gerry Mulligan. He’s basically a Jazz Ax all by himself, on bari, tenor, flute, clarinet, and a horn or two of his own invention.

Kathy Jensen

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Kathy Jensen. photo by Andrea Canter
is a well-known area musician and educator. On alto, tenor, and bari sax (which is about as tall as she is!), Kathy can be heard with the all-brass ensemble, The Hornheads, and the JazzMN Big Band, as well as in the orchestra pit of touring shows and area theater productions. She leads her own group, The Kathy J Band, backs Moore by Four, Ginger Commodore, and many other artists. She has performed with the Minnesota Orchestra and with touring artists such as Aretha Franklin, James Brown, Frank Sinatra Jr. and Natalie Cole.

The Rhythm Section

One of the Twin Cities’ pre-eminent jazz pianists, composers, and educators, Laura Caviani earned degrees from Lawrence University in Appleton, WI and the University of Michigan; studied in Japan at the Akiyoshidai International Art Village; and received a grant to study with another highly inventive pianist, Joanne Brackeen. She has toured with Toots Theilemans, Bob Mintzer, Dave Liebman, and Karrin Allyson, and has released four acclaimed recordings as well as appearing on a long list of CDs of local musicians. Known for her interpretations of Monk as well as her own compositions, Caviani is a member of Soul Café, Departure Point, and Pete Whitman’s X-tet, and leads her own trio and quartet. In January, she released Going There, a recording featuring mostly original compositions with the support of Kansas City musicians Bob Bowman and Todd Strait.

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Gordy Johnson, photo by Andrea Canter
Although best known throughout the region for his sublime acoustic bass, Gordy Johnson graduated from the Eastman School of Music with a major in flute. Primarily playing electric bass, he toured with Maynard Ferguson, Doc Severinsen, and the Paul Winter Consort. Focusing primarily on a 19th century upright bass in recent years, Johnson has appeared on over 50 recordings with a who’s who of jazz and pop artists, and has kept time for most local and many visiting musicians, including a recent appearance with Bill Carrothers at the Dakota. When he is not holding down rhythm sections with his bass lines, Johnson can often be found inside the piano, tuning it up at the top clubs and concert halls in the Twin Cities

A former student of Ed Blackwell, Phil Hey is one of the busiest drummers in town. He has performed with Kenny Barron, Dewey Redman, Benny Carter, and Benny Golson, and often is on the bandstand of the Dakota and Artists Quarter, backing touring artists (recently, Judi Silvano), local vocalists (Connie Evingson, Lucia Newell), and small ensembles (Laura Caviani Trio). He also manages percussion duties for the Pete Whitman X-Tet, Departure Point, Apex, and Mulligan Stew, and finds time to teach at the University of Minnesota and Macalester College in St. Paul. His recording credits are legion, including on the Artegra label with the Chris Lomheim Trio (The Bridge) and with the Pete Whitman Quintet (Sound of Water) and X-Tet (Where’s When; Solid Liquid). His own quartet release, Subduction, was one of the top area releases of 2005.

The Concert

The May 20th concert will include world premieres of new works by David Milne and Laura Caviani. Tickets are available at (952) 979-1111 (discounts available for TCJS, Jazz 88 FM, MPR, and Hopkins Center for the Arts members, and seniors. The Hopkins Center for the Arts is located at 1111 Main Street, Hopkins (about 20 minutes southwest of downtown Minneapolis). Showtime is 7:30 pm. Grab your ears and enjoy the sax!










 
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