 Karr, Milne and Whitman, Photo by Andrea Canter One
of the most popular of modern jazz instruments, the saxophone is
typically represented by one or two musicians in a small ensemble, or
perhaps four or five as part of a big band. On May 20th at
the Hopkins Center for the Arts in suburban Minneapolis, fans of this
magnificent instrument will enjoy the rare opportunity to hear seven
of the area’s sax virtuosos performing together and in varying
combinations as part of the Sax Summit. Pianist/composer Laura
Caviani will play host to one of the Twin Cities’ newer and most
unique ensembles, Jazz AX —a saxophone quartet dedicated to
performing jazz classics as well as new and original compositions.
Joining Jazz Ax will be two of the area’s sax legends—octogenarian
Irv Williams and septuagenarian Dave Karr, along with the Twin
Cities’ queen of bari sax, Kathy Jensen. Seven horns need some
support, so the brass menagerie will be given some supervision from
the hottest rhythm section around—pianist Caviani, bassist Gordon
Johnson, and drummer Phil Hey. This concert, co-sponsored by the
Hopkins Center for the Arts, is part of the Twin Cities Jazz
Society’s “Jazz J to Z” series.
Jazz
Ax
Based
in St. Paul, JazzAx is dedicated to the exploration and performance
of jazz, contemporary and improvised music for saxophone quartet.
Each of the four members of JazzAx are well known locally and beyond
as jazz and classical performers and educators. The JAZZAX Saxophone
Quartet (JSQ) performed regularly at Brilliant Corners in St. Paul
from February 2003 until the club closed last year; JSQ has also
performed as part of the 13th World Saxophone Congress in
Minneapolis, and has appeared on the stages of University of
Wisconsin-River Falls, Hamline University, Lawrence University,
University of Wisconsin-Eau Claire Jazz Festival, Phipps Center for
the Arts, and the Minnesota State Capitol (Arts Advocacy Day
Concert). JSQ has also performed as part of the Minneapolis-St Paul
Regional Public School Performance series, was recently featured at
the MacPhail Center for the Arts’ "Saxophone Day," and at
the Stillwater Public Schools’ "Jazz Exchange" festival.
In addition, JSQ presents master classes in jazz saxophone
performance, saxophone ensemble performance techniques, and jazz
ensemble performance.
 Dave Milne, photo by Don Berryman JSQ
leader David Milne (soprano sax) is an Associate
Professor of Music (Saxophone/Jazz Studies) at the
University of
Wisconsin-River Falls. A native of Rochester, NY, he holds BA and MM
degrees in Music from Indiana University and a DMA from the Eastman
School of Music. In the Twin Cities, he is an active jazz and
classical saxophonist, guest artist/clinician, and composer/arranger.
He is an artist-clinician for Selmer Saxophones. Among his other
projects, he is a member of the JazzMN Big Band and leads the quintet
APEX.
Michael
Walk (alto sax) is an Instrumental Music Instructor for
Stillwater (MN) Area Schools who holds degrees from the University of
Wisconsin-Eau Claire and the University of Wisconsin-River Falls. He
previously taught in the Pepin (WI) Area Schools for six years.
Currently on the faculty at the University of Wisconsin Arts and
Education Center, he teaches saxophone, improvisation and directs
jazz ensembles. In addition to performances throughout the Twin
Cities and western Wisconsin, Walk plays with the JazzMN Big Band.
Pete
Whitman (tenor sax) has performed with such artists as Randy
Brecker, Jack McDuff, and the Woody Herman Orchestra. Holding BM and
MM degrees in Jazz Studies from the University of North Texas,
Whitman currently heads the Brass and Woodwinds Department at McNally
Smith (Musictech) College in St. Paul. His many projects include
leading Departure Point, The Pete Whitman Quintet, and The Xtet, and
playing with the JazzMN Big Band. In 2002 his quintet released The
Sound of Water (Artegra), and he has released recordings with
Departure Point as well as serving as sideman on many other projects.
 Greg Keel, Photo by Andrea Canter
Greg
Keel (baritone sax) is on the faculties of the MacPhail
Center for the Arts, Normandale College, University of Wisconsin
Indianhead Arts and Education Center, and the UW-Green Bay summer
jazz program. He attended the University of Wisconsin - Eau Claire,
UW-Madison, and Concordia College in St. Paul. Among his credits are
performances with Anthony Cox, Geoff Keezer, Mel Torme, The
Temptations, Bobby Vinton, Andy Williams, The O'Jays, Frankie Valli,
Bob Hope, and blues guitarist Luther Allison. In addition to JSQ and
the JazzMN Big Band, Keel is an artist/clinician for the Selmer
Company and has been a contributing writer for Saxophone Journal
magazine.
Local
Sax Titans
Irv
Williams  Irv Williams, photo by Andrea Canter (aka “Mr. Smooth”) was a recipient of the 2006
KBEM Jazz Festival Lifetime Achievement Award, for good reason. With
a resume that includes stints with Fletcher Henderson, Mary Lou
Williams, and Billy Eckstein, Irv has played at every jazz venue,
past and present, including the old Flame Bar where he was often back
to back with such stars as Sarah Vaughn, Dizzy Gillespie, and Johnny
Hodges. The first jazz musician to have his own “Irv Williams Day”
granted by the State of Minnesota (1984), he has been inducted into
the Minnesota Jazz Hall of Fame and was pictured on the “Celebrate
Minnesota” official state map in 1990. Now 86, Irv plays weekly at
the Friday night “happy hour” at the Dakota and has released two
acclaimed recordings in the past two years—and another is on the
way.
A
native New Yorker, multi-instrumentalist Dave Karr has
been a fixture on the Twin Cities jazz scene for nearly 50 years, and
has appeared on multiple recordings with local artists, ranging from
vocalists (Connie Evingson) to small ensembles (Pete Whitman’s
Departure Point and X-Tet, Dave Graf’s septet) to big bands (JazzMn
Big Band). Using his bari sax, Dave founded Mulligan Stew, a band
dedicated to the music and times of Gerry Mulligan. He’s basically
a Jazz Ax all by himself, on bari, tenor, flute, clarinet, and a horn
or two of his own invention.
Kathy
Jensen  Kathy Jensen. photo by Andrea Canter is a well-known area musician and educator. On alto,
tenor, and bari sax (which is about as tall as she is!), Kathy can be
heard with the all-brass ensemble, The Hornheads, and the JazzMN Big
Band, as well as in the orchestra pit of touring shows and area
theater productions. She leads her own group, The Kathy J Band, backs
Moore by Four, Ginger Commodore, and many other artists. She has
performed with the Minnesota Orchestra and with touring artists such
as Aretha Franklin, James Brown, Frank Sinatra Jr. and Natalie Cole.
The
Rhythm Section
One
of the Twin Cities’ pre-eminent jazz pianists, composers, and
educators, Laura Caviani earned degrees from Lawrence
University in Appleton, WI and the University of Michigan; studied in
Japan at the Akiyoshidai International Art Village; and received a
grant to study with another highly inventive pianist, Joanne
Brackeen. She has toured with Toots Theilemans,
Bob Mintzer, Dave Liebman, and Karrin Allyson, and has released four
acclaimed recordings as well as appearing on a long list of CDs of
local musicians. Known for her interpretations of Monk as well as her
own compositions, Caviani is a member of Soul Café, Departure
Point, and Pete Whitman’s X-tet, and leads her own trio and
quartet. In January, she released Going There, a recording
featuring mostly original compositions with the support of Kansas
City musicians Bob Bowman and Todd Strait.
 Gordy Johnson, photo by Andrea Canter Although
best known throughout the region for his sublime acoustic bass, Gordy
Johnson graduated from the Eastman School of Music with a
major in flute. Primarily playing electric bass, he toured with
Maynard Ferguson, Doc Severinsen, and the Paul Winter Consort.
Focusing primarily on a 19th century upright bass in
recent years, Johnson has appeared on over 50 recordings with a who’s
who of jazz and pop artists, and has kept time for most local and
many visiting musicians, including a recent appearance with Bill
Carrothers at the Dakota. When he is not holding down rhythm sections
with his bass lines, Johnson can often be found inside the piano,
tuning it up at the top clubs and concert halls in the Twin Cities
A
former student of Ed Blackwell, Phil Hey is one of the
busiest drummers in town. He has performed with Kenny Barron, Dewey
Redman, Benny Carter, and Benny Golson, and often is on the bandstand
of the Dakota and Artists Quarter, backing touring artists (recently,
Judi Silvano), local vocalists (Connie Evingson, Lucia Newell), and
small ensembles (Laura Caviani Trio). He also manages percussion
duties for the Pete Whitman X-Tet, Departure Point, Apex, and
Mulligan Stew, and finds time to teach at the University of Minnesota
and Macalester College in St. Paul. His recording credits are legion,
including on the Artegra label with the Chris Lomheim Trio (The
Bridge) and with the Pete Whitman Quintet (Sound of Water)
and X-Tet (Where’s When; Solid Liquid). His own quartet
release, Subduction, was one of the top area releases of 2005.
The
Concert
The
May 20th concert will include world premieres of new works
by David Milne and Laura Caviani. Tickets are available at (952)
979-1111 (discounts available for TCJS, Jazz 88 FM, MPR, and Hopkins
Center for the Arts members, and seniors. The Hopkins Center for the
Arts is located at 1111 Main Street, Hopkins (about 20 minutes
southwest of downtown Minneapolis). Showtime is 7:30 pm. Grab your
ears and enjoy the sax!
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