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Susan Getz at the Plush Room |
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Written by Ronaldo Oregano
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Thursday, 16 March 2006 |
The world is
discovering distinctive, captivating singer Susan
Getz. And there’s no better time to find out what
Getz’s growing legion of admirers already know than at
her upcoming return engagement at the famed Plush Room
in San Francisco’s York Hotel, 940 Sutter Street,
Thursday through Saturday, March 30 through April 1,
with shows at 8:00 and 10:00 pm. Tickets $35.
These Plush Room performances represent a noteworthy
accomplishment for the up-and-coming singer. Other
than nationally-known chanteuses Paula West and Wesla
Whitfield, Getz is the first Bay Area artist to be
invited into the prestigious music room for a weekend
residence, an honor normally reserved for the likes of
Jane Monheit and Rita Moreno. The Thursday night show,
by the way, will be Susan’s Birthday Bash. Come
prepared for cake and special guests.
Getz is riding a wave of popularity brought about by
the rousing indie-success of her 2005 debut recording,
Jazz Boxx, an online smash at popular music sites like
iTunes, AllAboutJazz and Amazon. Her haunting
original “Say Goodbye to Love” became a featured
download at AllAboutJazz in January and has since
logged more than 25 downloads per day. NPR Director
Robin Hilton chose Susan’s version of the Beatles hit
“The Long And Winding Road” for his “All Things
Considered” virtual open-mic. Susan’s debut CD, Jazz
Boxx, has received airplay and glowing reviews across
Europe, the U.S. and Brazil. Another sign of her
growing reputation is the number of top-flight Bay
Area players, like bassist/bandleader Marcus Shelby
and saxophone dynamo Howard Wiley, who have been
showing up in the band at her shows.
A compelling stylist, Getz sings jazz standards, along
with her intriguing originals, with a smooth,
straightforward grace and ready warmth. She generally
stays close to the melody, foregoing vocal flourishes
in favor of a quiet, smoldering passion. It’s no
surprise that her strongest musical influences—Astrud
Gilberto, Elvis Costello, Chet Baker and Peggy Lee—are
themselves masters of understated emotion.
Winthrop Bedford of Jazz Improv Magazine says,
“Hypnotic is the first word that comes to mind in
listening to Susan Getz. . . . The intensity is
present throughout. It builds from the compelling
subtlety of Getz’s approach, which is wonderfully
buoyed by her expressive use of gentle dynamics.”
Getz’s return to the Plush Room, honor that it is, is
really no surprise, given the popularity of “The West
Coast Cool Revival,” a recent series of performances
she offered over the past several months at
high-profile Bay Area venues including Bruno’s, The
Purple Onion, Shanghai 1930 and Zebulon’s. These
intriguing shows incorporated rural spirituals into
the hipster cool style of the 1950’s and 60’s in order
to explore, as Getz explains, “the relationship
between music, spirituality and community.”
Backing Getz at the Plush Room will be the top-flight
trio pianist David Michel-Ruddy, bassist Lorenzo
Farrell and drummer Jemal Ramirez, long-time
collaborators with the singer and major contributors
to her accomplished, enthralling sound. They’ll be
offering selections from Jazz Boxx, the West Coast
Cool Revival, and Getz’s new, soon-to-be released CD,
”The Green Eyed Girl”.
Be sure to hear Susan Getz performing live on KGO
Radio (810 AM) on Saturday, March 25 from 4:00-6:00pm
for the Cure-a-thon Cancer Society Fundraiser, on KCSM
radio (91.1 FM) at 1:00 pm, Monday, March 27 with
Chris Cortez on his “Jazz in the Afternoon” show. And
listen for her on the KFOG Morning Show Tuesday that
same week. |
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Saturday, 22 November 2008
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