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Eric Dolphy:
“When you hear music, after it’s over, it’s gone, in the air, you can never capture it again.” |
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Thursday, 08 January 2009 |
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The True Art of Improvisation:Bobby Watson, Lisa Henry and Teen Stars “Sub” at the Dakota |
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Written by Andrea Canter, Contributing Editor
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Tuesday, 07 March 2006 |
 Bobby Watson and Gregory Diaz, Photo by Andrea Canter
Stanley Jordan had attracted a nearly full house for his scheduled gigs at the Dakota this week. Unfortunately, the guitar wizard realized during sound check that a flare-up of tendonitis was unrelenting, and the Dakota quickly shifted to Plan B. And what a plan it was! By some quirk of fate, sax legend Bobby Watson, Kansas City-based vocalist Lisa Henry, and a sextet of high school jazz prodigies were in town this week for a series of residencies at area high schools, culminating in a weekend of concerts at the Dakota. Part of the entertainment was spending a night at the Dakota—to see Stanley Jordan. It didn’t take long for disaster to turn into serendipitous fortune. With offers of full refunds and a round of apologies, owner Lowell Pickett announced that anyone wanting to stick around would be treated to a night that defines jazz—musicians coming together to collaborate and create on the spot. While I am sure I would have enjoyed Jordan, I found “Plan B” to be least as exciting as what I had earlier anticipated from the scheduled performer.
 Lisa Henry, Photo by Andrea Canter
The night started out with a makeshift quartet of Watson, Jordan’s partners Zirk Bonner (bass) and Eddie Bautini (drums), and young pianist Kris Bowers from the Los Angeles County High School of the Arts, the program that fielded the sextet for this tour under the leadership of the Thelonious Monk Institute of Jazz. Save Bonner and Bautini, these musicians had never performed together. By the end of the first set, that fact seemed irrelevant. Watson is worth the price of admission by himself, and he gave the audience plenty of reason to be glad they stayed on. He wasted no time shifting into virtuoso mode on the rubato opening of the first tune, “Just Friends.” As he would repeat throughout the set, Watson put on an exhibition of circular breathing and swirling waves of notes, creating increasingly complex and frenetic phrases before yielding the first solo to young Chris Bowers. Somewhat hesitant in his first foray, Bowers gained confidence rapidly, and by the end of the set, had become an eloquent and facile spokesman on such gems as Tyner’s “Passion Dance,” Henderson’s “Record-a-Me,” and a samba-infused “That’s All.”
Watson provided the one slow interlude of the set with a beautifully legato reading of "These Foolish Things" before inviting another LACHSA student, trumpeter Gregory Diaz, to the bandstand. With little time to be nervous in his first major venue performance, Diaz launched into a bustling solo on “I Remember April” (although I am willing to be that he will never forget this March!). He’s still green (as he should be!) but I imagine sometime in the next decade I will see his name at the top of the polls and think back to this debut. The set closed with a pair of crowd-pleasers featuring the powerful voice of Lisa Henry, a frequent collaborator of Watson’s in Kansas City and one-time runner up in the Thelonious Monk Vocal Competition. She blew away the blues with a delicious, sassy romp through “Big Fat Daddy” and gave “That’s All” a high energy jolt.
 Bobby Watson, Photo by Andrea Canter
The night proved to be a grand preview of what’s in store for Dakota patrons this weekend when Watson, Henry, and the full LACHSA Sextet take the stage for their planned gigs, Friday and Saturday nights, 7 -11 pm. I plan to be back at the Dakota Friday and Saturday to see the result of a week of clinics and rehearsal. And as good as I know it will be, I wonder if it will surpass the spontaneity of tonight’s surprise performance. Jazz—it’s all about improvising, whether you are a seasoned veteran or a young kid with a horn.
Hear Bobby Watson, Lisa Henry, and the student musicians from the Los Angeles County High School of the Arts when they perform at the Dakota (1010 Nicollet Mall, Minneapolis) on Friday and Saturday, March 10-11, sets begin at 7 pm; cover $12, no reservations. Student musicians and educators note, there will be a free "informance" and open jam session with the LACHSA group at the Dakota starting at 11 AM on Saturday, March 11th. Bring your instrument! Visit
www.dakotacooks.com for general information.
 Los Angeles County High School Sextet
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