Jazz Police       Click to save on Hotels Hotels Cars Cars Cruises Cruises
JP
“They said Bird played bebop, but Bird could still swing. I’ve heard a lot of guys play bebop, but they wasn’t swinging.” - Jay McShann
 
Support our live jazz coverage. Visit our sponsors. If you plan to shop amazon.com or download iTunes, click through here:
Apple iTunes
Advertisement

Netflix, Inc.
Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |

Main Menu
Home
CD Reviews
Interviews
SF Bay Area
Chicago
Los Angeles
New York
Twin Cities, MN
More Cities
Festivals
FAQ
News
Contact
Video of the Week
Visitors: 15040649
Woodwind & Brasswind
Billy Holloman captured and released! Print E-mail
Written by Don Berryman   
Saturday, 31 July 2004

On Tuesdays, the core band—Billy, Kenny, and Gary—plays alone on the first set, but you never know what will happen in the second set. Some really great artists have sat in with the band, and some not so great, but it is always an experience, always the scene. I remember one night in the old location when the organ started smoking and one of the switches burst into flame. It was put out quickly without any injury—except to the Hammond, which needed a new switch.

Image This CD was recorded in the AQ’s current location on St. Peter Street, downstairs in the Hamm Building, so you can hear the same 400-pound B3 beast they lift up onto the stage every Tuesday night. That organ is about 50 years old, but it still screams. Under Holloman’s control, its sound can be sweet and thick as molasses, or it can cut through the room like sharks’ teeth. This CD contains some of the signature tunes the band regularly plays. It opens with Jack McDuff’s “A Real Goodun,” followed by “Cute,” which Neal Hefti wrote for Count Basie. Wayne Shorter’s “Footprints” is presented with a funkier beat and more soulful feeling than usual. Bobby Timmons’s “Dis Here” (“a.k.a. This Here,” written before “Dat Dere”) is too rarely covered. “Johnny Comes Marching Home,” played at a swinging march tempo, evokes the sound of bagpipes and field drums. Paul Desmond’s “Take 5” shows that Billy can maintain an amazing 5/4 groove. On the only track recorded live with the regular Tuesday crowd at the AQ, the band takes Horace Silver’s “Sister Sadie” at breakneck speed, then follows with Silver’s “Señor Blues” and Thelonius Monk’s “Well You Needn’t” before closing with Big John Patton’s “Funky Mama.” At the conclusion, we expect to hear Holloman’s standard “This is organ night, we’re going to take a pause for the cause, but we’ll be back after a short break.”

“This is Organ Night” the Tuesday Night Band featuring “The Legend” Billy Holloman is available for purchase online at www.mnjazz.com/redirect/billyholloman.

Billy Holloman's website is www.billyholloman.com.



 
 Tuesday, 02 December 2008
BOOK TRAVEL WITH JAZZ POLICE AND SAVE! Search for deals here.
City Arrival Date Nights Adults Rooms
Today's top ten jazz downloads
JP Archive
Add Jazz Police button to your google toolbar
Latest News





Lost Password?
No account yet? Register
dakotaLetterBottom
 
Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |
All material protected by copyright. © 2007 Jazz Police and contributing writers & visual artists. All rights reserved. Material may not be reprinted or redistributed without permission of the contributing writers & visual artists.
Jazz Police makes no warranty, expressed or implied as to the accuracy, completeness or utility of information provided. All information is subject to change without notice.