|
“It’s fair to say
that he’s one of the greatest musicians in jazz history.” --Ben
Ratliff, The
New York Times  Photo by Andrea Canter
What better venue for Joe
Lovano’s birthday bash than at his home town jazz club,
Cleveland’s acclaimed Nighttown? Joining the great tenor
saxophonist to help blow out the candles (and maybe blow out the
roof?) on December 29th will be wife and vocalist Judi
Silvano and the rest of the Lovano Sextet, featuring Ohio
resident Carmen Castaldi on drums, Oberlin (OH)
professor Dan Wall on keyboards, Youngstown State U (OH)
professor Dave Morgan on string bass, and special
guest, Cleveland native Jamey Haddad on percussion. The
night before, a quintet (minus Haddad) will perform at Porter’s in
Erie, PA.
Joe Lovano  Photo by Andrea Canter
Joe Lovano has become one
of the most celebrated jazz artists of his generation. Growing up in
Cleveland, the son of tenor saxophonist Tony “Big T” Lovano
studied with his father and absorbed the influences of Sonny Stitt,
James Moody, Gene Ammons, Rashaan Roland Kirk, and Dizzy Gillespie,
and later the experimental work of John Coltrane, Ornette Coleman,
and Jimmy Giuffre. After attending the Berklee College of Music in
Boston, Lovano made his recording debut with organ master Lonnie
Smith and worked with Jack McDuff before joining Woody Herman’s
Thundering Herd. He went on to perform with top big bands and touring
artists, winning critics’ polls for performance and releasing a
series of acclaimed recordings that garnered many Grammy nominations.
He held the first Gary Burton Chair for Jazz Performance at Berklee
and currently heads the Caramoor Jazz Festival in upstate New York.
Joe Lovano’s recorded
output over the past decade is nothing short of phenomenal,
particularly given the wide range of ensemble formats as well as
outstanding musicianship. The Joe Lovano Quartets at the Village
Vanguard (Blue Note, 1996) was named "Jazz Album of the
Year" in the 1996 Down Beat Readers Poll and earned two
Grammy nominations. With string quartet, woodwind quintet, voice and
rhythm section in arrangements by Manny Albam, Lovano’s Celebrating
Sinatra (Blue Note, 1997) followed with another Grammy
nomination, and was described by Peter Watrous (New York Times)
as “a perfectly balanced piece of work, quiet chamber jazz at its
best, with Mr. Lovano's odd phrasing, with its halts and velocity,
taking the music somewhere new." Flying Colors (Blue
Note, 1998), a duo with virtuoso Cuban pianist Gonzalo Rubalcaba,
was awarded four stars by the Los Angeles Times, which noted
that “piece reveals yet another perspective on the talent of two
extraordinary players, clearly inspired by the setting and each
other, creating some of the finest jazz in recent memory."
Next came Trio
Fascination: Edition One (Blue Note, 1999) featuring Joe with the
incredible rhythm section of drummer Elvin Jones and bassist Dave
Holland, prompting the Times of London to comment that "in
Joe Lovano…the trio format has found one of its most natural
exponents since Sonny Rollins or Joe Henderson...this is
state-of-the-art trio jazz." With the follow-up Trio
Fascination, Edition Two (Blue Note, 2000), Lovano received his
third “Jazz Artist of the Year” honors in both the 2001 Down
Beat Critics’ & Reader’s polls.
In 2004, Joe Lovano went
in yet another direction with I’m All for You, his first of
two recordingswith his long-time collaborators George Mraz and Paul
Motian, and featuring keyboard legend Hank Jones. While I’m All for
You was an all-ballads recording, the sequel, Joyous Encounter
(Blue Note, 2005) was a more diverse program that featured Monk,
Coltrane, and Thad Jones’ charts. In a sense this recording is a
Jones Family tribute, as Lovano was mentored early in his career in
Thad’s bands and collaborated with both Hank, who again is on
piano, and the late Elvin Jones, who recorded two tracks on the
current playlist, Coltrane’s “Crescent” and Oliver Nelson’s
“Six and Four.”  Photo by Andrea Canter
The Sextet
Philadelphian Judi
Silvano has been named one of the Top 10 Vocalists by Down
Beat three times and has performed and recorded with a long and
diverse list of artists from Bill Frisell to Kenny Werner to Charlie
Haden, as well as husband Joe Lovano. Yet Silvano is perhaps best
known as a devoted educator, progressive composer, and producer who
has presented rising vocalists in a program at New York City’s
Cornelia Street Café. While her many wide-ranging recordings
often edge toward the avant garde, her latest acclaimed release (Let
Yourself Go, Zoho Music, 2004), is a set of standards assembled
for her mother’s 80th birthday.
As a seventeen-year-old.
pianist Dan Wall won a Hall of Fame Scholarship from
Down Beat magazine. During the 1970s and 1980s, Wall played
and recorded with Joe Chambers, Al Cohn, Steve Grossman, Eddie Gomez,
Eddie Harris, Sheila Jordan, Lee Konitz, Charlie Rouse, and Jeremy
Steig; over the years he has also worked with Steve Gadd, Tom
Harrell, Billy Hart (a fellow faculty member at Oberlin). Henry
Mancini, and Bernard Purdie. A member of the John Abercrombie Trio
since 1991 as a Hammond B-3 organ artist, Wall's most recent release
with the Trio is Open Land (ECM) which features guest artists
Joe Lovano, Mark Feldman, and Kenny Wheeler. His most recent release
as a leader is On the Inside Looking In (Double Time Records).
Wall, now on the music faculty of Oberlin College, has frequently
been selected for Down Beat’s International Critics' Poll.
Assistant Professor of
Jazz Studies at Ohio’s Youngstown State University, David
Morgan is an acclaimed bassist, composer, and arranger. His
credits include work with Larry Coryell, James Moody, Frank Foster,
Joe Chambers, Benny Green, Joe Lovano, Bob Brookmeyer, Bobby Watson,
and Mose Allison. David performs regularly with the Cleveland Jazz
Orchestra, the Jack Schantz Jazz Unit, and with a variety of smaller
ensembles. His compositions are played throughout the world; the Jazz
Unit released an acclaimed recording of his compositions, entitle
Choices. Dan Wall was one of the collaborators on this
project.
Percussion master Jamey
Haddad is a native of the Cleveland Lebanese community who
viewed music as a means of integrating himself into American culture.
Playing drums from an early age, he befriended fellow musician Joe
Lovano as a teenager, and credits Joe with helping to shape his
direction in music. After attending the Berklee College of Music,
Haddad played with jazz musicians, studied South Indian music with
Ramnad Raghavan, and then received a Fulbright Fellowship to study
percussion in South India. The recipient of four National Endowment
for the Arts fellowships to pursue jazz and international studies and
collaborations, today Haddad works with a wide range of
projects--Paul Simon, Dave Liebman, the Paul Winter Consort, and
Broadway actress/singer Betty Buckley. He also plays with musicians
from all over the globe.
Jazz fans in the
Cleveland
area have a great opportunity to hear one of the living legends of
jazz in the company of as fine an ensemble as you can find on the
planet. As the Village Voice proclaimed, "Move over
Pavarotti, the great Italian tenor around today isn't Luciano, but
Lovano.” At Nighttown on December 29th, the great tenor
celebrates his birthday, and there will be plenty of song and sextet
for the occasion.
On
December 28th, 7:30 pm, see Joe Lovano and quintet at
Porters, 123 West 14th St, Erie, PA (call 452-2787 for
tickets). See the Joe Lovano Sextet as part of Nighttown’s “Home
For The Holidays Series” on Thursday December 29th;
shows at 7 & 9 pm; $25. Tickets and information at
www.nighttowncleveland.com.
Joe will tour Europe in January before arriving in Oakland as part of
McCoy Tyner’s annual residency at Yoshi’s, January 24-29
( www.yoshis.com). |