A CD titled Triskaidekaphobia promises to be out of the
ordinary. Vibraphonist/ composer Ben Thomas fulfills this promise by
mixing jazz with tango, chamber, and funk, along with music from Cuba
and Brazil. The result “is full of movement and vitality that will
engage through many listenings” (Origin Records). At the Dakota on
October 7, Thomas will celebrate the release of Triskaidekaphobia
(Origin, 2005), joining his pianist, Laura Caviani, and her
quartet.
Playing vibes, drums, and percussion, Ben
Thomas has performed since the mid 1980s in a wide variety of
formats and genres. Recent appearances include the Bumbershoot Arts
Festival, Detroit-Montreaux Jazz Festival, Issaquah Jazz Festival,
Anacortes Arts Festival, Ellensburg Jazz in the Valley Festival,
Tacoma Maritime Festival, Bellingham Art of Jazz Series, and the
Seattle Art Museum.
Thomas graduated from Swarthmore with degrees in
math and music. While completing graduate studies at the University
of Michigan, he directed the University's Jazz Composers Orchestra
and performed with Stephen Rush. Since moving to Seattle, Thomas has
been involved in teaching and leading jazz groups, and was awarded a
grant for music composition by the Seattle Arts Commission in 1999. His current projects span jazz,
salsa, swing, and chamber music. Notes Jovino Santos Neto, Brazilian
pianist/composer/flautist, “ Ben is
a great composer, and an energetic performer who knows how deep music
can go. It's always fun to play with him.” Thomas released to
previous recordings, The Madman’s Difference (Origin, 1998)
and Mystagogue (Origin, 2000).
 Photo by Andrea Canter
Laura Caviani’s roots
are solidly in the Midwest and music. She tells about her father’s
barbershop quartet gigs as a student at Grinnell College in Iowa,
when the young pianist was a fellow named Herbie Hancock. She
received a Bachelor’s of Music in Composition from Lawrence
University in Appleton, WI, and a Masters of Music in Improvisation
from the University of Michigan at Ann Arbor, where Ben Thomas was a
fellow classmate. Caviani received a grant from the Atlantic Center
for the Arts in 1997 to study with piano virtuoso JoAnne Brackeen,
and the following year was one of four American musicians selected to
study in Japan at the Akiyoshidai International Art Village. Her
teaching credits include St. John's University, the University of
Wisconsin at Eau Claire, the University of St. Thomas, the University
of Minnesota, and many middle schools in Minneapolis through the
"Harman How to Listen Program," an outreach project
co-founded by Wynton Marsalis. As a professor at the University of
Wisconsin - Stevens Point, Laura has taught classes in improvisation,
composition/arranging, and jazz keyboard
techniques.
Caviani is a veteran of over 15 years
of performing, recording and composing, including appearances with
Toots Theilemans, Bob Mintzer, and Dave
Liebman, and touring and recording with rising star vocalist Karrin
Allyson. As a leader she has four acclaimed recordings to her credit
and a long list of supporting roles with local musicians, as well as
appearing on Ben Thomas’ Mystagogue. Recent activities
include the Millay Project with Prudence Johnson, Soul Café
with guitarist Steve Blons and saxman Brad Holden, Pete Whitman’s
Xtet and Departure Point, weekly gigs at Rossi’s, tours with Karrin
Allyson and Sara Garazek, and numerous appearances with vocalist
Lucia Newell. As a composer, she has created numerous works for jazz
ensembles and orchestral works for the Central Wisconsin Symphony
Orchestra and the Kansas City Symphony Orchestra. Whether
comping for big band, trio or vocalist, or leading the way with her
improvisations of standards or original works, Laura displays a wide
range of harmony and passion, dazzling energy, and boundless
imagination.
Joining Thomas and Caviani at the
Dakota will be two popular anchors of area rhythm sections, bassist
Jeff Bailey and drummer Phil Hey. The
local celebration of the release of Triskaidekaphobia
gives Twin Cities audiences a second chance to hear Ben Thomas in
little over a year; last August he performed at the Artists’
Quarter with the Laura Caviani Trio. [See
Jazz Police review]
The collaboration of Thomas and Caviani was magical, and we can
expect more empathetic excitement when these two old friends join
forces to highlight Ben Thomas’ original music at the Dakota.
Celebrate the release of Ben Thomas’
new CD in the company of the Laura Caviani Quartet at the Dakota,
1010 Nicollet Mall, downtown Minneapolis. Sets start at 8 pm. Visit
www.dakotacooks.com.
For more on Ben Thomas, visit
www.malletman.com
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