 Photo by Andrea Canter This weekend, one of the
region’s premiere vocalists and jazz interpreters will showcase the
diversity of her talents at two distinctly different venues. On
Friday and Saturday nights, Lucia Newell takes the stage in a tribute
to Betty Carter at the Artists Quarter in downtown St. Paul. On
Sunday night, she reprises a recent guest appearance with the stellar
trio, Soul Café, providing the songs of Rogers and Hart
interspersed with readings from Pablo Naruda, at the opening of Soul
Café’s new season at the Hennepin Avenue Methodist Church
“art gallery” off Loring Park in Minneapolis.
About Lucia Newell
From Los Angeles to
Mexico City to Rio de Janeiro, as well as locally at Orchestra Hall,
the Artist's Quarter, and the Dakota, Lucia Newell has performed
Brazilian samba, French ballads and bop melodies; she has sung with
the great Billy Eckstein, the Rio Jazz Orchestra, and Oscar Castro
Neves. A native of Minneapolis, Lucia was always involved in school
choirs, theater, and garage bands. She moved to New York in the late
60s where she finished high school and joined a classical ensemble,
the Albatross Quartet and political theater group that ultimately
settled in Minneapolis as At the Foot of the Mountain Theater. Back
in the Twin Cities, Lucia began vocal studies with Janis Hardy of the
Minnesota Opera. Soon her career moved into voice-over work, radio
jingles and singing background vocals for recordings.
Lucia began her jazz
career singing with the Kevin Hoidale Sextet and the group Four. She
traveled between Minneapolis and LA singing in clubs and concerts,
and cut a demo recording at Creation Audio, where she met future
husband Steve Wiese. The “gypsy years” were underway as Lucia
moved to Europe and then Rio de Janeiro, where she sang with Osmar
Milito, Nilson Matta, Everaldo Ferreira and Marcio Lotts at Clube 21,
and with Celia Vaz and the Rio Jazz Orchestra; she also studied
Brazilian percussion with Café. From Rio she moved to Buenos
Aires, and then to Mexico City for six months performing at El
Señorial. Back in the US, Lucia landed in Los Angeles to study
jazz at the Dick Grove School of Music, finally returning to
Minneapolis in 1982. Back home, Lucia married Steve Wiese and worked
for Jimmy Jam Harris, Terry Lewis and Monte Moir of Flyte Time
singing background vocals.
 Photo by Andrea Canter
Over the past two
decades
she has continued voice-over work as well as live performance and
studio singing, teaching, composing, and her life-long study of
music. A linguist as well as vocalist, Lucia writes lyrics in both
English and Portuguese, and has translated many of her favorite
Brazilian songs. She has collaborated with guitarist/bassist Joan
Griffith on several songs included on their CD, Enter
You, Enter Love, and are working
on their second CD. Lucia has set words to Thelonious Monk’s “Ugly
Beauty” and to works of local piano virtuoso Laura Caviani; she
also has composed and written lyrics for several children’s songs
and has composed music for a Hopi poem, “Weep Not at My Grave.”
Lucia Newell is busy
performing locally (often at the Dakota and Artists Quarter), at area
festivals, and nationally/internationally with bassist Michael Gold
at corporate events. Her first recording, Enter You, Enter Love
was hailed as a “wonderfully surprising collection of love
songs...that brings to mind steamy, moonlit tropical nights” (Sun
Current). Her recent collaborations with Pete Whitman’s
Departure Point sextet, along with her love of Billy Strayhorn, led
to her latest release, Steeped in Strayhorn. Said Alan
Bargebuhrin Cadence, “Lucia Newell turns out to be one of
those gifted vocalists whose conception and intelligence is
transcendent. Add to that some well crafted and conceived
arrangements played with snap, crackle, and the requisite pop, and
you have over an hour of music that is alive with authentic Jazz
affirmation. Strayhorn would be very happy and proud.” Another
frequent collaboration, with the trio Soul Café (Laura
Caviani, Steve Blons, Brad Holden), will be documented in an upcoming
recording (see below).
At the Artists’
Quarter: Tribute to Betty Carter, September 16-17.
Lucia
Newell’s strong interest in the music of the late Betty Carter led
to the arrangements for this weekend’s tribute gig at the Artists
Quarter. Carter had a strong individual style and uncompromising
personality that eschewed commercial success despite her incomparable
talent as a scat singer and creative interpreter. After touring with
Lionel Hampton, she gained popularity with a duet recording with Ray
Charles. In the last decade of her life, she was honored with a
Grammy and awards from the NEA and President Clinton. Her most
enduring legacy, however, is her efforts to nurture the careers of
young jazz artists, much in the manner of Art Blakey. Many of today’s
stars launched their careers in Carter’s stable, and the Betty
Carter Jazz Camp continues as one of the top learning opportunities
for young jazz artists. Joining Lucia will be pianist and frequent
collaborator Laura Caviani, master bassist Terry Burns, and the king
of elegant percussion, Phil Hey. Sets Friday and Saturday begin at 9
pm, first set is non-smoking.
 Photo by Andrea Canter
With Soul Café
at the Hennepin Avenue United Methodist Church, September 18.
One of the most unique jazz ensembles
in the Twin Cities, Soul Café launches their new
season this weekend. The imaginative collaboration of three stellar
local artists features Steve Blons (guitar), Laura
Caviani (piano), and Brad Holden (alto sax).
Soul Café presents monthly programs from September – May at
the Hennepin Avenue Methodist Church (and an occasional gig at the
Dakota), usually combining their jazz chops with readings of poetry.
This weekend (Sunday, September 18th at 7 pm), Soul
Café
continues their trademark tradition with frequent guest vocalist
Lucia Newell reprising a 2004 performance featuring the music of
Rogers and Hart with readings from the works of Brazilian poet Pablo
Neruda. This gig will also serve as a preview of Soul Café’s
upcoming second recording.
 Photo by Andrea Canter
Soul Café’s leader, Steve
Blons (aka Dr. Jazz), grew up around jazz as the son of Twin
Cities’ Dixieland musician Harry Blons. Gigging around town as a
teenage guitarist, Blons pursued other career directions, and worked
in higher education, adoption, and conference center management
before turning to fulltime music about ten years ago. In addition to
Soul Café, Blons recently joins forces with Michele (Jansen)
MacKenzie for Jazz and the Spirit, airing on KBEM-FM
(88.5) and simulcast on their website, www.Jazz88FM.com.
Laura Caviani is one of
the area’s busiest jazz performers, composers, and educators. Her
formal education included degrees from Lawrence University in
Appleton, WI and the University of Michigan; study in Japan at the
Akiyoshidai International Art Village; and a grant to study with
another highly inventive pianist, Joanne Brackeen. She has toured
with Toots Theilemans, Bob Mintzer, Dave
Liebman, and (currently) Karrin Allyson, has released four acclaimed
recordings as well as appearing on a long list of CDs of local
musicians, and teaches at the University of Wisconsin-Stevens Point.
In addition to her work with her own ensembles, she appears regularly
with the Pete Whitman X-Tet and Departure Point.
 Photo by Andrea Canter
Alto saxman and Fergus Falls, MN native
Brad Holden notes that “for the last twenty-eight
years, the alto saxophone has been at times both my best friend and
my worst enemy.” After studying at the University of Minnesota
where he played in jazz ensembles, Holden played professionally
around town and studied with local legend Eddie Berger. His local
gigs have ranged from solos on the rooftop of the old Loring Cafe to
the Twin Cities Jazz Orchestra Big Band. His current projects include
Lineup, which features the music of Lennie Tristano, Lee Konitz, and
Warne Marsh, and of course, Soul Café.
A Lucia Newell Weekend
If you have not yet
heard
the woman described by Minnesota Monthly as “one of the most
powerful vocalists on the Twin Cities scene,” this weekend offers
two exceptional opportunities over three nights. Find out why drummer
Phil Hey calls Lucia Newell “a real jazz singer, one of the very
few who’s really dedicated to what I would call jazz music - one of
the few singers I would pay to see.” At the same time, you will
hear two of the classiest instrumental ensembles around, with Laura
Caviani/Terry Burns/Phil Hey backing Lucia at the Artists Quarter
(Friday and Saturday), and the ever-soulful Soul Café
performing their unique blend of jazz and spoken word at the Hennepin
Avenue United Methodist Church (Sunday).
For more information
about Lucia Newell, visit www.lucianewell.com.
The Artists Quarter is located in the lower level of the Hamm
Building at 7th Place and St. Peter Street in downtown St.
Paul, www.mnjazz.org ;
cover $10. More about Soul Café is available on the Jazz
Police at
www.jazzpolice.com/content/view/4895/53/.
Soul Café performs monthly on the third Sunday of the month at
7 pm in the Art Gallery of Hennepin Avenue United Methodist Church,
Lyndale and Groveland near the I-94 Lyndale exit off Loring Park in
Minneapolis; information at 612-871-5303. No cover, donations
suggested.  Photo by Don Berryman |